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Introducing Issue #21 ~ Autumn 2025

Discover TGLR’s Autumn 2025 Literary Gems

October 17, 2025

A vibrant sunset over a lake, with silhouettes of trees in the foreground. The sky features shades of orange and yellow, reflecting on the water's surface. The text 'thegoodlifereview' is prominently displayed along the left side, along with the issue number and date at the bottom.



Dear Lit Mag Enthusiasts and Sweater Weather Lovers,

Welcome to fall and the latest edition of TGLR. Yes, friends, today is the day… The big reveal of Issue #21!! It’s always a delight to introduce the authors and artists we meet through the publication process, but it’s especially wonderful when people are as kind as this bunch. We’re honored to promote them and this bountiful collection of amazing work! 

We’re excited to feature two poems by Rodrigo Toscano plus more sweet, sweet lines by Rayni K. Wekluk, Matthew James Babcock, Bob King, Elizabeth Anguamea, and Caroline Sutphin. And that would certainly be more than enough, however, we are beyond thrilled to offer, for the very first time, spoken word! These brave souls were willing to jump into the bounce house with us for this fun new endeavor: Eve Addams, Dufflyn Lammers, and Esman Rodas Calderon.

A huge thank you to Bianca Swift who agreed to be our guest editor for this segment!

In flash creative nonfiction, we have two essays by Camila Cal Mello, the doctor says i must milk her body and my mother says she wants to go out tonight and a third, The Percolatorby Marlene Olin. For longer essays, we have Rearview Mirror by Brad Snyder and Swan Song by Sarah Safsten.

And because it is getting harder and harder to turn excellent work away, we could not resist accepting the six fiction pieces that are included in the virtual pages of this issue – flash by Charlie Rogers and Sarah Schiff, and short fiction by Simon Ashton, Ben Seabolt, David Hutto, and Mikaela Conley. All are worth taking time time to read and enjoy!

Of course, the issue would not be complete without a full complement of artwork. We’re pleased to showcase “Early Rising” by Amuri Morris on the cover and pieces by J.C. Henderson, Crystal Angeles, Fabio Sassi, and Harry Bauld accompanying the writing in the issue. More about each artist and their work is available on the Issue 21 Art page. 

With that, we are delighted to release Issue #21 ~ Autumn 2025 into the wild!  

As always, thank you for visiting, reading, supporting independent journals, and believing in the arts!

Cheers to Leaf Peeping and Stormy Mornings,
~Shyla, Tacheny, and The Good Life Review Team

Issue #21 Editorial Team: M.A. Boswell, Ashley Espinoza, Tacheny Perry, Tana Buoy, Patrick O’Dell, Carina Faz, Amy Crawford, Annie Barker, Debra Rose Brillati, Erin Challenor, Cid Galicia, Terry Belew, Michelle Pierce Battle, Cat Dixon, Stepha Vesper, and Shyla Shehan

Issue #21 Readers: Jamie Wendt, Toni Allen, Zach Vesper, Jill Veltkamp, Julie Johanning, Brittany Turek, Miranda Jansen, Madeline Torbenson, Mitra Vajjala, Julia Sample, Ashley DeVrieze, and Christine Nessler

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announcements

2026 Best of the Net Nominations

Nominees for Best of the Net 2026 Revealed

September 25, 2025

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Hello friends. Fall has arrived here in Omaha and the cooler weather means it’s nom-nom-nomination season again. Today, we’re thrilled to kick off this gourmet meal with a healthy dish of Best of the Net Noms!

For those who don’t know, Best of the Net is an annual contest operated by Sundress Publications that is designed to elevate and celebrate a growing collection of writers and publishers who are opening the door to transformation through writing and art online. More about the contest can be found here.

This year we are pleased to nominate two creative nonfiction essays, two fiction stories, six poems, and three pieces of art published between July 1, 2024 and June 30, 2025.

We’re grateful to all of our contributors and want to wish a hearty congratulations to these fine writers and artists for being the best of our best.

Good luck snagging that prize!

