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micro fiction micro monday

I Won’t Lay Dave to Rest If He’s Naked by Kenny Mitchell

I Won’t Lay Dave to Rest If He’s Naked | Kenny Mitchell

My father threatened to haunt me for eternity if I buried his corpse. I don’t know, it was about the chemicals they pump into your skin that weirded him out, or something like that. He was a man with leathery flesh who billowed at the gut, with tattoos disfigured by years of stretching skin. The urn I selected out of some strange sense of obligation seems unfitting for such a man; unless you think a hummingbird skittering above a patch of daylilies perfectly describes Dave. He definitely would not have approved. But hey, he’s dead. And I like hummingbirds. I didn’t put too much thought into the container my dad was going to chill in.

And I don’t see why it matters.

The urn is small in my lap. Surprisingly small. Small enough I’m questioning whether the crematorium gave me all of my dad. He was too broad-shouldered to fit in a fancy terracotta jar, even if he had returned to dust and ashes. They presented him to me in a translucent bag—a funeral suit too skimpy to properly honor the dead. As if Dave were naked. And now, Dave is clothed in a jar depicting the tiniest of birds.

As I amble up my driveway, sun setting, grasshoppers fluttering, I’m not quite sure I want to keep him. I don’t have storage space for an urn. I just moved out of his house, so my dad moving in posthumously is unsettling. I’ve already purchased the urn, and the crematorium did emphasize urns were nonrefundable. There’s no one else to take him. It would make a nice pot for a fern, maybe an aloe plant. I could replace my battered umbrella stand with it. No one needs to know.

It’s peaceful in my driveway. The birds chitter, and the grasshoppers are hissing, probably in response to their feathered predators. Dave’s favorite joke was about taking me on a trip to a nudist beach, so I could finally get some action. I could never understand him; he wore so many layers like it was frigid, and barriers were the only warmth he knew to embrace. He wore so many layers—

I start to pour my dad onto the concrete. Slowly at first, a sprinkle, but you can fit a lot of dust in tiny urns. I turn the jar upside down, disrobing him. I thought he’d flutter away with the breeze, but he just sits there, nude with no showmanship—fitting. I can somehow stomach the sight. A grasshopper lands on the pile of ash, small and mighty. From above, a starling glides to the earth with an open beak, swooping toward the grasshopper. The swoosh of the speckled wings spreads the ashes for me. The grasshopper, alive and well, is a few inches to the right. He escaped.

About the Author:

Kenny Mitchell (He/Him) is a third-year student at the University of Nebraska at Kearney. His work has appeared or is forthcoming in The Airgonaut, JAKE, The Gorko Gazette, and Flash Fiction Magazine. Kenny drinks (inhales is a better word) an obscene amount of coffee and has been described as “the world’s most violent typist.” He (semi-occasionally) tweets @kennymwrites.

Categories
micro monday micro nonfiction short creative nonfiction

The Waiting Room by Allie Griffith

The Waiting Room | Allie Griffith

In the hospital waiting room, we harmonize as we wait. A woman clutches an emesis bag to her lips, setting the rhythm: short, rapid breaths in and out — a whoosh then crinkle of plastic. A boy coughs in wet, staccato bellows. Half-asleep in her wheelchair, a woman chants, “I used to live in Fairlawn, Ohio,” to no one and everyone. On cue, the man on the phone next to me segues into the bridge, “‘What do you do for me?’ Bitch, I pay bills.” A moan, sneeze, hiccup. A cell phone alarm and groan.

A sign on the wall: Please note that emergency room patients are called back according to priority level based on medical history and current condition, not arrival time. 

I weigh my mortality against the sounds in the waiting room, listening for the most pressing diagnosis. Which cough is Level 3 (“Urgent”)? Which whimper is Level 4 (“Semi-Urgent”)?

In the seventh hour, the waiting room reaches capacity. Our melody crescendos into a desperate requiem, a spiritual polyphonic score that stops time. Coughs become battle cries and moans mark last wishes. A teenager paces up and down the aisle, yanks at his hair. We have transcended South Bend, Indiana and have arrived in purgatory. 

