FORE | By David Hogan
Cast of Characters
JONES early 30s, an environmental activist
AMANDA early 30s, a defense contractor
DEREK 40s, a golfer
Place
A golf course in New Jersey
Time
Present
Scene 1
Setting: A forest next to a golf course.
At Rise: The sound of two voices screaming and branches breaking, etc. Lights up on JONES and AMANDA as they hang in parachute harnesses a few feet above the stage.
AMANDA
You okay? Jones? You okay?
JONES
Think so, yeah. You? Arms? Legs? Anything broken?
AMANDA
No, nothing, I think I’m fine. God, where are we?
JONES
In trees. A forest maybe.
AMANDA
Can’t see the forest for the trees?
JONES
Think that’s funny?
AMANDA
It’s not gonna make our situation any worse.
JONES
You got us into this mess.
(her voice)
Hey, let’s go parachuting. I used to date a jump instructor in the Navy.
AMANDA
I was trying to save our relationship. Do something together for once. Add some excitement.
JONES
Our relationship doesn’t need saving anymore. We do.
AMANDA
Only because you couldn’t judge the wind.
JONES
I couldn’t see anything up there. It was so cloudy. Then coming down, I glimpsed some open, green areas and aimed for them.
AMANDA
That’s why we’re in a forest?
JONES
You’re hanging next to me.
AMANDA
I followed you down. I knew you were off. I couldn’t just let you go.
(looking around)
Maybe they’ll come rescue us.
JONES
Who? The jump instructor, your ex-boyfriend, said he’d do the drop only if he could deny it. This never happened!
AMANDA
He could get in a lot of trouble using military assets for non-military business.
JONES
So why risk it?
AMANDA
Because I come from a long line of military heroes, that’s why, honored veterans from nearly every civil, national, and world war on four continents. Minor skirmishes, too.
JONES
Fascists.
AMANDA
We earned what we took. What’d your family do?
JONES
We were peasants. Simple, decent farmers, living off the land
AMANDA
-Losers
JONES
-Who survived famines, insurrections, invasions to bring us, me, to this. What a way for us to go.
(They take in their surroundings.)
AMANDA
Too bad we didn’t bring our phones. Could you imagine the likes if we posted this?
JONES
Are you kidding me?
AMANDA
No, you’re right. We’d need a long selfie stick to the get the proper context with the forest and all.
JONES
How about, if we had phones… Oh, I don’t know… calling for help.
AMANDA
Sometimes I don’t think you’ve ever had an original idea in your head.
JONES
Do you have any other original ideas? You know, like, good ones.
AMANDA
I do actually. That, hanging here, we’re a perfect metaphor for modern relationships.
JONES
That’s your idea?
AMANDA
…Suspended like this… Waiting…
JONES
Maybe I can shake loose if I…
(He looks up, starts to rock back and forth.)
AMANDA
… Neither alive nor dead… Neither together nor apart…
JONES
If I had something sharp…
AMANDA
… what holds us together is the very thing that holds us apart.
JONES
What are you talking about?
AMANDA
My idea.
JONES
I meant an idea about how to get down from here, not just some stupid idea. That can’t help us.
AMANDA
It can give us meaning. Something to fight for.
JONES
Meaning is survival!
AMANDA
I see how you come from peasants.
JONES
And I see why you were successful soldiers. God, you’d just start talking about your bright ideas and eventually the other side would beg you to shoot them.
AMANDA
We stood for something and risked our lives.
JONES
What do you stand for? Greed? Getting another defense contract?
AMANDA
I make a hell of a lot more money than you do.
(A small white object rockets past them..)
JONES
What was that?
AMANDA
A bee? Bird?
JONES
No, it was heavier, harder. Somebody’s shooting at us.
AMANDA
Nobody’s shooting. We’d’ve heard the retort. Maybe it’s cannibals, coming to eat us.
JONES
Cannibals in New Jersey?
AMANDA
Yeah, they’re waiting to see how we react. Maybe they want to make us sex slaves first.
JONES
You’d like that, wouldn’t you? Sooner or later, you’re gonna realize the position we’re in. (looking at the harness)
There are some clips up there. If I could get high enough to release them…
(JONES tries, unsuccessfully, to pull himself toward the
clips. AMANDA swings and kicks him.)
JONES
The hell was that for?
AMANDA
If we’re going to die, let’s go out proudly, fighting like heroes, not sniveling like peasants.
(AMANDA aims a ferocious kick right at his crotch. This time, JONES kicks back.)