Cheers,
Shyla, Tacheny, & The Good Life Review Team

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Introducing Issue #20 ~ Summer 2025

Introducing Issue #20 ~ Summer 2025, The Honeybee Prize Edition

July 15, 2025

Cover of 'The Good Life Review' Issue #20, Summer 2025, featuring abstract blue artwork with stylized white shapes, a butterfly graphic, and text highlighting the edition's theme.



Dear Friends and Readers,

Welcome to the sweltering heart of summer. If this is your first visit to The Good Life Review, the 20th, or the 100th, we thank you. If you’re here to read a single poem that was written by someone you know or intend to read this latest release “cover to cover,” we thank you. And if you are just here for a taste of what we have to offer because you are considering sending us some writing or art, we thank you. No matter the reason, we are grateful and excited to share what we feel is one of our most glorious collections to date!

This issue includes the winners of our annual Honeybee prize, along with other select finalists that were favorites of our editorial team. This is the 5th year we’ve run a contest, and we received a larger volume of poems, stories, and essays than ever before. It makes narrowing down to a short list of finalists (available here) extremely difficult, and also means that all of the pieces selected are truly the best of the best.

Before we get down to business with the official rundown of what’s included in this issue, we want to express gratitude to the judges of this year’s contest – Julia Kolchinsky (Poetry), Brenna Womer (Short CNF), Kristine Langley Mahler (Flash CNF), Michael Czyzniejewski (Short Fiction), and Tom Paine (Flash Fiction). All were wonderful to work with, generous with their time, and thoughtful in their endorsements. Those endorsements, incidentally, are included with the winning piece in each genre…

Artistic graphic featuring a golden bee and text reading '2025 HoneyBee Prize WINNERS' against a blue background.

In Poetry: Autobiography of a Violin by Cassie Burkhardt
In Flash Creative Nonfiction: I Conjure My Great-Grandmother In a Dream; She Gives Me a Lesson on Revision by Alayna Powell
In Flash Fiction: While Making Out the Lineup for Tomorrow’s 12U Softball Championship Game by Jim Parisi
In Short Fiction: When Mr. Boppo Joined the Cohort by Sharon Lee Snow
In Short CNF: The Laundry Hangs at Noon by Ginger Tolman

In addition, the following pieces were selected by our teams to receive Editor’s Choice accolades…

Poetry:
Red and Yellow Light Over the Top of Houses by Dolapo Demuren
Arouse Yourself, why do You sleep, O LORD? by Yin Cheng
The Year I Carried You by Sara Shea
The Widower Writes From the Shipwreck by Ellie Gold Laabs
True Apothecary by Ellie Gold Laabs

In Flash Creative Nonfiction:
The Leftovers by Michelle La Vone

In Short Fiction:
Take Me Through the Finish by Tom Ziemer

In Flash Fiction:
The Summer He Left by Alison Ozawa Sanders
Solitary Creatures by Charlie Rogers & Jaime Gill

Congratulations, again, to all these fine folks for creating such wonderful pieces.

Our list of contributors does not end there, though. This issue also includes some incredible artwork by several talented artists: Mary Amato ( “Zephyr” featured on the cover), Roger Camp, Britnie Walston, Nataliia Burmaka, Ferris Jones, Milena Makani, Maud Bocquillod, Joe Hernandez, and Sebastian Mark. These pieces were selected because of their style, use of color, and texture, and also because of how their work visually complements the writing in the issue. More about these artists is available on the Issue #20 Artwork page.

With that, we invite you to dive into Issue #20 ~ Summer 2025 and celebrate with us! We hope that you enjoy these pieces as much as we do. Thank you again for visiting, reading, supporting independent journals, and believing in the arts.

Cheers to Shade Trees and Honeybees,
~Shyla, Tacheny, and All of The Good Life Review Team

Issue #20 Editorial Team: M.A. Boswell, Erin Challenor, Debra Rose Brillati, Annie Barker, Patrick O’Dell, Tana Buoy, Tacheny Perry, Carina Faz, Dave Mainelli, Cid Galicia, Michelle Pierce Battle, Cat Dixon, Terry Belew, Stepha Vesper, and Shyla Shehan

Issue #20 Readers: Amy Crawford, Julia Sample, Madeline Torbenson, Jamie Wendt, Jill Veltkamp, Toni Allen, Julie Johanning, Zach Vesper, Ashley DeVrieze, Arianna Ashby, and Miranda Jansen.

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announcements

2025 HoneyBee Prize Winners

TGLR 2025 Honeybee Prize Winners

July 8, 2025

Graphic featuring the text '2025 HoneyBee Prize WINNERS' with an illustration of a bee on a blue background.



Hello friends. June has come and gone and just like snap, we’re barreling straight for the sweltering heart of summer here in the heartland.

For landlocked Nebraska that means hot days, muggy nights, loads of weeding and watering the gardens, and, for us at TGLR, it means celebrating results of our annual contest, the Honeybee Prize.

Friends, this is the 5th year we’ve run the contest and for those who don’t know, 100% of the funds received from submission fees are used to pay contributing writers and artists, which is central to our vision, so we owe a debt of gratitude to all who participated!!

And though we are a few weeks behind schedule, we’re delighted to officially announce the winners selected by this year’s judges and other finalists selected by our team to receive editor’s choice accolades. ↓↓↓

A blue graphic featuring the word 'honeybee' in decorative font at the top and 'Poetry' in elegant script below, accompanied by an illustration of a golden bee.

Winner selected by Julia Kolchinsky:
Autobiography of a Violin by Cassie Burkhardt

Editor’s Choice:
Red and Yellow Light over the Top of Houses by Dolapo Demuren
The Year I Carried You by Sara Shea
Arouse Yourself by Yin Cheng
True Apothecary by Ellie Gold Laabs
The Widower Writes from the Shipwreck by Ellie Gold Laabs

Graphic featuring the text 'honeybee Flash Fiction' on a blue background with a stylized illustration of a bee.

Winner selected by Tom Paine:
While Making Out the Lineup for Tomorrow’s 12U Softball Championship Game by Jim Parisi

Editor’s Choice:
The Summer He Left by Alison Sanders
Solitary Creatures by Charlie Rogers & Jaime Gill

Graphic featuring the text 'honeybee Flash Creative Nonfiction' on a blue background with an illustration of a bee.

Winner selected by Kristine Langley Mahler:
I Conjure My Great-Grandmother and Ask for Her Life Story. She Visits My Dreams and Gives Me a Lesson on Revision by Alayna Powell

Editor’s Choice:
The Leftovers by Michelle La Vone

Graphic featuring the text 'honeybee Short Fiction' on a blue background with an illustration of a honeybee.

Winner selected by Michael Czyzniejewski:
When Mr. Boppo Joined the Cohort by Sharon Lee Snow

Editor’s Choice:
Take Me Through the Finish by Tom Ziemer

Graphic design featuring the text 'honeybee Short Creative Nonfiction' on a blue background with an illustration of a bee.

Winner selected by Brenna Womer :
The Laundry Hangs at Noon by Ginger Tolman

Editor’s Choice:
36 Hours in Lecce by Anne Schuchman

Our congratulations goes out to these fine folks for their amazing writing and to the winners for snagging those beautiful jars of honey!

We’re not done yet, though!! The best is yet to come as most of these award winning pieces will appear in Issue #20 ~ Summer 2025, the Honeybee Prize Edition. It’s gonna be so, so good… we can’t wait to share it with you (very soon).

Cheers,
~The Good Life Review Team

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PS. We’re open for our Autumn issue including our first-ever call for spoken-word pieces, for which submissions are free. The window closes on July 20th. ⭐ We’re also on the hunt for artwork for our autumn issue. ⭐

As a reminder, we nominate for Pushcart, Best of the Net, Best New Poets, Best Small Fictions and… YES we are a paying market! ($60 per piece published in the seasonal issue, $25 per piece published in Micro Monday, $50 for cover art).

Your work will be handled with care and read by at least two (typically three or more) members of our editorial team.

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Categories
announcements

2025 HoneyBee Prize Finalists

Announcing the Short List of Finalists for the 2025 HoneyBee Prize

May 27, 2025

Graphic announcing the 2025 HoneyBee Prize finalists, featuring a gold bee logo on a blue background.



