Categories
micro fiction micro monday

Door-to-Door by Joli Huelskamp

Door-to-Door | Joli Huelskamp

I open the door to a smiling girl, sixteenish, summer-camp-counselor wholesome, carrying a clipboard and a huge umbrella. She hands me a glossy brochure. “Libby Conrad for Commissioner”. Red, white, and blue. A photo of the candidate posed in the midst of her sunny family. 

“Libby Conrad has deep roots here,” says the girl. “She’s owned the Front Street Pharmacy for twelve years and is very active in the community. She’s dedicated and hardworking.”

The girl can’t explain exactly what a county commissioner does. She can’t name her candidate’s opponent or even the election date. She refers me to the website listed on the glossy brochure. I wonder about Libby Conrad’s organizational skills, deploying her canvassers without this basic knowledge.

Still, I have to admire this girl for being out on a miserable, rainy night. Surely she’d rather be inside, hanging with her friends. And she’s cheerful, poised, enthusiastic. Did I ever have that perky attitude, that sense of civic duty?

“Would you like a sign for your yard?” she asks as she’s leaving.

The people across the street have placards up year-round, more than enough political signage for the entire neighborhood. I decline politely.

I finish up the dinner dishes. Carrying out the trash, I hear shrill voices across the street and know instantly. What a treat to have the enemy delivered right to your door. I should have warned the girl.

Brainless bitch! Spreading venom you don’t even understand! Stupid little hypocrite!

You can’t think for yourself, you spineless sheep! Baa! Baa! Baa!

Worthless, toxic scum! Go back to the hole you crawled out of!

The girl sobs, walks back down their driveway, her hand up as if to protect herself. At the street, she tries to remember which way to go. The rain keeps pouring as she, someone’s daughter, stumbles down the sidewalk, crying, struggling with her umbrella, the glossy leaflets falling off her clipboard into the muddy gutter.

A watercolor illustration of a bee on a black circular background.
About the Author:

Joli Huelskamp lives in Oak Ridge, Tennessee. Her work appears or is forthcoming in a number of online journals, including Brilliant Flash Fiction, ONE ART, and Kings River Life. Please visit jolihuelskamp.com for more.





Categories
micro monday poetry

Abecedarian Becomes Cancer Diagnosis by Anna Lisa Stork

Abecedarian Becomes Cancer Diagnosis | Anna Lisa Stork

Another hospital trip. You are
bleeding again. It’s almost
cold enough to see my
death. I press my cheek to the window.
Every day is a test, and I am always
failing to make amends.
God means prayer,
half-assed prayer.
I learn the lines,
jester the psalms to
keep you alive,
living for the time being.
Mom means daughter.
No. I don’t want to meet the
oncologist who tells me it’s
pancreatic cancer. I ask
questions that have no answer – all
rust and ache.
Sorry, so many apologies and yet
the truth is still
unbearable. Sorry pokes into another
vein. Sorry don’t know
where you bleed from.
Xerox of a xerox. A final
yuletide in the hospital. We plant
zinnias after the last frost.

Artistic watercolor illustration of a bee on a black circular background.
About the Author:

Anna Lisa is currently pursuing a BFA in creative writing at the University of Nebraska at Omaha. Her work is forthcoming or has appeared in Sink Hollow Literary Magazine, Prairie Margins, and Glass Mountain Magazine. Her writing explores grief through the lens of the Midwestern landscape.

Categories
micro monday micro nonfiction

Animal Husbandry by Chris Cottom

Animal Husbandry | Chris Cottom


I’m six years old when I marry my rabbit. After watching Princess Margaret’s black-and-white wedding on the television, I stand in our parquet-floored playroom, smart in my scarlet guardsman’s tunic and black trousers, holding Scrunchie, my black-and-white bride. 

My younger brother, Andrew, archbishop-perfect in a gold-flocked curtain-cloak, chants gobbledygook from an upside-down encyclopedia. The wedding feast is a choice of carrot or half a bag of chocolate buttons. 

