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Author Q&A with Laura Westby Cannon

At the risk of being overly-dramatic, I’ve had to learn to lean into the discomfort, which is a Buddhist principle. What I mean by discomfort is that my time is constantly being disrupted by my kids, my elderly dog, my spouse, the business responsibilities, teaching —- living. One day I’ll again have three hours every morning to write. But now, I’ve learned to write down lines as they arrive…


The Beauty of Chronicling Life through Creative Nonfiction: Insights from Laura Westby Cannon

August 14, 2026

Laura Westby Cannon grew up in Valley City, North Dakota, where it was her job to water the flower garden. Her creative work has appeared in Tahoma Literary Review, Revisionist, and Blue Mountain Review, among others. She’s taught creative and academic writing at the College of Charleston since 2018, and her family resides alongside the zinnias in North Charleston, SC.

Her flash CNF, Beauty Like That, appears in Issue #24.

Tell us a bit about yourself, something more than just what’s in your bio. Perhaps a fun fact not a lot of people know. 

Attending Super Asthma Saturday at the FargoDome one Saturday in the late-90s was an emblem of honor to my younger self. During the event, groups of us asthmatic kids were shuffled from station to station to learn about new spacer technology and talk about our feelings. It was all very important to me back then. I told a visual artist friend years later and she designed a Super Asthma Saturday shirt for me — and a matching one for my newborn daughter — which we still have!

Life is full of moments worthy of writing about. What inspired you to write Beauty Like That? 

I was struck by the abundance of the zinnias in our planter last year and equally surprised by how much joy they brought not only me, but my family, our friends, and people walking by the house. As I drafted this piece, I began to consider how much work happens before the final blooms pop, which nicely mirrors human growth—there’s so much unseen work in the daily rhythms of both.

I also thought about how we — often girls —- are taught to quell their strength, talents, and beauty. The zinnias boasted in a way that offered a kind of permission to just exist for the sake of existing that I want my children to embrace in a way I haven’t always done. I was struck by how deeply moving it is simply to pay attention to the natural world for these lessons.

At what point in your life did you begin writing and working on creative nonfiction?

I took a Creative Nonfiction class in college. Before then, I didn’t even know this kind of writing was a possibility. I wrote an essay with a line about my grandmother and I credit that moment with the beginning of realizing my voice. I declared English as a major soon after.

In the States we call this style creative nonfiction, but there’s a beautiful word in Portuguese for capturing these moments: crónica. I like the concept of chronicling our lives; small proofs that we existed.  

Do you write in other genres, and if so, what?

Yes! I finished the first draft of a fiction manuscript this summer, which was an absolute flurry of excitement.

How do you make expression a part of your daily life, or how do you find a balance between your writing and other responsibilities?

Creative expression is constant. I take a lot of joy from being in the kitchen, especially baking all kinds of bread. I also derive a lot of joy in giving much of it away. The excitement people have!

During these slower summer days, my children and I put on music and paint. Eat popcorn. Do crafts if we absolutely must. Dance.

At the risk of being overly-dramatic, I’ve had to learn to lean into the discomfort, which is a Buddhist principle. What I mean by discomfort is that my time is constantly being disrupted by my kids, my elderly dog, my spouse, the business responsibilities, teaching —- living. One day I’ll again have three hours every morning to write. But now, I’ve learned to write down lines as they arrive. I take time-outs on the back porch for 20-minute “writing sprints” and my family knows not to find me. I’m currently writing this answer with my children sitting in my personal space to watch, but I think it’s important that they see me do these things. I want them to live with joy, too, and I believe creative expression is a big piece of that.

Are there any special projects, other pieces, or books you’d like to promote?

I’d love to promote a published book, but I’m not there quite yet. I’m looking for an agent (help!).

I’d be remiss not to also mention the Revisionist Foundation, a new Charleston-area nonprofit that seeks to embolden women in their creative pursuits (art, writing, culinary), which I’m thrilled to help build and watch grow.

What do you think when you hear, “the good life”?

The posture of gratitude in all circumstances, which I don’t say carelessly.



Thank you, Laura, for sharing a slice of your life with us and for being a part of our growing community. We appreciate you and the time you spent on this Q&A. If you planted zinnias again this year, I bet they are amazing right now!!

We wish you a peaceful close to the summer season, and the best with all your writing endeavors!

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