Huzzah, we’ve finally done it! At long last the team is finished reading and deliberating submissions for the 2025 Honeybee Prize. This included hundreds of stories and essays and over a thousand poems! We’re pleased to report that finalists have been sent to the judges in each of the 5 genres.

And we’re equally as excited to heave a hearty congratulations in the direction of those that made it onto this year’s short list. ↓↓↓

A blue graphic featuring the word 'honeybee' in decorative font at the top and 'Poetry' in elegant script below, accompanied by an illustration of a golden bee.

The cure to all the maladies by Jonathan Greenhause
Red and Yellow Light over the Top of Houses by Dolapo Demuren
Every Room is a Sonnet by Dolapo Demuren
Drowned Crawdads by Sara Shea
The Year I Carried You by Sara Shea
Wedged Together We Are Flying by Reva Johnson
Silence bears no fruit by Erwin Arroyo Pérez
English Is My Second Language by Erwin Arroyo Pérez
Yes, she did by Ashlie Hyer
Autobiography of a Violin by Cassie Burkhardt
Arouse Yourself by Yin Cheng
Surely Every Man is Mere Breath by Yin Cheng
The Weight of His Chair by Sam Aureli
True Apothecary by Ellie Gold Laabs
The Widower Writes from the Shipwreck by Ellie Gold Laabs

Graphic featuring the text 'honeybee Flash Fiction' on a blue background with a stylized illustration of a bee.

Before the Everything After by Jaime Gill & Charlie Rogers
Solitary Creatures by Jaime Gill & Charlie Rogers
Do You by Alison Sanders
While Making Out the Lineup for Tomorrow’s 12U Softball Championship Game by Jim Parisi
The Summer He left by Alison Sanders
Hands by Pam Anderson

Graphic featuring the text 'honeybee Flash Creative Nonfiction' on a blue background with an illustration of a bee.

The Leftovers by Michelle La Vone
Attack by Ginger Tolman
Protocols and Such by Camara Garrett
I Conjure My Great-Grandmother and Ask for Her Life Story. She Visits My Dreams and Gives Me a Lesson on Revision by Alayna Powell

Graphic featuring the text 'honeybee Short Fiction' on a blue background with an illustration of a honeybee.

Theatre of Solace by Nicole Bazemore
Peabody by Joe Cappello
Mr. Jensen by Madeline Rosales
Take Me Through the Finish by Tom Ziemer
When Mr. Boppo Joined the Cohort by Sharon Lee Snow

Graphic design featuring the text 'honeybee Short Creative Nonfiction' on a blue background with an illustration of a bee.

On the Telephone with Mom by Dean Gessie
36 Hours in Lecce by Anne Schuchman
The Laundry Hangs at Noon by Ginger Tolman

Stay tuned to learn the results of the contest and who the judges selected as the winners.

If you missed sending work for the prize this year (or even if you didn’t), there’s always another chance just around the next bend. And, we’re always open. Click here to give us a go. ↓↓↓

A vibrant promotional graphic announcing free submissions, celebrating spring and summer, with a background that evokes a creative atmosphere.

As a reminder, we nominate for Pushcart, Best of the Net, Best New Poets, Best Small Fictions and… YES we are a paying market! ($60 per piece published in the seasonal issue, $25 per piece published in Micro Monday, $50 for cover art).

Your work will be handled with care and read by at least two (typically three or more) members of our editorial team.

Peace and Love,
The Good Life Review Team

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Categories
announcements

2025 Honeybee Prize

⭐ Thank you to everyone who sent work for this year’s prize! Winners and finalists along with our esteemed judges are listed below. ⭐
A blue graphic featuring the word 'honeybee' in decorative font at the top and 'Poetry' in elegant script below, accompanied by an illustration of a golden bee.

Winner selected by Julia Kolchinsky:
Autobiography of a Violin by Cassie Burkhardt

Editor’s Choice:
Red and Yellow Light over the Top of Houses by Dolapo Demuren
The Year I Carried You by Sara Shea
Arouse Yourself by Yin Cheng
True Apothecary by Ellie Gold Laabs
The Widower Writes from the Shipwreck by Ellie Gold Laabs

Graphic featuring the text 'honeybee Flash Fiction' on a blue background with a stylized illustration of a bee.

