When night became a vast sea, I was reluctant to cross in the ship of sleep. Mom rode buses and trains all over the city to gather what she needed to make the best lullabies—the most mesmerizing melodies and loveliest lyrics—pieces I watched her assemble at the kitchen table in the kind of meditative trance she’d go into while kneading bread dough, her soft gaze settled on the fluid movement of her hands.
Later, in the dark of my room, she tucked me into bed, then filled the air with a soothing song—a new one every night because I resisted the soporific effects of each exquisite lullaby so beautiful I wanted to keep listening, to stay ensconced in the euphoria of that euphonic fairytale microcosm for as long as it would last before finally fading away.
After a week of this, Mom was sure that the lullabies were worsening my “sleep hesitancy,” and she told me that if they didn’t start working, she would give the lullabies to someone who needed them. So I pretended to fall asleep—slowly, with eyelids turning gradually droopy, buying me time to hear as much as possible and make a memory I could cling to after she left, when it would be just me lingering on the quiet shore of today with this talisman for the necessary journey ahead, into that empty expanse punctuated by the islands of dreams.
About the Author:
Soramimi Hanarejima is the author of A Psychography of Modest Intimacies. Soramimi’s recent work appears in West Branch, Lost Balloon, and Cetera Magazine.
I open the door to a smiling girl, sixteenish, summer-camp-counselor wholesome, carrying a clipboard and a huge umbrella. She hands me a glossy brochure. “Libby Conrad for Commissioner”. Red, white, and blue. A photo of the candidate posed in the midst of her sunny family.
“Libby Conrad has deep roots here,” says the girl. “She’s owned the Front Street Pharmacy for twelve years and is very active in the community. She’s dedicated and hardworking.”
The girl can’t explain exactly what a county commissioner does. She can’t name her candidate’s opponent or even the election date. She refers me to the website listed on the glossy brochure. I wonder about Libby Conrad’s organizational skills, deploying her canvassers without this basic knowledge.
Still, I have to admire this girl for being out on a miserable, rainy night. Surely she’d rather be inside, hanging with her friends. And she’s cheerful, poised, enthusiastic. Did I ever have that perky attitude, that sense of civic duty?
“Would you like a sign for your yard?” she asks as she’s leaving.
The people across the street have placards up year-round, more than enough political signage for the entire neighborhood. I decline politely.
I finish up the dinner dishes. Carrying out the trash, I hear shrill voices across the street and know instantly. What a treat to have the enemy delivered right to your door. I should have warned the girl.
Brainless bitch! Spreading venom you don’t even understand! Stupid little hypocrite!
You can’t think for yourself, you spineless sheep! Baa! Baa! Baa!
Worthless, toxic scum! Go back to the hole you crawled out of!
The girl sobs, walks back down their driveway, her hand up as if to protect herself. At the street, she tries to remember which way to go. The rain keeps pouring as she, someone’s daughter, stumbles down the sidewalk, crying, struggling with her umbrella, the glossy leaflets falling off her clipboard into the muddy gutter.
About the Author:
Joli Huelskamp lives in Oak Ridge, Tennessee. Her work appears or is forthcoming in a number of online journals, including Brilliant Flash Fiction, ONE ART, and Kings River Life. Please visit jolihuelskamp.com for more.
“Red, red, red!” Everyone cheered, flinging crystal glasses of champagne into one another, grabbing me by my pastel-brown suit jacket. The dealer loaded a cheap plastic ball into the roulette wheel as a woman in a sparkly silver dress eye-fucked me into serenity. “Place your bets!” he hollered.
“Red!” I shouted back, shoving my $287,000 of life savings into the table. The crowd roared, hands raining down on me—slapping my back, nails rubbing into my neck.
“Don’t forget me,” the silver woman smirked, angling her lips toward mine, the scent of Hennessy curling into my nose. The soft feel of that cold Glock drifted into my mind, still lingering in my beat-up green pickup truck. Biding its time for the sweet release of black.
