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micro monday poetry

Aftermath by Jill Michelle

Aftermath | Jill Michelle

           after Charles Jensen

In February 2007, after the water broke and I lost a son at 21 weeks, my father took me to brunch. Sitting across the Perkins booth, he reached for my tissue-free hand as I cried over a plate of chocolate chip pancakes instead of eating them. In February of 2008, after a second baby died the same way, I took Dad to lunch, sat across the TooJay’s table—view of Health Central, where I’d lost a daughter yesterday, where I’d lose him in 2012, over his left shoulder. We held hands next to his uneaten Reuben as he sobbed, caught in the 40-year-old memory of arriving at his first Navy ship only to be flown home at the news of his mother’s death.

Quiz on this section:

  1. Pinpoint the day between February 11th, 2007 and February 22nd, 2008 when the Alzheimer’s plaques overran the narrator’s dad’s brain.
  2. How did the narrator feel handing her babies back over to nurses?
  3. How did the narrator feel handing her dad over to the nursing home?
  4. Draw a diagram of your heart. Color in its shadows. Label them with the middle names of your dead.

About the Author:

Jill Michelle is the author of Underwater (Riot in Your Throat, 2025) and Shuffle Play (Bottlecap, 2024) and winner of the 2023 NORward Prize for Poetry. Her newest work is forthcoming in The Florida Review, Free State Review, The Indianapolis Review, MQR: Mixtape and Pangyrus Lit Mag. She teaches at Valencia College in Orlando, Florida. Find more at byjillmichelle.com.

Categories
micro monday poetry

Cosmos, Carry Us by lord vaughn

cosmos, carry us | lord vaughn

i was a calamity | inside a box | inside the vacuum of
space | where other boxes | gently floated by | opaque
the boxes | did their six walls | hold calamity too |
would their riot be familiar | the yearnings that drone |
the blaring anxieties | us all chambers of noise |
situated within void | if i could bring to bear | that
common din | to fill the space between us | we might
find | some desperate melody | undergirding it all |

i am here
i am here

About the Author:

lord vaughn is a poet from Carson, California, who captures emotion in pigment then paints the sky. Inspired by the lyricism of Kendrick Lamar and Hanif Abdurraqib, his work is rhythmically precise and unflinchingly introspective. His writing has been featured in The West Wind Literary Journal.

Categories
micro monday poetry

We Were the Kind of Couple by Lucy Adkins

We Were the Kind of Couple  |  Lucy Adkins


We were the kind of couple who
walked down the street, hands
in each others’ back pockets. We
stayed up late and steamed up
car windows. And when our friends
counseled caution, time, a longer
than a three month’s engagement,
we thought they were crazy. We
knew what we knew and felt what
we felt. (Of course we were young.)

When it was time to fight
we fought, and when it was time
to make up, we did. Once in a while
we gave each other the silent treatment –
two cars headed straight for the headlights
of the other. It was always me who
swerved first, and I hated that,
wanting to stand my ground. To win.

In high school Driver’s Ed,
we were to keep a scrapbook of
newspaper clippings – of car crashes
which seemed so prevalent at that time:
cars hurtling off embankments,
colliding with semis, cars crashing
into the tonnage of trains. We were to be
stunned into safety, I suppose, all the young
lives lost. I wanted to live and be
happy, happy, so I swerved.

About the Author:

Lucy Adkins’ poetry has appeared in many journals and anthologies as well as former poet laureate Ted Kooser’s column, American Life in Poetry. Her latest two collections, Two-Toned Dress and A Crazy Little Thing, were winners of Nebraska Book Awards for Poetry in 2021 and 2023. She’s also co-written two books of non-fiction, Writing In Community and The Fire Inside, and has been a writing workshop leader for many years.

Categories
micro monday poetry

Goodnight  by  Lisa López Smith

Goodnight  |  Lisa López Smith


For Padraig O’Tuama

I confess
what I know
of God
is better felt
than spoken:
the sun
going down,
the children
tucked in,
dishes and floors
still unwashed,
our bodies
bathed in heat,
the last call
of the swallows,
dust and quivering
grasses alight
with sunset,
blackbirds
swooping low.

About the Author:

Lisa López Smith is a shepherd, equine therapist, and mother making her home in central Mexico. When not wrangling kids or rescue dogs or goats, you can probably find her working on her latest novel. Recent publications include: Huizache, Live Encounters, and The Normal School, and some of these journals even nominated her work for Best of the Net, Best New Poets, and the Pushcart prize. Her first chapbook was published by Grayson Books in 2021.