Winner selected by Tom Paine:
While Making Out the Lineup for Tomorrow’s 12U Softball Championship Game by Jim Parisi

Editor’s Choice:
The Summer He Left by Alison Sanders
Solitary Creatures by Charlie Rogers & Jaime Gill

Graphic featuring the text 'honeybee Flash Creative Nonfiction' on a blue background with an illustration of a bee.

Winner selected by Kristine Langley Mahler:
I Conjure My Great-Grandmother and Ask for Her Life Story. She Visits My Dreams and Gives Me a Lesson on Revision by Alayna Powell

Editor’s Choice:
The Leftovers by Michelle La Vone

Graphic featuring the text 'honeybee Short Fiction' on a blue background with an illustration of a honeybee.

Winner selected by Michael Czyzniejewski:
When Mr. Boppo Joined the Cohort by Sharon Lee Snow

Editor’s Choice:
Take Me Through the Finish by Tom Ziemer

Graphic design featuring the text 'honeybee Short Creative Nonfiction' on a blue background with an illustration of a bee.

Winner selected by Brenna Womer :
The Laundry Hangs at Noon by Ginger Tolman

Editor’s Choice:
36 Hours in Lecce by Anne Schuchman

2025 Finalists:
Poetry:

The cure to all the maladies by Jonathan Greenhause
Red and Yellow Light over the Top of Houses by Dolapo Demuren
Every Room is a Sonnet by Dolapo Demuren
Drowned Crawdads by Sara Shea
The Year I Carried You by Sara Shea
Wedged Together We Are Flying by Reva Johnson
Silence bears no fruit by Erwin Arroyo Pérez
English Is My Second Language by Erwin Arroyo Pérez
Yes, she did by Ashlie Hyer
Autobiography of a Violin by Cassie Burkhardt
Arouse Yourself by Yin Cheng
Surely Every Man is Mere Breath by Yin Cheng
The Weight of His Chair by Sam Aureli
True Apothecary by Ellie Gold Laabs
The Widower Writes from the Shipwreck by Ellie Gold Laabs

Short Fiction:

Theatre of Solace by Nicole Bazemore
Peabody by Joe Cappello
Mr. Jensen by Madeline Rosales
Take Me Through the Finish by Tom Ziemer
When Mr. Boppo Joined the Cohort by Sharon Lee Snow

Flash Fiction:

Before the Everything After by Jaime Gill & Charlie Rogers
Solitary Creatures by Jaime Gill & Charlie Rogers
Do You by Alison Sanders
While Making Out the Lineup for Tomorrow’s 12U Softball Championship Game by Jim Parisi
The Summer He left by Alison Sanders
Hands by Pam Anderson

Flash Creative NonFiction:

The Leftovers by Michelle La Vone
Attack by Ginger Tolman
Protocols and Such by Camara Garrett
I Conjure My Great-Grandmother and Ask for Her Life Story. She Visits My Dreams and Gives Me a Lesson on Revision by Alayna Powell

Short Creative Nonfiction:

On the Telephone with Mom by Dean Gessie
36 Hours in Lecce by Anne Schuchman
The Laundry Hangs at Noon by Ginger Tolman

Contest Details:

A glass jar of honey with a golden lid, accompanied by a tangerine, segments of tangerine, and a white flower, all displayed against a dark background.
Logo of 'honeybee' in an elegant, cursive font.

Up to fifteen finalists in poetry and three to six in each of the other genres – short fiction, flash fiction, short creative nonfiction, and flash creative nonfiction – were selected as finalists by our current editorial teams and sent to our guest judges who will select a winner. The judges this year are Julia Kolchinsky (poetry), Brenna Womer (short cnf), Kristine Langley Mahler (flash cnf), Michael Czyzniejewski (flash fiction), and Tom Paine (short fiction). More about them below.