“Don’t forget me either,” I said softly, my lips almost pressed onto hers, the thought of my ex-wife’s cackling laugh nearly thinning into whisper. Closing my eyes, I tasted red—her smug smile dissolving into ash, custody papers ripping into the air.
The dealer shot the ball, rippling up and down the wheel. Red, black, red, black. The odd green swirling in. Every roll held a blissful future — the world collapsing into nothing or blooming under my palms. It wasn’t a fool’s bet. It was the opposite of marriage.
The silver woman rested her head on my shoulder, pulling me in. I looked into her eyes as I caught the soft glimmer of black, settling on the wheel. Smirking, I leaned in, grabbing her by her waist, my Glock smiling from the truck. She kissed me back as I devoured her lips, her raven lipstick claiming me. My hands found their way on her paper-thin throat, almost grasping—when I felt a tap on my shoulder.
Opening my eyes, the crowd was utterly silent. A man in a flamingo shirt covered his mouth, pointing at me.
“Thirty-six… red,” the dealer called out.
Hennessy drained from my veins. The crowd erupted in a frenzy, thudding at my back, reverberating up my spine as the silver woman cackled, rubbing at my groin. I sat still, vision blurring as red filled the edges. My ex in a white dress. My boy in a suit too big for him, calling another man Dad. The dealer already reloading the ball.
About the Author:
Sanum Patel is a South Asian writer and attorney based in New York City. He writes both to unsettle and make you laugh, often threading humor and horror in his works. His writing has appeared in outlets including Kweli, Out Front Magazine, and Decolonial Passage, and has received editorial recognition from The Missouri Review. He will attend The Kenyon Review Writers Workshop and the DISQUIET International Literary Program in summer 2026.
You Ask Your Husband if He’d Do it All Over Again | Victoria Melekian
You know, marry you, and you see the small O of air he swallows before he says sure, but he doesn’t look at you.
You tell your sister you feel like you’re just hanging around, waiting for the next thing to happen. She pours two shots of tequila and says to stay in the now: six empty beer bottles, salt shaker, vase of white daisies. She lines up three bottle caps on the kitchen table and says, “Here’s your options: do nothing, follow him, leave.” You like doing nothing, staying in the moment: two shot glasses, crumpled napkin, blue tablecloth.
You slosh home with a head full of tequila. Your husband’s asleep on the couch, his arm around the dog. The eleven o’clock news fills the living room: drought, drive-by shooting, sports scores. You turn off the TV and whisper, “I’m leaving” into his ear.
Next morning is hot and smells like damp soil. You ask him to stay home from work. “Let’s make umbrella drinks and run through sprinklers.” He shakes his head and walks out the door. Coffee cup, spoon, flowered bowl.
You spend the day making lists—reasons to stay, reasons to go. You try to keep them even, but staying is losing and that’s when you know. The man’s been leaving for months and you—too slow to see. You’ve got the dog, an orange cat in a sunny windowsill, and three miscarriages.
On Saturday you follow him, option number two. You don’t know why you’re so surprised to see him with her, the woman, because of course there’s a woman, there’s always a woman no matter what they say. She’s pretty and looks like a woman who has babies. You imagine calling her phone and listening to her ask who’s there, who’s there. How many times before she’d hang up?
You think about option three, leaving. You remember new shoes in September, fresh notebooks, sharp pencils. You think about looking for a small apartment with French doors and a patio for plants.
He calls at dinnertime to say he’s working late, “really late, babe.” Whisk. Timer. Twine. You turn off the oven, dump the roasted chicken and potatoes, put away plates and silverware and fold the tablecloth. You pull down the window shades and sit in the dark. You listen to your neighbor lugging his garbage cans to the curb.
About the Author:
Victoria Melekian grew up in Los Angeles and now lives with her husband in Carlsbad, California. Her poetry collection “The Accidental Courage of Our Lives” is available from Sheila-Na-Gig Editions. “Unhoused,” Victoria’s novella-in-flash, won first place in the 2026 Bath Flash Fiction Novella-in-Flash Awards. For more, see her website: victoriamelekian.com
On heat-burdened afternoons, Mama spread a woven blanket under the cottonwood suckling the breast of Lanker’s Hill, the spongy wood of its boughs drooping towards the creek. I napped there, the gurgling water and rustling curtain of leaves more somniferous than any lullaby. After Joseph was born, he napped there, too, until Mama’s strength waned too much to climb that gentle slope.