Scrunchie has been married before. Daddy had paid five shillings for what was supposed to be two girl baby bunnies from Shepperton Pet Shop, but Pookie soon showed signs of what Mummy called dishonourable intentions. “He’s too amorous,” she said, as Daddy divided what had once been a chicken coop. “Maybe we’ll let him visit her when the time is right.”

My parents do not attend the ceremony. Daddy bangs around upstairs, packing for another trip. After he whizzes off, Mummy tells us they’re getting a divorce. None of my schoolfriends have parents who’ve got divorces and I worry they’ll need to be told, that the headmaster might announce it at Assembly, after the Lord’s Prayer.

Later, I’m sitting with my bunny bride on the piney sawdust of her chicken-coop house when Mummy calls from the back door to say it’s time for television, time for Crackerjack. I keep quiet and snuggle my cheek against Scrunchie’s warm, velvety ears, wondering if Daddy’s been too amorous, whether Mummy will let him visit us when the time is right.

An artistic illustration of a bee in shades of amber and gold against a black background.
About the Author:


Chris Cottom lives near Macclesfield, UK. His work features in 100 Word Story, Bending Genres, Fictive Dream, FlashFlood, Flash Frontier, Gooseberry Pie, Leon Literary Review, MoonPark Review, NFFD NZ, New World Writing Quarterly, Oyster River Pages, Roi Fainéant, The Lascaux Review, and elsewhere.
Find him at https://chriscottom.wixsite.com/chriscottom

Categories
micro monday poetry

First Date at a Greenhouse by Costantino Toth


First Date at a Greenhouse | Costantino Toth

‘The way that we handle [geolocation] uncertainty 
is by taking a star sighting during missile fight, 
to then effectively correct for the initial position error.’ 

—pp. 206–7 from “Nuclear War: A Scenario” 

Romance is nature under our mouths
and our hands—       flowers
to gardens,          sea foam 
to vineyards,          smatter
of stars to a city plan,
hills to hips.
If nature,        however, 
begets only nature,     such
that our tending and lining
and sucking are natural,     as are
the noisy babies and tools, 
then so are
the four hundred and fifty–five
kilotons wearing exhaust
like a wedding band,
poking out of the sea— 
love’s ground zero
—and tracing a nail along
the Great Bear’s grooves
‘til it snags
a tuft of Beijing,     woos in the new world
with Titan
Arum
ikebana.

Artistic watercolor illustration of a bee on a black circular background.
About the Author:

Costantino Toth is a researcher, warehouse worker, and writer. Her poetry has appeared or is forthcoming in Epiphany, The Rumpus, and Two Thirds North. She is currently pursuing her M.A. in Cultural Astronomy and Astrology at the University of Wales, Trinity Saint David, while residing in Florida with Romoletto, her little cat. Her writing and research trace the tanglings of art, ancient history, and divination.

Categories
micro fiction micro monday

Thirteen Black by Sanum Patel

Thirteen Black | Sanum Patel

“Red, red, red!” Everyone cheered, flinging crystal glasses of champagne into one another, grabbing me by my pastel-brown suit jacket. The dealer loaded a cheap plastic ball into the roulette wheel as a woman in a sparkly silver dress eye-fucked me into serenity. “Place your bets!” he hollered.

“Red!” I shouted back, shoving my $287,000 of life savings into the table. The crowd roared, hands raining down on me—slapping my back, nails rubbing into my neck.

“Don’t forget me,” the silver woman smirked, angling her lips toward mine, the scent of Hennessy curling into my nose. The soft feel of that cold Glock drifted into my mind, still lingering in my beat-up green pickup truck. Biding its time for the sweet release of black.

“Don’t forget me either,” I said softly, my lips almost pressed onto hers, the thought of my ex-wife’s cackling laugh nearly thinning into whisper. Closing my eyes, I tasted red—her smug smile dissolving into ash, custody papers ripping into the air.

The dealer shot the ball, rippling up and down the wheel. Red, black, red, black. The odd green swirling in. Every roll held a blissful future — the world collapsing into nothing or blooming under my palms. It wasn’t a fool’s bet. It was the opposite of marriage.