The winning entry in each of the five categories will receive $300, publication in our summer 2025 issue, and a jar of honey from a Midwest apiary. 🍯 Other select finalists will also be invited to be published in the issue with an honorarium of $75.

Meet the 2025 Judges…

Poetry:

A woman with curly hair wearing a black sleeveless top stands outdoors with trees in the background.

Julia Kolchinsky is the author of four poetry collections: The Many Names for MotherDon’t Touch the Bones40 WEEKS, and PARALLAX (The University of Arkansas Press, 2025) finalist for the Miller Williams Prize. Her poems have appeared in POETRYAmerican Poetry Review, and Ploughshares, with nonfiction in Brevity, Shenandoah, and Michigan Quarterly Review. She is at work on a collection of linked lyric essays about parenting her neurodiverse child and the end of her marriage under the shadow of the war in Ukraine, Julia’s birthplace. She is Assistant Professor of English and Creative Writing at Denison University.

Short Creative Nonfiction:

Profile view of a woman with a tattoo on her arm, looking thoughtfully upwards against a dark background.

Brenna Womer (she/they) is a queer, childfree, Latine prose writer and poet and an Assistant Professor of Creative Writing at California State University, Fresno. She’s the author of the full-length, mixed-genre collections Unbrained (FlowerSong Press, 2023) and Honeypot (Spuyten Duyvil, 2019), as well as the chapbooks Atypical Cells of Undetermined Significance (C&R Press, 2018) and cost of living (Finishing Line Press, 2022). Her work has appeared in North American ReviewIndiana ReviewMcSweeney’s Internet TendencyThe PinchDIAGRAM, and elsewhere.

Flash Creative Nonfiction:

A black and white portrait of a person with short hair and glasses, showing a profile view.

Kristine Langley Mahler is the author of three nonfiction books: A Calendar Is a Snakeskin (Autofocus, 2023), Curing Season: Artifacts (WVU Press, 2022), and Teen Queen Training (forthcoming with Autofocus, 2026). Her work has been supported by the Nebraska Arts Council and Art at Cedar Point and twice named Notable in Best American Essays. A memoirist experimenting with the truth on the suburban prairie, Kristine makes her home outside Omaha, Nebraska. She is the director of Split/Lip Press.

Flash Fiction:

A smiling man with a beard sitting outdoors at night, with string lights in the background.

Michael Czyzniejewski is the author of four collections of stories, most recently The Amnesiac in the Maze (Braddock Avenue Books, 2023). He serves as Editor-in-Chief of Moon City Press and Moon City Review, as well as Interviews Editor of SmokeLong Quarterly. He has received a fellowship from the National Endowment of the Arts and two Pushcart Prizes.

Short Fiction:

A smiling man with wavy hair stands outdoors near a body of water, wearing a black jacket over a white shirt.

TOM PAINE’s fiction has been published in The New Yorker, Harper’s, Zoetrope, Boston Review, The New England Review, The O. Henry Awards and twice in the Pushcart Prize. His first collection, Scar Vegas (Harcourt), was a New York Times Notable Book of the Year and a Pen/Hemingway finalist. A graduate of Princeton and the Columbia MFA program, he is a professor in the MFA program at the University of New Hampshire.

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announcements

Free Subs for Autumn 2025

We are offering free subs today and through the end of May…

Graphic promoting free submissions for an autumn issue, featuring a yellow-orange bee illustration and text stating 'FREE SUBS FOR OUR AUTUMN ISSUE THROUGH MAY 31ST' on a blue background.
(Click to access the magic portal)

Why? Because we love spring and we love summer, and we love reading poems and essays and strange stories by wonderful writers, even ones with spiders.

Because we are done reading for this year’s HoneyBee Prize and are anxiously awaiting results from the five judges. And because we don’t want that pesky $3 fee to cause people to hold any grudges.

Too much? OK. Maybe we’re doing it because we can.

Guidelines are available on our submission page and the form to send work is available on Submittable (be sure to select the fee-free option, unless you want to give us moneys, which is OK too).

A vibrant promotional graphic announcing free submissions, celebrating spring and summer, with a background that evokes a creative atmosphere.