I sigh, softly. My own symptoms (sharp abdominal pain, fever) have muted and I start to wonder why I am here. I want to transpose the entire song, offer up my revisions to the composer.

About the Author:

Allie Griffith is a writer living in the Midwest and an MFA student at Antioch University.

Categories
micro fiction micro monday

Big Lots Indulgences by Anastasia Jill

Big Lots Indulgences | Anastasia Jill

The neighbors have Jesus glowing in the backyard. First night, I thought I hallucinated him but no. As the day broke into a yawn, a breadth of sunlight on the green revealed a plastic Messiah suspended between a bird bath and a molting lawn chair. He glowed Neptune blue in the midnight dark, but I preferred him blank and dew covered in the mornings. 

I loved their yard, minus the Lord. Wind ruffled the skirts of pink flowers, potted palms bent into the grass, ends pale and frayed from the Florida heat. There was a shed with Christmas lights, where the husband spent hours building bird houses and filling them with thick seed for cardinals and blue jays.

But Jesus. 

I hated that Jesus, especially at night. 

Aunt Mara left the windows without blockage, and her cats cracked the blinds years ago. He watched me at every angle, an insensitive blue solar right demanding I pray, or at least pay him heed. 

“I want curtains,” I told my aunt one morning over breakfast. I hadn’t slept, but spent the entire night at eye level with the windowsill. 

She told me, “We don’t need them.”

Her reasoning was sound — no one was looking in, not physically. There was nothing to fear

I couldn’t tell her JESUS IS WATCHING!!!

She would think I’d gone crazy, yet again.

Aunt Mara didn’t budge on the curtains, and I didn’t eat my breakfast as an act of redress. When she gave me my morning meds, I hid them under my tongue. Haldol, Thorazine, and Rexulti sat like chalky spare teeth beside my aching gums.

I left the house for school, and spat them in the neighbor’s yard. Jesus saw that. I flipped him off just as the husband came out his front door.  

“Morning,” he said to my finger. He couldn’t see well without his glasses. 

All I said in reply was, “Nice Jesus you got there.”

“Got it at Big Lots.” He wiped his frames on the edge of his shirt before placing them on his nose. A cross of nostrils flared at my multicolored hair. He told me, “Jesus saves.” 

“Apparently, he saves Lots.” 

The man didn’t laugh.

I walked away.

And Jesus saw. 

About the Author:

Anastasia Jill (she/they) is a queer writer living in Central Florida. She has been nominated for Best American Short Stories, The Pushcart Prize, and several other honors. Her work has been featured or is upcoming with Poets.org, Sundog Lit, Pithead Chapel, Contemporary Verse 2, OxMag, Broken Pencil, and more.

Categories
micro fiction micro monday

The Vanishing by Jenn Ashton

The Vanishing | Jenn Ashton

He said he was trying to be more organized. Soon his desk was tidy, the drawers were cleaned out and little by little I saw less and less of his things laying around until one day I noticed they were gone and so was he.

About the Author:

Jenn Ashton is an Award-winning Coast Salish author and visual artist. She is the author of the prize-winning “Siamelaht” in British Columbia History in 2019, and her book of Short Stories, People Like Frank, and Other Stories from the Edge of Normal (TidewaterPress 2020) was a finalist for the Indigenous Voices Award 2021. She was shortlisted again for Hail Mary Mother of Pearl in 2022. Jenn is the Writer in Residence at the British Columbia History Magazine, an Authenticity Reader for Penguin/Random House USA and currently reads History at Oxford University.

Categories
micro monday poetry

Four Haikus after Garden Meditation by Charisse Baldoria

Four Haikus after Garden Meditation | Charisse Baldoria


From the Old Hedonist:

“A rose in full bloom
reveals pleasure and wisdom
age had not foretold.”

From the Young Nihilist:

“Bud blooms recklessly,
unwise and vulnerable
to young lovers’ shears.”