Categories
micro monday poetry

Voice Message #205 by Kathryn Reese

Voice Message #205  |  Kathryn Reese

oh my girl—someone is going to love you with your bed hair
and black coffee breath your mismatched pajamas and naked toenails
your late for the bus kiss your text message shopping list
your half-written story the back of a receipt
someone is going to love your late-night insomnia your just-in-case
herbal tea your ginger caramel dark chocolate fudge your fingerprints
all over the fridge door all over the stove all over the dishcloth
someone is going to love your do the dishes later lick the bowl first
love your rainy-day melancholy soundtrack
love when you ask them out for a walk and miss
the track and skirt right round the island the long way
someone is going to love that you see whales or sea lions
or mermaids or a great purple octopus emerging from the waves
someone is going to think you’re a lighthouse
someone is going to want to swim in your shelly cove
someone is going to long to run their fingertips through
your tussock grass graze on your samphire drink
deep from that puddle of rain by your navel oh my
gorgeous island girl
someone is going to love you

About the Author:

Kathryn Reese is a poet living on Peramangk land in Adelaide, South Australia. She works in medical science and enjoys solo road trips, hiking and chasing frogs to record their calls for science. Her poems can be found in Gone Lawn, Engine Idling, Kelp Journal and Australian Poetry Journal.

Categories
poetry

Little Sparrow, Baby Mole (The MoMo Twins) by Carey Salerno

Little Sparrow, Baby Mole (The MoMo Twins)   |   Carey Salerno

Listen as Carey reads from her poem…

About the Author:

Carey Salerno is the executive director and publisher of Alice James Books. She is the author of Shelter (2009), Tributary (2021), and the forthcoming The Hungriest Stars (fall 2025, Persea Books). Her poems, essays, and articles about her work as a publisher can be found in places like American Poetry Review, Poets & Writers, NPR, and The New York Times. She serves as the co-chair for LitNet: The Literary Network and occasionally teaches poetry and publishing arts at the University of Maine at Farmington. In 2021, she received the Golden Colophon Award for Independent Paradigm Publishing from CLMP for the leadership and contributions of Alice James Books. careysalerno.com

Categories
poetry

Uncountable by Marina Cooper

Uncountable  |  Marina Cooper

twenty-one desks, three windows, one flag,
you call down the roster, stumbling,
slaughtering syllables and wincing in shame, you
count the children: they chorus present.

a student holds her soul up to the window then stuffs it
back in the heel of her shoe. she approaches your desk
to throw out her gum, and asks,
why are you even here?

the children are monstrous, their dreams spilling forth
like wounds, bubbling, too big for their chairs.
you recheck your roster, then check it again:
all boys in the class are named Jake.

a trio of wraiths congregates by the pencil sharpener,
tendrils curling towards the hallway light.
they reminisce about the days of duck and cover;
you wonder if you should call the office.

count the children – someone’s missing.
(are you sure?)
count again.

one of the Jakes, in a basketball hoodie, is sitting on the ceiling.
come down, you say, but he pulls the drawstrings tight until
the hood closes over his face, faceless
he scuttles into the corner.

you would not begrudge him his freedom, except,
in case of emergency you better know
where all the kids went. and yet! he’s reached heights
that his parents could never have dreamed.

a Jake with the tail of a fox asks if he can roam the hall.
you tell him to fill out a pass, but as his fingers
reach for his phone, he blinks and it falls
right
through.

you shrug, and check the wall clock which is tick-ticking
backwards. the wraiths in the corner giggle while a girl
whose name you think starts with a k asks if 47
(the president) will be on the test.

foxtail Jake is missing.
you go to the door but the shade is pulled, handle stuck,
all locked down like a ballpoint pen at the bank teller’s window.
the PA system yells, be very afraid.

Jake with the roses sprouting out of his ears
asks how much longer you all have to stand
in silence while waiting for the all clear and you say,
what? and check your phone, but the battery’s dead.

the Jake you recognize from sixth period english,
(the class you used to teach last year)
begins to cry, silently, over the wet lump of clay on the table
that he’s shaped into a prayer.

he tells you he wants to go home.

you tell him it’s just 90 more minutes
but he’s already down on the floor,
digging at the tiles, hands sinking through linoleum
as soft as fresh dirt, and he

digs and digs until there’s a hole,
yawning, open, and he crawls inside
and lies down,
eyes closed.

the clay on the table gets up and walks away.

you call the main office for help, and they tell you
the Jake you know isn’t on your roster;
the secretary says to count the children, then offers a list
of names but it’s long – greater than all the kids in your room,
so long that she’s going and going, she’ll name every ghost
since Jefferson County but then you hang up.
still, her voice echoes. you
count the children
and turn on the lights
and see them massed beneath the evil eye
(read: small paper stop-sign)
and Jake in the basketball hoodie has come down from the ceiling,
standing solemn with the rest of his class,
and your voice shakes as you
count the children
and the lights flicker and then
the bell
finally
rings.

About the Author:

Marina Cooper is an Asian American poet and fiction writer based in the D.C. area. Though she wrote “Uncountable” as a high school teacher, she is now pursuing an MA in English at Georgetown University. She also holds a BA in English from Princeton University. Her writing has previously appeared in Apparition Lit and Hey Alma.