As a reminder, we nominate for Pushcart, Best of the Net, Best New Poets, Best Small Fictions and… YES we are a paying market! ($60 per piece published in the seasonal issue, $25 per piece published in Micro Monday, $50 for cover art).

Your work will be handled with care and read by at least two (typically three or more) members of our editorial team.

A watercolor illustration of a bee in shades of yellow and orange on a dark background.
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Introducing Issue #19 ~ Spring 2025

Introducing Issue #19 ~ Spring 2025

April 9, 2025

“Natural Hue” by Sarah Kohrs

Dear Lit Mag Lovers and Fellow Egg Hunters, 

Spring has sprung here in Omaha and, after the last few snow doozies, we (and the trees) are ready. We’re ready for green to take over everything. We’re ready for brilliant pops of yellow, purple, and white to grace every landscape. And we are more than ready to share and celebrate our 5th spring issue!

That’s right, TGLR is officially in its 5th year, and that feels pretty fantastic. Five years of reading and collaboration, learning and growth, and five years of publishing amazing work. This issue is no exception. It’s the picture-perfect example of what we’re all about. 

Yes, friends, today is the day! The big reveal of Issue #19. We’re delighted to introduce the pieces and their creators, and to celebrate this bountiful collection…

In the short creative nonfiction space, we’re honored to feature two pieces centered around one of the most difficult circumstances any person will face in their lifetime: the loss of a parent. 

You Come Now You Leave Now” by Ramona Emerson deftly captures who her father was as an individual by exploring both old and new memories. As these are weaved together seamlessly, they also reveal what she has learned about herself and about grief. From vertiginous to euphoric, she shows grief’s many manifestations and how it “rearranges us.” 

Siobhan Ring’s essay, “Space / Time,” begins with an unexpected trip across the country and continues through each phase of her journey as she attempts to be with, and care for, her dying mother during the pandemic. Ring pulls from her family history to tether two stories that show that no matter the time or the space, losing a family member truly means, “nothing will ever be the same.” 

In flash creative nonfiction, Allison Hughes explores a different kind of pain in her essay “I Am a Body Lying in the Grass.” It’s the loss of love and hope for a budding relationship that she brings to light in this brief, poignant piece. 

Our second essay in this genre isn’t just a refreshing take on body image, but a commentary on how women are expected to feel shame or hide their shapely figures. “I like when my ass hangs out of my shorts” by Rose Marie Torres leads with sass and confidence and we love it! 

In flash fiction we’ve got three unique stories that are sure to elicit emotional reactions. “The Next Empty Cup” by Myna Chang, might make you smile through the sadness. “Flying Fish” by Corinne Harrison is likely to leave you shaking your head and then nodding in agreement with what isn’t said. And we challenge you to take a crack at the “Taco Bell Customer Satisfaction Questionnaire” by Susan L. Lin and not laugh or see yourself in the questions. Bonus points if you can correctly calculate the answer to question 15, in “Section IV: The “Are You a Robot?” Math Section.” 

Two “must read” pieces for this issue are the short fiction stories which are different in just about every way except for their superb writing and surprise endings. 

Tbilisi” by Sara Maria Hasbun is sharp, interesting story that is relevant to present day social and political dilemmas. Tension in this piece builds with each scene and interaction as it speeds toward a conclusion you won’t see coming. 

By contrast Marilee Dahlman’s piece, “Mall Goddess,” transports the reader back to the late 80’s and early 90’s when shopping mall culture in the Midwest was at its peak. She captures the vibe and downfall of this era perfectly as the story of Kylie’s lifelong love/obsession for Justin unfolds. 

In our last release we mentioned that it’s becoming more of a challenge with each issue to make decisions because we have so much excellent work coming our way. This remains true with this issue so instead of bringing you five or six, we’ve got eight poems by these seven authors: Chris Lisieski, Ezra Fox, Pamilerin Jacob, Keira Deer, Alicia Elkort, Alex Dodt, and Katharine Jager. Each poem is a heavy hitter worth spending time with. 