The silver woman rested her head on my shoulder, pulling me in. I looked into her eyes as I caught the soft glimmer of black, settling on the wheel. Smirking, I leaned in, grabbing her by her waist, my Glock smiling from the truck. She kissed me back as I devoured her lips, her raven lipstick claiming me. My hands found their way on her paper-thin throat, almost grasping—when I felt a tap on my shoulder.

Opening my eyes, the crowd was utterly silent. A man in a flamingo shirt covered his mouth, pointing at me.  

“Thirty-six… red,” the dealer called out. 

Hennessy drained from my veins. The crowd erupted in a frenzy, thudding at my back, reverberating up my spine as the silver woman cackled, rubbing at my groin. I sat still, vision blurring as red filled the edges. My ex in a white dress. My boy in a suit too big for him, calling another man Dad. The dealer already reloading the ball.

A watercolor illustration of a bee on a black circular background.
About the Author:

Sanum Patel is a South Asian writer and attorney based in New York City. He writes both to unsettle and make you laugh, often threading humor and horror in his works. His writing has appeared in outlets including Kweli, Out Front Magazine, and Decolonial Passage, and has received editorial recognition from The Missouri Review. He will attend The Kenyon Review Writers Workshop and the DISQUIET International Literary Program in summer 2026.



Categories
micro monday micro nonfiction

Brumation by Melissa N. Vincel

Brumation | Melissa N. Vincel


December, my son’s grandmother dies, so I take him to clean out her closet. 

I grab her purple coat, shut the door, head to trample woods behind her house. From a log, I pry fallen shards and spy a brittle wood frog, forearms frozen in tiny prayer to leaf litter, unblinking lids retracting into its skull. 

My son whimpers, so I explain it’s only a half-death, amphibian magic trick, superpower blood pushing against winter’s dark. It’s just a waiting game in the wooded shadows. 

His child ears are only four years old so he hears nothing but flakes melting. His mouth is only four years old so he stutters afraid to d-d-die, not g-g-g-good at s-s-s-still. 

The stutter worsens. By January, my neighbor can’t understand him. By Valentine’s, his teacher offers social-emotional sessions. I begin the worry, wonder how other women balance dying parents and not ruining children. 

We try speech therapy, dentist, chiropractor. Even Mama comes out five syllables. Sometime in March, I dream the purple coat striding over a cracking lake. I wake to pull it from a box. I drape it over the dining room chair and announce Mimi is eating with us now. 

We hold each other before meals from then on, one sleeve each grasped by my hand and his, a circle of human flesh and wool. We tell my mother’s coat about the day, fill her pockets with plastic dinosaurs, and sniff air around the notched collar. 

May, the ground thaws. I begin the dig to bury her ashes under the birch. Halfway through the task, my son creeps from the porch. He is a spray of violets moving across the ground. He is pond ice tinkling into warming water. He stands by my hip taller than the branch he swung on last fall, chin pinkening, tears warming his tongue into a clever thing again. 

We drop the ashes into the hole together. Words fall cleanly from his mouth, water the earth like prayers. My hands clasp in awe of moving things, of turning earth, of his hopping legs reborn. 

An artistic illustration of a bee in shades of amber and gold against a black background.
About the Author:


Melissa N. Vincel is a writer from NE Ohio who has published poetry, prose, and travel writing for 25 years. She is re-emerging after a long break for motherhood. Recent prizes include a fellowship to the DISQUIET International Literary Festival, a feature as one of 30 Ohioan poets for National Poetry Month, and an Assembly for the Arts Boost grant. Visit her website: melissavincel.com.

Categories
micro monday poetry

At the Printer’s During Election Season by Cheryl Dyer


At the Printer’s During Election
Season | Cheryl Dyer

At the sound of the door buzzer, you emerge
from the backroom of this dusty building
that shakes with the rumbling and thudding
of printing machines. They sound like angry ogres
stomping about, grinding out the thousands
of shiny fliers that are daily boxed up,
and shipped out to every house in the city.