From the Middle-Aged Rationalist:

“So it has been found:
beauty unfolds in layers,
and logic, and youth.”

From the Ageless Surrealist:

“Wind sets sails spinning,
boat: rose-heart: petal-center,
river: ocean: I”

About the Author:

Charisse Baldoria is a classical pianist, composer, and educator who loves the written word. Born in the Philippines, she came to Ann Arbor, Michigan for graduate school in music as a Fulbright scholar. She is now a music professor in Pennsylvania, has performed on five continents, and loves to travel. Her poetry and prose have been published or are forthcoming in Windmill: The Hofstra Journal of Art & Literature, The Asian/Pacific American Women’s Journal, 3 Cup Morning, and Northern Stars.

Categories
micro monday micro nonfiction short creative nonfiction

Orange Meets Green by Emma Schmitz

Orange Meets Green | Emma Schmitz

I’m burning rubber on pavement, matching the positive to the negative, trying to get something to spark. The drive from the Northwest Sierra to the Southeast Sierra of California stretches like an octopus with so many routes to go. Manzanita, sinewy pines, bushy firs, and sagebrush lull in and out like a foamy-mouthed ocean on rock and sand.

If I take the iconic Tioga Pass, I won’t see the classic Topaz Lake. If I make time for the glossy June Lake Loop, I probably won’t have time to see the chalky Toufas up close. It’s a shame, the decisions we’re forced to make.

The book I’m listening to says to get quiet. To figure out my gift and share it with the world. It says some people go their whole lives not using their gifts, and I worry I’ve dropped mine somewhere or wasn’t invited to pick it up in the first place. I’m worried I was too busy worrying about other people’s ideas to discover my own gift, and I remind myself to stop worrying.

That night, I’m more concerned with finding a spot to camp than weighing the pros and cons of going back to school for a STEM degree I can’t afford, nor do I remotely qualify for. The next day, I’m too busy hiking up a mountain and sliding down spring snow to fantasize about my never-gonna-happen career in glittery media production or highbrow publishing.

That evening, I’m too distracted by the clever conversation and cackling of my two best friends to give a shit about what I do for a living. All of us in communications and marketing, writers at heart – those rare, deep connections we find as adults. There is no space to mis-fit in the vastness of a high desert forest.

There is no hard decision to make when one thing inches seamlessly into another. Where the desert meets the mountains, where orange meets green. Sometimes, things make the most sense at the point of connection – when one edge meets another to provide contrast, perspective. Where I don’t have to choose, where I can flow between.

About the Author:

Emma Schmitz (she/her) studied creative writing at UC Santa Cruz and is now a halfway homesteader in the California mountains at 6,000 feet above sea level with her partner and a couple of pit bulls. She’s currently living her seventh life of nine as a small business owner in the financial sector and, separately, a beer writer, judge, and educator with the mission of evolving the craft beer industry. Her creative work has been published in The Tiny Journal and The Closed Eye Open. See what she’s fermenting @wildbeerwriter.

Categories
micro monday poetry

New Bone Fear by Rhony Bhopla

New Bone Fear | Rhony Bhopla

A chirping, then
the beak
of a mourning dove
stuffed, muted
at the first
daily police siren.

The neighbor’s dog
wails crescentic urgency,
I hallucinate
warning sounds
before a voice
from a chopper
takes the place
of flocks.

Stephon Clark’s
final breath
expired some miles away—
there, I see
my question
mark on 29th.

No words. No answers.
Just my daily
new bone fear.

Construction cones
decorate
around new asphalt,
and accurate lights
and crosswalks
with mechanical
chirping sounds
—his new Meadowview.

About the Author:

Rhony Bhopla is a poet and visual artist. Her poems and book reviews have appeared or are forthcoming in Notre Dame Review, Cherry Moon: Emerging Voices from the Asian Diaspora, Northwest Review, and Harvard Review. She is a 2019 Rooted and Written Fellow and a member of the Mapmakers Alumni Institute. She holds a Master of Fine Arts in Writing from Pacific University.