JONES
What is wrong with you? See what you’ve turned us into.
(Another small white object flies by.)
AMANDA
Another one.
(screaming)
Hey! In here! We’re in here!
JONES
Wait. I think I hear something.
(They listen. There is a rustling sound.)
AMANDA
Could be a person.
JONES
Could be an animal.
AMANDA
I think it’s gone.
JONES
That’s good.
AMANDA
Too Bad.
JONES
What if it was a animal? A bear? Coming to eat us.
AMANDA
What if it was a person hiking? Coming to save us.
JONES
That’s your problem. Right there.
AMANDA
Exactly. You’re afraid of the thing that will save you.
JONES
You think the thing’s that’s here to kill you is going to save you.
AMANDA
At least we know where we stand.
JONES
Hang.
AMANDA
(to herself)
What the heck.
(She swings toward him and wraps her legs around him.)
JONES
Stop! What are you doing?
AMANDA
C’mon, be brave. Try something new.
JONES
Get away from me!
(He tries to release himself. She won’t let him go.)
AMANDA
Let’s do it.
JONES
We’re hanging here about to die and you want to have sex?
(She tries to pull down his pants.)
AMANDA
It’s romantic. It’s like one of those plane crashes with two survivors. They may not like each other but they huddle together anyway and make love over and over in their final frozen days.
JONES
And when the first one dies, the other one eats them, limb by limb, organ by organ. That’s romantic?
AMANDA
It’s intimate.
JONES
Stop! I don’t want to. No. Rape!
DEREK
(offstage)
Fore!
(Another ball hits JONES. DEREK enters, carrying a golf bag. He looks them over.)
DEREK
I’ve been around a little bit, even done some kinky stuff myself. But I’ve got to hand it to you, this shows some imagination.
AMANDA
I’ve got the imagination.
(AMANDA lets JONES go with her legs.)
JONES
We thought we were going to die.
AMANDA
We’re like those people whose plane goes down in the mountains.
DEREK
One of them usually ends up eating the other.
JONES
That’s what I said. She thinks it’s romantic.
DEREK
I don’t know if it’s romantic, but it’s intimate.
AMANDA
(to Jones)
See.
DEREK
Talk about coughing up a lung.
(AMANDA laughs. JONES doesn’t.)
JONES
You going to cut us down or what?
DEREK
Maybe. But it isn’t often that I come upon people hanging from the trees off the eighth fairway and attempting to have sex. It gives a whole new meaning to the word, dogleg.
JONES
It wasn’t consensual.
DEREK
You’re lucky I haven’t corrected my slice. Seventeen thousand dollars on lessons and still, every time I hit the ball…
(He shows the way the ball travels.)
AMANDA
Try rolling your left hand and taking a slightly weaker grip.
DEREK
You play golf?
AMANDA
I was on the team at the Naval Academy.
JONES
Don’t even start.
(DEREK and AMANDA ignore JONES.)
AMANDA
You’ll lose a few yards in distance, but make it up by hitting hit straighter.
DEREK
Thanks, uh…
AMANDA
Amanda.
DEREK
Well I’ll try that, Amanda. God knows I have the time. I’ve been out here every night since my divorce. I’m Derek.
(He shakes AMANDA’s hanging foot.)
AMANDA
A single, handsome man all alone on an empty golf course. So romantic.
JONES
Everything’s romantic to you. Plane crashes, cannibalism.
DEREK
(to Amanda)
It’s not as romantic as it sounds. You know, you think when you get divorced, it’ll be free and easy and women will just drop in on you, but it doesn’t work out that way. Not usually anyway.
AMANDA
Oh, Derek.
DEREK
Yeah, sometimes I don’t think I even want to correct my slice. It’d leave too much of a void in my life. It’s not easy inheriting looks, wealth, health and privilege, believe me.
AMANDA
I know, I’m descended from military heroes myself.
JONES
Kill me now. Just kill me now.
DEREK
You know, the marriage of money and military, of wealth to warriors, has always been…
AMANDA
…an unstoppable combo, yeah.
DEREK
… all we need to do is unite forces…
AMANDA
… An LLC, an LBO, an MRS…
JONES
Did I hear that right?
DEREK
… some initiative and ambition…
AMANDA
… ruthlessness and cunning…
DEREK
… and the world is our oyster…
AMANDA
… waiting to be shucked, plucked, and mother
JONES
-You’re both taking over the world and she’s not even out of her tree yet.