Rounding out the issue, there’s a full complement of artwork. We’re pleased to showcase “Natural Hue” by Sarah Kohrs on the cover and for the first time, several of the artwork pieces featured in the issue were provided by writer featured in a previous issue, Ellen June Wright. Also included are pieces by Kim McNealy Sosin, Sholanke Boluwatife Emmanuel, Ferris Jones, Erin Song, Pieter Janaldo, Mostafa Meraji, Albert Stoynov, Juan Burgos, Raymond Kotewicz, and Luke Chesser. More about each artist and their work is available on the artwork page. And the entire issue is also available in full-spread PDF format to read, download, or print and save forever. 

With that, we are ready for Issue #19 ~ Spring 2025 to run wild all over the interwebs! Thank you for visiting, reading, supporting independent journals, and believing in the arts!

Cheers to Strawberries ‘n’ Whiped Cream,
~Shyla, Tacheny, and All of The Good Life Review Team

Issue #19 Editorial Team: Cat Dixon, Michelle Battle, Cid Galicia, Terry Belew, Stepha Vesper, Tana Buoy, Patrick O’Dell, Tacheny Perry, Ashley Espinoza, M.A. Boswell, David Mainelli, Ciara Hoff, Annie Barker, Debra Rose Brillati, Erin Challenor, and Shyla Shehan

Issue #19 Readers: Kim Louise, Amy Crawford, Jamie Wendt, Jill Veltkamp, Toni Allen, Zach Vesper, Madeline Torbenson, Julie Labuszewski, Amanda DeMel, Arianna Ashby, Ashley DeVrieze, and Miranda Jansen. 

Categories
announcements

2025 Best Small Fiction Nominations

2025 Best Small Fictions: Our Five Nominations

Januar 10, 2025

Hello Friends and Welcome to 2025!

Today, and for the first time ever, we’re tossing our proverbial hat into the “Best Small Fictions” ring. Best Small Fictions is a contest facilitated and judged by editors at Alternating Current Press and winning entries appear in their annual anthology.

We’re not really tossing “our” hat, though… We’re tossing the hat of these five authors whose stories we published in 2024:

  • Razia, Razia by Sara Siddiqui Chansarkar
    Flash Fiction, Published Online April 12, 2024 in Issue #15 
  • Smoke Break by Cat Casey
    Flash Fiction, Published Online April 12, 2024 in Issue #15 
  • Veer by Ryan Mattern
    Flash Fiction, Published Online July 30, 2024 in Issue #16
  • Regular Headed Calf by Rory O’Neill
    Flash Fiction, Published Online October 17, 2024 in Issue #17
  • Levitation by Michael Raqim Mira
    Micro Fiction, Published Online February 26, 2025 in Micro Monday

We are grateful for the opportunity to support and celebrate these fine folks and their pieces. Congratulations and best of luck snagging a spot in Best Small Fictions 2025!

Cheers,
The Good Life Review Team

Categories
announcements

2025 Pushcart Prize Nominations

2025 Pushcart Prize Nominations

December 5, 2024

Despite being late with this announcement, we were actually on the ball this year mailing our 2025 Pushcart Nominations to Wainscott, New York with loads of time to spare (and by loads, we mean like 4 whole days). But it got done… Huzzah!!

As we have been for the past four years, we are grateful for the opportunity to send six pieces for consideration. The following were published in 2024 and we are honored to revisit and celebrate them again now!

  • The Hammock by Jim Peterson
    Poetry, Published Online April 12, 2024 in Issue #15 
  • Beacons by Jamie L. Smith
    Poetry, Published Online July 30, 2024 in Issue #16 
  • Death of the Moth by Annalee Fairley
    Poetry, Published Online June 3, 2024, as a Micro Monday Feature
  • Razia, Razia by Sara Siddiqui Chansarkar
    Flash Fiction, Published Online April 12, 2024 in Issue #15 
  • Funny by L. L. Babb
    Short Fiction, Published Online April 12, 2024 in Issue #15  
  • The Crush of Dusk by Michaela Evanow
    Flash Creative Nonfiction, Published Online October 17, 2024 in Issue #17

Congratulations to all these fine writers and best of luck snagging the esteemed Pushcart Prize!

Cheers,
The Good Life Review Team