Categories
flash fiction micro fiction micro monday

Dress Code by Kennedy Essmiller

Dress Code | Kennedy Essmiller

Gather round, girls—preteens, tweens, teens—crowd together. It is time for your annual women’s talk. You each are given two squares of tile with shimmering surfaces to stand, to sit. You can reach out and touch the shoulder of your best friend, the shoulder covered in a wooly sweater despite the Oklahoma heat. 

The Dress Code is in place for a reason, the administration says, the office ladies tell you, the women who give you Band-Aids and Tylenol, the women who are paid to protect. 

Pay attention. 

This year will be no different than last year or next year. Each girl, each woman, could say the speech by heart. You silently mouth along. 

No spaghetti straps—blouse straps must be at least three fingers width apart, but not three of your fingers, three of your male teachers’ fingers. You think that maybe we should use Mr. Stewart’s as his are the smallest, thinned with age, the skin sagging with the weight of wrinkles. The thought of his fingers on you bare shoulders make you squirm, and you shudder and spill out for a moment, briefly broaching the borders of your carefully allotted tiles.

The administrators continue. 

Do not wear skirts that are above your knee and don’t even think about shorts. Jeans or dresses, there is not an in between, not for the Daughters of Christ. You cannot wear such skimpy attire around the boys. You remember the-not-so-virgin Mary, they ask, like clockwork. Of course, you remember her, even those of you who were years behind her, those of you who never even saw her belly swell with life. Mary, whom they memorialize and vilify with each and every meeting, ever since she fell pregnant four years ago, back when most of you were in middle school, beginning to receive the same speech she had received. 

The road to pregnancy is paved with short skirts and spaghetti straps. If you get yourself pregnant, you will be asked to leave. If you get yourself pregnant, you will become a cautionary tale, told to future generations, the children you will carry. Your name will be heavy with shame, taste metallic in your mouths. They do not say what will happen if you get yourself pregnant and hide it, remove it, make your own choices about your own body. Your body, Mary’s body. 

Mary, who used to read Junie B. Jones to you when she babysat, who was forbidden from walking across the stage at graduation.

And still, it continues. The boys cannot control themselves—boys will be boys. You are women, the presence of blood between your legs declares it so. It is your obligation, your privilege, and your joy in life, to protect the boys, the students, your teachers, your principal, and your friends’ fathers. 

You think of the father of your best friend, consider his eyes on you, and you shy away from her, inching ever so slightly back, retreating ever so slightly into your squares. 

If your shirt is hugging your budding breasts, it is too tight. If your shirt is hanging low and revealing your collarbone, it is too loose. Show no straps, bras are a hidden delicacy, meant to be shared between a man and his wife. Embrace your femininity. Wear makeup and shave your legs. Be ashamed of your body. Cover your legs, only sluts wear red lipstick. Boys don’t like girls who don’t put out the effort. Adjust your cleavage or your male teachers will have no choice but to send you to the office. Be ashamed of your breasts that can sustain life, boys will view them as sexual organs. 

Their perception is the authority. 

Cross your legs, collapse into yourself, take up as little room as you possibly can. Remain in your two tiles, always. Boys like small girls, petite girls. Obey the Dress Code, or you will be sent to the office, sent home to change. 

Your education, your comfort, you are not valuable.

About the Author:

Kennedy Essmiller is a queer writer who earned her MFA at Oklahoma State University. Her short story, “Mountains” won second place in the University of Western Alabama’s 2017 Sucarnochee Review Fiction contest. Her nonfiction essay, “The Three Drinks of Christmas” was accepted for publication in Oklahoma State University’s online undergraduate literary magazine Frontier Mosaic. Her short stories, “Permanently Inked” and “Bittersweet” were chosen as the winner for the 2018 and 2019 Oklahoma State University Ruby N. Courtney Writing Scholarship, respectively. She is an academic advisor and dog lady. You can follow her on Twitter and Instagram at @kennedywogan.