I imagine they’ve not stopped for weeks
and you reek of body odor and have dark rings
under your eyes like you’ve been the one
to stay awake and prod these monsters
to keep churning out papers plastered
with angry faces, big red ‘X’s and words
like evil, devastate, and surrender.

You made time, though, to hear me out
about printing something different.

When I mention artwork, I see you soften,
like, I really see your shoulders relax and you lean

forward as I pull out a piece from the portfolio
that shimmers with speckles of patent gold.

It is something that makes no claims. Or maybe
does make claims– wild claims.

But, it causes nothing to splinter apart,
no one cowers when it speaks.


Artistic watercolor illustration of a bee on a black circular background.
About the Author:

Cheryl Dyer is a poet, visual artist, and calligrapher residing in Omaha, NE where she lives with her partner as a new empty-nester. She recently graduated with an MFA in Creative Writing from the University of Nebraska in Omaha. She has received Honorable Mention for the Helen Kenefick Poetry Prize twice and has had work published in several literary journals, such as The Gilded Weathervane, Tethered Literary, and River and South Review.

Categories
micro fiction micro monday

You Ask Your Husband if He’d Do it All Over Again by Victoria Melekian

You Ask Your Husband if He’d Do it All Over Again | Victoria Melekian

You know, marry you, and you see the small O of air he swallows before he says sure, but he doesn’t look at you.

You tell your sister you feel like you’re just hanging around, waiting for the next thing to happen. She pours two shots of tequila and says to stay in the now: six empty beer bottles, salt shaker, vase of white daisies. She lines up three bottle caps on the kitchen table and says, “Here’s your options: do nothing, follow him, leave.” You like doing nothing, staying in the moment: two shot glasses, crumpled napkin, blue tablecloth. 

You slosh home with a head full of tequila. Your husband’s asleep on the couch, his arm around the dog. The eleven o’clock news fills the living room: drought, drive-by shooting, sports scores. You turn off the TV and whisper, “I’m leaving” into his ear. 

Next morning is hot and smells like damp soil. You ask him to stay home from work. “Let’s make umbrella drinks and run through sprinklers.” He shakes his head and walks out the door. Coffee cup, spoon, flowered bowl. 

You spend the day making lists—reasons to stay, reasons to go. You try to keep them even, but staying is losing and that’s when you know. The man’s been leaving for months and you—too slow to see. You’ve got the dog, an orange cat in a sunny windowsill, and three miscarriages. 

On Saturday you follow him, option number two. You don’t know why you’re so surprised to see him with her, the woman, because of course there’s a woman, there’s always a woman no matter what they say. She’s pretty and looks like a woman who has babies. You imagine calling her phone and listening to her ask who’s there, who’s there. How many times before she’d hang up?

You think about option three, leaving. You remember new shoes in September, fresh notebooks, sharp pencils. You think about looking for a small apartment with French doors and a patio for plants. 

He calls at dinnertime to say he’s working late, “really late, babe.” Whisk. Timer. Twine. You turn off the oven, dump the roasted chicken and potatoes, put away plates and silverware and fold the tablecloth. You pull down the window shades and sit in the dark. You listen to your neighbor lugging his garbage cans to the curb. 

A watercolor illustration of a bee on a black circular background.
About the Author:
Smiling older woman with curly gray hair wearing glasses and a black shirt against a light background.

Victoria Melekian grew up in Los Angeles and now lives with her husband in Carlsbad, California. Her poetry collection “The Accidental Courage of Our Lives” is available from Sheila-Na-Gig Editions. “Unhoused,” Victoria’s novella-in-flash, won first place in the 2026 Bath Flash Fiction Novella-in-Flash Awards. For more, see her website: victoriamelekian.com