Categories
poetry

Trauma is a Lullaby in Igbo by Nwodo Chukwu Divine

Trauma is a Lullaby in Igbo  |  Nwodo Chukwu Divine

~ Between 1967 and 1970, over 2 million Igbos were killed in the Nigeria civil war

The bombs tore through nnem oche
leaving her son, daughters scattered
one, my mother,
who lingers near me now
like the murmur of the forest
Igbo spirits come like afterlife ebony
i feel them watch me by the fire
singing to my ears in the voice of nkita
reminding me of the stories
of how to mend a tear in my wrapper
of the brutality
of lost memories
stories fit for honoring the fallen

                                    nnem oche stays with us

War’s refugees sing only of hunger in a minor key,
they search for solace in the ruins of dreams
Fragments of lives shattered,
Yearning for a rest swallowed by bombs

                                    nne nnem oche shielded us with her weathered hands

gave my uncle a smile stretched thin
saved my mother from the vultures circling
taught her the igbo way. the way etched in the map of starvation
though stories are all i have inherited,
never felt the sun on ancestral soil,
only the sting of displacement.
Yet, survival is the greatest birthright,
passed down like heirlooms bought with blood.
And i know i’m theirs for in my blood,
the current of their relentless river runs deep

In nna’s diary,
Aunty Nneamaka hides in the bushes
escaping soldiers searching for young girls
finding refugees
Aunty Adaora, a scar on the right side of her face,
grieves for a life stolen for a table adorned with sorrow
though gone, we gather each evening,
seeking rest in the charred remains
I see Uncle Chigozie, the cracks in his smiles,
there are others whose names rustle in the woods,
some woven in the smoke
Chioma, Uzoama, Ebele, and Nkiru,
their brother, Chibuzo,
Ogochukwu, Nneka, Ndidi, and Kelechi,
spirits watchful upon my sleep,
Shards of a shattered whole,
before the exodus, before the silence.
papa tells me trauma is a lullaby in igbo
i braid palm fronds singing this lullaby
of a people who loved their land
And fought for their people

Words in italics are in the Igbo language.

* nne nnem oche – Great Grandmother
* nnem oche – Grandmother
* nna – father

About the Author:

Nwodo Divine obtained his Bachelor’s degree in English and Literature from the University of Benin, Nigeria. He is the chief editor of Akpata Magazine and also evaluates submissions for the Word’s Faire. Nwodo’s works have been published or are forthcoming on Poetrycolumn, Heavy Feather Review, Bacopa Literary Review, and others. He tweets @chukwudivine_ and is on Facebook @nwodochukwudivine.

Categories
poetry

A Convalescent Home for Retired Prophets by  Chase Dimock

A Convalescent Home for Retired Prophets
by Chase Dimock

As he parcels out his cocktail
of weekly pills, he says
he doesn’t resent the youth sitting
in the shade of trees he planted.
The bridge of his back was built
for footprints. There is satisfaction
in arthritis if you cherished
what you held on to for so long.

But he can’t help remembering
he once lived in a time when
desire could only travel as far
as a Burt Reynolds photo torn
from the TV Guide cover.

And he can’t help feeling
that he walks this bored utopia
like the doomed time traveler
whose machine can only go
forward and never back home
to tell his childhood self
where the yellow brick road ends.
Miracles of the future
are always prosaic
in another person’s present.

About the Author:

Chase Dimock teaches literature and writing in Los Angeles. He is the author of Sentinel Species (Stubborn Mule Press 2020) and the Managing Editor of As It Ought To Be Magazine. He holds a PhD in Comparative Literature from the University of Illinois and his scholarship and reviews in World Literature and LGBT Studies have appeared in College Literature, Western American Literature, Modern American Poetry, The Lambda Literary Review, and several academic anthologies.

Categories
poetry

Asset Management by Karissa Ho

Asset Management | Karissa Ho

So I was never naive enough—
On floor 11 clouds smeared
by, chalky, loomed—I watched
pale men move through glass
walls from a block away—It was
so cold I got hungry, then sick—
Copper phlegm—A building
reflected in another, resembling
mud—Improbably, trees ruffed
out under Whole Foods and up
from the roof of a gym—People
walked without anger or deceit
or perception of my own regret—
Crusting brick towers stacked
closely—Later, offices and more
offices hid, insubstantial, thinly
and unknowing—I only wished
to sleep, to lock the computer
and never open it again—Never
counting myself so lucky as to
want to know what comes next
—It tastes of pennies, and the
empire they built, from losing
and finding and—Losing again.

About the Author:

Karissa is a writer and artist from Los Angeles. Her poems and paintings appear in JMWW, Red Ogre Review, Radar Poetry, and Sundog Lit. She studies English literature and economics at the University of California, Berkeley, and she is a very fast walker.