AMANDA
(re: Jones)
He’s from peasants.
DEREK
Tell me something I don’t know.
AMANDA
Wants everything handed to him. Soak the rich and coddle the weak and lazy, that’s him. If only he had some ambition.
JONES
I work for the Sierra Club. What’s more ambitious than saving the planet?
DEREK
Oh my God, virtue signal much?
JONES
And I’m not for soaking the rich. It’s just that an extraction and accumulation based economy is no longer sustainable for
DEREK
Yeah, yeah, yeah, blah, blah, blah. I used to be twelve years old once too. (to Amanda)
Is he for real?
AMANDA
Fearfully so.
DEREK
Oh yeah, I almost forgot.
(goes into his golf bag and finds a knife)
Should do the trick.
AMANDA
Can you cut his throat first?
DEREK
Why, you hungry?
(THEY laugh. JONES doesn’t. DEREK tries to cut
AMANDA down.)
DEREK
(re: his cutting)
Doesn’t seem to be doing any good.
AMANDA
(looking up)
Maybe if you lift me up on your shoulders? There are some clips up there and if I can get high enough maybe I could…
(DEREK stands under AMANDA. With her feet on his
shoulders, she’s able to reach up and unhook herself.
DEREK lets her fall into his arms.)
AMANDA
Thanks. You’re strong.
DEREK
And you’re so softly warm. God, I’ve missed that.
AMANDA
Maybe you don’t have to.
DEREK
I know this is sudden, but can I kiss you? I mean, right now, after you’ve dropped into my arms like this, like an angel from Amazon.
AMANDA
I thought you’d never ask.
(They kiss.)
JONES
You just met and now you both think it’s the beginning of some great military-industrial power match?
(DEREK puts his hand over his heart.)
DEREK
Feel that?
(putting AMANDA’s hand over his heart.)
It’s concussive.
(AMANDA puts DEREK’s hand over her heart.)
AMANDA
Mine too.
(DEREK kisses her again.)
JONES
Get me down! Would you please get me down!
DEREK
He is obnoxious, isn’t he?
AMANDA
Always wanting something. A classic taker.
JONES
Just stand under me so that I can un-clip myself. That’s it. That’s all I ask.
AMANDA
Can’t do a single thing for himself. Always a handout.
DEREK
Let’s get out of here.
(They start to walk away.)
JONES
Wait, where are you going? You can’t leave me here.
(They stop and turn around.)
AMANDA
If we cut him down, he’ll follow us, begging and pleading and wanting more. That’s the last thing I want.
JONES
I could die!
AMANDA
I don’t want him out of that tree until we’re far away.
(DEREK hands his cell phone to JONES.)
DEREK
Here. Call a friend, if you have any. Tell them your hanging in a tree off the eighth fairway at the Millbrook Heights Country Club.
AMANDA
(to Jones)
I hope I never see you again.
JONES
You won’t!
AMANDA
(to Derek)
Do you have an extra room?
DEREK
You can choose from one of twelve.
(AMANDA and DEREK start to walk off.)
JONES
You were trying to have sex with me not ten minutes ago, Amanda. Not ten minutes ago! You’re a mean woman, Amanda, snake mean. Oppressive, greedy, selfish and mean!
(AMANDA snaps around.)
AMANDA
You don’t get it, do you, Jones? The gravitational pull of wealth and power, the sweet seduction of mutual selfish interest, the glorious grab-fest of the civilized world. That’s what it’s about. But you don’t get it, Jones, and that’s what makes you a peasant. And why you’ll always be a peasant.
JONES
Selfishness and carelessness, is that it, Amanda? Take what you can and fuck everyone and everything else. Is that it what it’s all about?
AMANDA
Better than to be left hanging.
(AMANDA and DEREK exit. JONES gestures at them with disgust. The phone slips out of his hands and falls to the ground. JONES looks down at the phone, then in the direction AMANDA and JONES exited, then at the phone again.)
CURTAIN

About the Author:

David Hogan is the author of two novels, a number of short stories and several plays. His debut novel, The Last Island, was published by Betimes Books in Dublin, Ireland. His latest novel, Hear Us Fade, will be published by Betimes Books in May, 2021. His stage plays include the GTC National New Play Initiative award-winning Capital and No Sit – No Stand – No Lie, which opened the ‘Resilience of the Spirit’ Human Rights Festival in San Diego. He has contributed to Writing.ie, Irish Central, and Points in Case and is a dual citizen of the US and Ireland.