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artwork

22-art

Issue #22 ~ Winter 2026
Artwork

COVER IMAGE: 
“Impressions of Waking Cranes” by Kim McNealy Sosin (Best of the Net Nominee)

Silhouettes of Sandhill Cranes taking off at sunrise over a river, with vibrant orange and warm hues in the sky.

Kim McNealy Sosin rediscovered her love of photography and poetry after retiring from teaching university economics. She has published poetry, flash fiction, and photographs in journals and anthologies, including Sandcutters, Failed Haiku, Beyond Words, and Voices from the Plains, and also has photographs in journals, including Rattle, Raw Art Review, and The Ekphrastic Review. Her photographs have been nominated for “best of the net,” and several have been selected for covers of journal issues and books. In 2025, she published a poetry memoir chapbook and, with a co-author, a chapbook of poetry and images of France. Her website is kimsosin.com

“In March, I drive to central Nebraska for one of the world’s most amazing migrations: the Sandhill Cranes, over half a million of them, pass through a river length of about 80 miles. This photo was taken one coral morning when the sunrise created silhouettes of the cranes dancing and taking off.”


“Neverending” by Maia Brown-Jackson

An urban corridor filled with colorful graffiti on concrete pillars and walls, showcasing a vibrant street art atmosphere.

Maia Brown-Jackson is a Pushcart-nominated, award-winning writer whose second poetry collection, Gifted, opens for pre-orders this autumn with Nymeria Publishing. In her spare time, she volunteers with a Yazidi NGO, accidentally starts studying quantum physics because several hours ago she looked up the qualities of neutrinos for a poem, and wastes time with the world’s sweetest, clumsiest cat.


“Kunik” by Hiokit Lao (Cover Art, Issue #17), Best of the Net Nominee




A “Kunik,” also called an Eskimo kiss, nose kiss, or nose rub, is the act of pressing one’s nose against another. In various Indigenous cultures, it is usually interpreted as a form of greeting and affection. 

This piece showcases two Inuit women sharing a ‘Kunik’, symbolizing profound love and strength. Like mountains, they stand resilient, their nurturing spirits akin to the enduring peaks—steadfast, forgiving, and strong, embracing unwavering love and fortitude.

My name is Hiokit Lao. I am a 29-year-old self-taught artist based in NYC. I aim to create art that ignites conversations and celebrates life, encouraging viewers to explore different narratives within the artwork. Each piece is a homage to cultural diversity, intertwining social narratives and my artistic vision. Through surreal, abstract, and vibrant elements, I aim to create meaningful art that instills hope and positivity.


“Natural Hue” by Sarah Kohrs (Cover Art, Issue #19)

Close-up of an old, rusty green gate with peeling paint, set against a blurred background of trees and sunlight.




In “Natural Hue,” taken in Oregon, that moment settles like a lambda point, portraying humanity’s interactions with nature. Old farming equipment piles up next to the edge of a forest, whose trees are razed for humanity’s needs.
Desmond Tutu said, “Hope is being able to see that there is light despite all of the darkness.” When we pause and savor the image, the emotional draw-up can impact real-world change. That’s what I hope for my art.

Sarah E N Kohrs is an award-winning poet, potter, and fine arts photographer who contributes to The Foundation for Photo/Art in Hospitals. SENK has over 90 photographs published in literary journals worldwide, including 45th Parallel, Beyond Words, CALYX, Camas, Culinary Origami, GROUND, Months to Years, Lavender Bones, Litro, Nassau Review, Paper Dragon, Peatsmoke, Progenitor, The Sun, Quibble, Voices de la Luna, Word’s Faire, and more. Sarah has a BA from The College of Wooster and a Virginia teaching license endorsed in Latin and Visual Arts. SENK lives in Va, on land she humbly recognizes belonged to the Manahoac. She works to kindle hope amidst asperity.  https://senkohrs.com.


“Zephyr” by Mary Amato (Cover Art, Issue #20)

Abstract artistic representation of swirling water patterns in shades of blue and teal, with flowing lines resembling fluid movement.




Mary Amato is a multi-disciplinary artist, writer, and musician. She creates work to explore meaning and to honor the transcendent, and her art and writing has appeared in many publications. She teaches both online and at the Montclair Art Museum, specializing in helping people to identify and overcome inner obstacles and to use meditation practices as artists. www.maryamato.com

Artwork accompanying the Pieces in this issue…
Other images appearing alongside the pieces: