Tag: micro monday

Elvidarium | Kay Sexton

I’d never spoken to Ronita before we covered synesthesia in English class. To start with her name was weird, and she was weird. She always had chewed off nail varnish and how is that possible? There has to be a day when it’s perfect, surely?

I knew, from the moment Miss Perkins defined synaesthesia, which one of us was going to claim to have it. Magdalena Pike. Magdalena with the too-long fringe that she constantly brushed out of her eyes, the too-prominent Adam’s apple that was bound to raise questions in later life, the fluttery laugh with a hand pressed to her chest (the hand that wasn’t brushing hair out of her eyes). Magdalena would go on to become a hypnotherapist, to recover memories of past lives and end up suing an employer for discrimination because they wouldn’t let her bring in a six-foot pyramid to heal her clients’ endocrine systems.

Magdalena’s instantaneous acquisition of the ability to hear numbers and smell days of the week caused me to eye-roll inadvertently enough to catch Ronita’s attention, so when we paired up to write a piece, she tapped her pen on my desk. “You and me,” she said. 

We wrote about the colors of emotions. Not the obvious red for anger stuff. Taupe was depression, peach was the hour before school ended on a Friday, and jade was the color of a walk with your pet dog early in the morning before the newspapers were delivered. It was okay. It was adequate. It was more fun than anything I’d ever done in English class before. That was how we began, giggling through our creative writing, asking Magdalena snarky questions about tasting numbers as we ran downstairs to our next class, skipping afternoon school without discussion, without guilt. 

We played on swings like little kids, smoked cigarettes like grown-ups, talked like teenagers who’d never had a best friend before, which neither of us had. We became inseparable. But not for long. Three weeks after we first talked, on the peach hour of Friday, we were sprawled in the long grass behind the playing field, sharing a roll-up, when Ronita said, “You know when you wake up in the morning and turn over in bed and remember it’s Saturday and you don’t have to get up?”

I nodded. 

“You know the color you see behind your closed eyelids at that moment?”

I nodded.

“That color…” she inhaled deeply. “That color is elvidarium.”

I remembered that conversation when I heard the news on Monday morning. Heard that she’d taken pills she’d filched from her grandmother’s house – the house her parents thought she was staying at because they were away for the weekend. Her grandmother thought she was at a friend’s house. 

I knew I was that friend. 

I knew she’d woken that Saturday morning, rolled over in bed, said elvidarium to herself and known it was never going to get any better. 

I understood.

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Madonna and Child with Butter Cow | Zachary Kocanda

with a line from Wikipedia

When I say “Hillshire,” you say, “Farms,” then pull me in closer with your hooves. Spoon me like forgotten low-fat yogurt in the back of the refrigerator and kiss me goodbye before you leave for work. The most sensitive part of a cow is its udders, and the most sensitive part of you is me. But don’t worry. I’m fine. Take your time in the fields. I fear for the tipped cow, but you reassure me—: A healthy cow lying on her side is not immobilized; she can rise whenever she chooses. I follow the goings-on of the state fair, forlorn I can’t join you. The sculpted butter cow is the belle of the ball, like every year. I preferred last year’s design, but I’ll still protect her with my life. I take a twelve-hour shift and monitor the webcam to make sure she’s safe. The exhibit closes soon. I wait for you. A mother and child, alone, behold the spinning cow behind its bulletproof glass. It must be baby’s first state fair—so tiny, a pink bow in her hair, black and white polka dot onesie, little calf. The mother whispers to the infant: “You too are more than toast fodder, baby.” The child fusses. I see them stir before the sculpture has completed its rotation, and I white-knuckle my computer mouse. Hold it, I will to them, You must see this beauty from all sides.

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Girls Over The Edge | Susan M. Breall

The thrill of blue, the smell of cold water hitting warm concrete, the chatter of girls by the edge of the pool. It was a white-hot day, a day without current or motion. She sat, awkward and apart from the other girls.  She wanted to be like them, so she dangled her feet on their side of the pool. She rubbed at her sunburned legs as she listened to their laughter and pretended to understand it. She knew she was not like them, with their bronzed bodies and colorful swimwear.  She was a sun-bleached outdated magazine cover, a pair of discarded eyeglasses cast aside on a shelf. 

As she looked up at the wide expanse of sky a boy her same age approached. He had her coloring, her same beyond-white skin tone, her same pale blue eyes, red hair, and freckled cheeks. He gave her a warm familiar smile, then walked over to the beautiful chattering girls and pushed them, one by one, over the edge of the pool. She continued to look up at the wide wonderful sky during the screaming and flailing of limbs. One girl could not swim.

He was more than a brother. He fought every nasty boy who threw banana slugs at her legs. He knocked a boy unconscious who forced her to eat garden snails. But the beautiful drowning girl meant no harm, so when she stopped looking up at the sky and looked down at the pool’s edge where her brother stood, she screamed for a lifeguard who then came running from the back alley behind the changing rooms where he was making out with his girlfriend. The lifeguard pulled the beautiful drowning girl out of the deep water that was about to devour her. She thought how fortunate for the beautiful girl that she happened to be right there at the edge of the pool. 

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The Ripening Process | J. D. Hellen

It starts with your girlfriend buying a new kind of cheese she had to request at the deli counter. She believed you last weekend when you expressed the need to “elevate” your omelet, a diversion from discussing your unemployment.

You try a slice around noon and decide the cheese is too good to taint with eggs and oil. It’s perfect as it is, right from the twin stacks in waxy paper.

It’s easy, too, a creamy, satisfying mouthfeel to hold you over until you figure out what to make yourself because your girlfriend is working late again. She said she’d help you update your resumé this weekend and that, maybe, her coworker has an in for you. “He likes music, too,” she said. 

But you told her liking music isn’t enough. You can’t work just anywhere after you’ve been in The Industry.

On Saturday, your girlfriend is tired but offers to proofread your resumé. “It’s in good shape because you’ve been home all week?” Her assumption is insulting, distracting. So while she naps, you snack on some slices and rearrange your record collection. Music lovers can’t be reduced to bullet points and power verbs. 

The next day, you assure your girlfriend you’d get the groceries if you could, but your ankle’s acting up. You ask for more of that cheese. “You’ll have to make me one of those omelets,” she says as she leaves the apartment. You can’t tell if she’s serious.

The next week is more of the same, but you keep the cheese closer, cradled between a couple of ice packs in your old work lunch bag. Your ankle’s acting up, after all, and calcium is good for bones. 

You call Todd, your college buddy who lives in Texas, because he has connections in The Industry. He texts hours later, after you’ve almost finished a cheese stack, and all you reply is, not much same shit different day.

Later in the week, when your girlfriend comes home with dinner—subs, but she forgot cheese—you talk about moving to Texas. Your girlfriend cries and doesn’t finish her sub. “You’ve never talked about moving to Texas. Do I even know Todd?”

You finally get to your doctor about your ankle, but she’s more concerned about your cholesterol. “What have you been eating?” You don’t mention the cheese and insist on an x-ray. “I’m sorry about your job,” she says, writing the x-ray script. “My cousin teaches music. Maybe you’d like that?”

You tell her about Todd and Texas, and she gives you another script for Lexapro.

Your x-ray came back fine, but you think it’s best to do home delivery for groceries. You have to now, since your girlfriend moved out. You’re not sure which cheese she was buying, so you keep trying new ones. Burnt. Nutty. Almost soapy. 

Your (ex-)girlfriend emailed you apartments in Texas before she left and said the move would be good for you, that you’d “freshen up.”

Todd keeps texting, but you usually don’t answer.

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