Daddy planted four suckers from that cottonwood in our yard to capture the roof run-off – how those thirsty trees could drink – but they were really for Mama, an arboreal family echoing ours. They grew ten feet a year, and I balanced across my favorite’s fragile limbs, spreading my weight so as not to split them.
During the years-long drought, Mama saved those trees even though watering was forbidden. At dusk, she dragged out the bright green hose, set it to slowly drip all night. She insisted on doing it herself and I followed her, carrying her IV bag because its pole couldn’t glide across the mat of dead grass our backyard had become. That watering was the closest she got to prayer.
Thunder announced the drought’s end while I stirred the thin soup that was all Mama could stomach. My father raced outside when we heard the crack, mud sucking at his bare feet. I went to tell Mama our trees hadn’t taken the hit but her dry, papery skin was cool, her warmth having slipped away while I stood sentry at the stove.
I went to Lanker’s Hill at dawn, walked along the now thrumming creek. The cottonwood’s crown was in disarray, branches downed and scattered by wind. The bark on the trunk curled back in a diamond-shaped gash but the soft, virgin wood beneath was undamaged. I laid my hand there and swore I felt a pulse.
About the Author:
Georgene Smith Goodin’s work has appeared in numerous publications and has won the “Mash Stories” flash fiction competition. She lives in Los Angeles with her husband, the cartoonist Robert Goodin, and their four children. Follow her on Bluesky, @gsmithgoodin.bsky.social.
I start on my second coat of Red Hot, the boldest color of nail polish I could find, carefully painting each nail. Aviva and I sit on our apartment balcony, our shiny legs long on the railing, hot air balloons in primary colors floating above us as everyone starts to arrive. When her new boyfriend’s black Grand Am swerves into our complex, she jumps up, her drink spilling over the edge. The way she falls in love is with a whoosh, like she’s being sucked into a vacuum, and the way I fall in love is by pretending not to.
Moments later, Raj crosses the parking lot from his apartment to ours with long strides, grinning up at the balloons and clouds drifting toward the horizon. With graduation next weekend, we soon won’t be living close to each other for the first time since college started, and we became friends, walking to classes together and talking the whole way, drinking Red Bulls while studying for our physics exams, our laptops set up on his beer pong table as the sun rose purple-orange outside his front window, a meeting of chemistry and wonder.
In the living room, the roar of the music, bass turned up, vibrates the walls. Conversations punctuate the air with exclamation points, and the strawberry Boones Farm fills my body with soft static. Aviva is making out with her boyfriend in the middle of the room with one hand in the air, like she’s on a rollercoaster or praising God.
Refilling my solo cup, I look at Raj across the crowded room, watching everywhere his eyes land, his irises the whorls of a fingerprint that I want to press into me. I’ve kissed boys I don’t know at parties, but never the one that I love. When his gaze finds mine, instead of glancing away, I hold on, walking toward him.
About the Author:
Dory Rousos Moore lives in Ohio with her husband, three rambunctious sons, and opinionated rescue dog. This is her first prose publication. Her poetry is forthcoming in Modern Haiku. A dedicated daydreamer, she loves reading for hours and letting her optimism lead the way. You can find her at dorywrites.bsky.social.
If you write over something enough, it turns black. Example: Condense this paragraph into one line. When you reach the margin, instead of dropping below, begin again on the left. Repeat.
In this way it is clear that language tends toward the state it seeks to escape. Incomprehensibility.
It was a school. Then it was another school. Then it was condemned. The records do not indicate anything sinister happened here. Nothing beyond the usual cruelties. No, the only thing the building can be accused of is being large and old. But please, don’t accuse it of that.