Categories
micro monday poetry

Letter I Wish My Mother Wrote from Virginia by Daniel Lurie


Letter I Wish My Mother Wrote from Virginia | Daniel Lurie

Son, I watched dusk spring a leak into dawn. I only knew it was morning when the cats woke up your sisters. The chemo has been rough, but I thank Hashem they caught it before it was too late. You have to advocate for yourself at the hospitals. Especially with the doctors. You know the mold that you scraped out of the windowpanes with steel wool? It’s started to grow back like frost. I can’t lift my head to see, so Ivy painted birds onto the glass in acrylics. She made it look like the scene from our backyard in Montana, down to the green paint flaking from the old feeder. It has the bluebird duo, the towhee with its demon eyes, the rafter of turkeys, the tanager looking comically out of place… She must’ve used glow-in-the-dark, because I woke in the night and saw a million beating heartbeats. Unsettling, yet comforting, the way they’re there to hold me. The moving company broke all the dishes, so Dana replaced them with plastic ones from Dollar Tree. She gathered the shards and cemented a mosaic pathway leading to the garden, which I have to believe I’ll walk one day. The kitchen is full of such life when your sisters sing off-key and the walls sweat with whatever’s in the oven. They made friends with a kind gentlemen from next door who still has all his hair. I think he’s sweet on me. I never dreamed someone would be interested after your father died, but he rubs my feet while we watch American Pickers, and we don’t say a word, other than that one time he said he’d need to take me dancing.


Artistic watercolor illustration of a bee on a black circular background.
About the Author:
Close-up portrait of a man with long hair and glasses, wearing a checkered shirt, sitting by a window

Daniel Lurie is a Jewish, rural writer, from eastern Montana. He holds an MFA in Poetry from the University of Idaho and is co-editor of Outskirts Literary Journal. His work has appeared or is forthcoming in Pleiades, Gulf Coast, The Iowa Review, Poetry Northwest, and other publications. Daniel won the 2026 Mississippi Review Prize and phoebe’s 2026 Greg Grummer Poetry Contest, selected by Diane Seuss. He served as the 2025-2026 Ronald Wallace Poetry Fellow at the University of Wisconsin-Madison and is a 2026-2028 Wallace Stegner Fellow. Find him at danielluriepoetry.com

Categories
micro fiction micro monday

The Mother Tree by Georgene Smith Goodin

The Mother Tree | Georgene Smith Goodin

On heat-burdened afternoons, Mama spread a woven blanket under the cottonwood suckling the breast of Lanker’s Hill, the spongy wood of its boughs drooping towards the creek. I napped there, the gurgling water and rustling curtain of leaves more somniferous than any lullaby. After Joseph was born, he napped there, too, until Mama’s strength waned too much to climb that gentle slope.

Daddy planted four suckers from that cottonwood in our yard to capture the roof run-off – how those thirsty trees could drink – but they were really for Mama, an arboreal family echoing ours. They grew ten feet a year, and I balanced across my favorite’s fragile limbs, spreading my weight so as not to split them.

During the years-long drought, Mama saved those trees even though watering was forbidden. At dusk, she dragged out the bright green hose, set it to slowly drip all night. She insisted on doing it herself and I followed her, carrying her IV bag because its pole couldn’t glide across the mat of dead grass our backyard had become. That watering was the closest she got to prayer.

Thunder announced the drought’s end while I stirred the thin soup that was all Mama could stomach. My father raced outside when we heard the crack, mud sucking at his bare feet. I went to tell Mama our trees hadn’t taken the hit but her dry, papery skin was cool, her warmth having slipped away while I stood sentry at the stove.

I went to Lanker’s Hill at dawn, walked along the now thrumming creek. The cottonwood’s crown was in disarray, branches downed and scattered by wind. The bark on the trunk curled back in a diamond-shaped gash but the soft, virgin wood beneath was undamaged. I laid my hand there and swore I felt a pulse. 

A watercolor illustration of a bee on a black circular background.
About the Author:
A woman with glasses smiling by a river, wearing a light-colored patterned coat.

Georgene Smith Goodin’s work has appeared in numerous publications and has won the “Mash Stories” flash fiction competition. She lives in Los Angeles with her husband, the cartoonist Robert Goodin, and their four children. Follow her on Bluesky, @gsmithgoodin.bsky.social.