These days we call it the Cultural Center. A very good idea, the Center. Convincing enough for our town’s nobility to summon the millions required to write CULTURAL CENTER over the top of everything the building has been. One more name on the squiggle. One more word in the palimpsest.
I don’t mean to sound cynical. They pay my salary, those estimable bourgeois. I prepare them long reports on culture. I compile their good deeds in dossiers bound with human hair. The accountant handles the books—I say, “This is culture, this is not.” I quantify culture. I say, “Culture is seeing a 12% increase in these sectors.” The people clap. I say, “Please, you are too generous, I will cry.”
I am myself a palimpsest. I am myself two stories of municipal brick. My walls are scaled by teens in moonlight. Conventions convene in my chest. The work of local artists is displayed on my arms. Children with gelled hair and tight bows walk my veins, clicking their heels as they go.
I am the Center’s 13th Director, and I have been here too long.
Last week the final principal of the old school perished from this earth. She was 111. Her sarcophagus is carried through the streets. They bring her here. They pass her hand-to-hand, chanting, “Feed her to the Palimpsest.” They are a silly people. They live too much in memory.
We are fortunate to employ a handful of youth who facilitate the many agents of culture that pass beneath our vaunted brick. They wear sky-blue helmets that read: CULTURAL WORKER. We have tried to shorten this title, but nothing has stuck. They call themselves culchies. I do not like this name. It sounds like a folk monster, coughed up from the deep.
Late at night: One culchy is dragging trash to the dumpster. A ghoul lunges from a bush and grabs her hair. All of it comes off, and now she is bald. This is why we wear helmets. It’s too bad. The Board likes the culchies to be very pretty. It is part of Culture, they say. When board members become lonely, they approach the Center from outside, singing love songs. I watch this happen from my office. I shake my head, but what can I do? They are the Board. I say culture, but they say me.
In all this, the ghoul got away.
The sarcophagus reaches me finally. The last man to hand her over is a rogue and a blackguard, and when he passes the corpse he laughs and fingers his earring, and the bones inside rattle. I do not have time for him. I have a job to do. I carry the principal behind the old metal door. I take deep breaths: in through my nose, out through my mouth.
We keep the Palimpsest locked away, for safety. It is a site of total collapse. Linguistic singularity.
The Chair of the Board is Norton Dogbody. Really this is a nickname; I don’t know his real name. He was born in the spawning grounds to the north. From an early age, the spiders there suckled him with webs and said, “You were born a Chair, and a Chair you shall become. The world is your Board.” Webs dribble from his mouth when he talks. He says, “Excuse me,” and spits them into napkins. The boardroom is filled with them. Crumpled napkins, wet webs.
At his right hand sits Dr. Lunchmeat. She brings a Germanic efficiency to culture some find sinister. She has no eyebrows and she wears a Luftwaffe cap. She is ruthless in rooting out the enemies of culture. She drives them into attics where they write long journals, never to be published. Herr Doktor has been photographed at certain disreputable locations with Mr. Dogbody. I keep these photos, just in case. The last thing any of us want is a Culture War. But I must be prepared.
Long ago, the native tribes of our valley would meet at this exact spot, the high point of town. It was called “The Outside Place.” I do not know whether this is the first name in the Palimpsest, but whether the wolves called it something else, we will never know.
Our monsters are not those kinds of monsters, rest assured. No Skinwalkers here. No, ours are ghouls of wood and sea. Cults with strange rites, bonfires in deep groves, women with scales in local bars, who smell of anchovies and salt, and who drink like, well, fish.
My office is on the 2nd floor. Every day a trinket is left on my desk. By whom, I do not know. Today, my gift is a pile of bones. Small bones, like those of a leprechaun. The wrists and ankles bear the scars of nails. A note: “St. Patrick crucified by snakes.”
My office is designed around the performance of sexual favors. For example. There is in the corner a jukebox a’swirl with neon, whose only track is the tune of the ice cream truck. Norton, or Mr. Dogbody, rather, will drop in occasionally to watch me dance. All morning he sobs and begs from the culchies until he has enough quarters. Then he bullies me into dancing. If I do not, he will withhold his donations. Then who will feed the Palimpsest?
At times it seems the Center runs on the performance of humiliations. An economy of humiliations.
Last week, the DEI Committee decided the portrait of Norton Dogbody, which depicts our Chair astride a giant spider, plundering some aboriginal village, should be removed, as some of our spiders have begun to complain. Mr. Dogbody and the Board thanked the committee for its recommendation and praised it for its valuable work: “Keeping us all on our toes.” The portrait was relocated away from the nests, which is good, because the edges were beginning to corrode from all the poison.
The Committee, of which I am a member, meets virtually. We begin each meeting with the liturgy, but we rush through it quickly, eager for penance.
This morning, a new gift from my mysterious benefactor. A silver key the size of my forearm. I clip it to my carabiner, and it drags my pants to the floor. “Yes, just like that,” Dogbody says. He hums the ice cream song. He spits webs at me. I dance, dragging the key along the floor.
Up late at my desk. The building is empty, the halls are dark. The pipes in the walls are very old and they thrash and sputter, but I’m used to them; I don’t startle anymore. I’m reading emails. Since the Center was opened, each director has used the same email address, and it has been passed from hand-to-hand, finally to me. All their correspondence is there, on the drive. Some of the emails are so old they are starting to decay. I’m searching for mention of a silver key. No luck. I stand and walk the halls. I step into an empty classroom. The lights are off, but the moon is so bright tonight it is like a presence in the room. I go to the window. A leviathan lifts up from the hills and unfurls its wings before the face of the raging moon.
I have discovered in the correspondence of my predecessor evidence of a monstrous conspiracy.
Monsieur Blatt was a mime; he never spoke a word. The Board thought him an ideal candidate for director. The reasoning went that, because he was mute, he would offset the semiotic ragings of the Palimpsest. But it sniffed him out, curdled his heart. It was at this point the Center realized the Palimpsest possessed a dumb kind of intelligence, a snowball of names that swells as it rolls. It reached into his silence and planted words. Or not words, only morphemes, just little chunks of meaning, like “-ing,” for example, which by themselves do nothing but which slowly began to interact with the other chunks, combining and recombining, clarifying themselves first into monosyllabic words, then polysyllabic, and so on, until all the words in the English language had grown like mold under his skin. But it went on. Out of the storm of symbols, a sort of super language developed, one thousand times more efficient than English, in which the semantic structure developed into a kind of sonic pictogram, where every word was onomatopoetic, mirroring, or miming, rather, the essential breath of each thing, crossing the eternal bridge between the world of language and the world of the senses, signifier and signified, creating a linguistic realm coeval with reality, self-sufficient, the act of naming so powerful it had actually created another reality, “Let there be light” spoken over the faceless deep. It was as if shadows had emancipated themselves and become subsistent. At least this was what I could deduce, scrolling through his final flurry of emails in which he begged for ten thousand nukes to be directed here at once, this outside place, which would soon give rise to a new species, men made of words, legions spilling forth across the globe.
Dr. Lunchmeat dispatched the director with her Luger. The two reports of the handgun were remarked upon by everyone in the building that day. Even then, Lunchmeat said, even in his final moment, staring down the barrel, poor Monsieur Blatt raised his hand right back at her, thumb and index finger extended in the mime of a gun, overrun with the drive to mirror.
My gift this morning is a vial of poison. The note says, “Drink Me.” I twist off the skull, which serves as a cap. I glug the purple goo. And I know without question what must be done.
The culchies remark upon my purple eyes. “Mr. Thirteen,” they say. “What happened to you? What are you doing with that key?” A pulse of psychic energy is sufficient to push them away. I am gentle in this. They do not deserve their humiliations.
Reports on the death of Director Blatt indicated the sentient language perished with him, but I know it is not true. The Palimpsest is already broken. My purple eyes see deep into the truth.
Every night I walk home from the Center, I pass beneath powerlines flocked with crows. They grip that wire and stare. And I wonder if animals will ever evolve consciousness alongside us, like crows or dolphins or elephants. It’s still possible, I suppose. But I wondered in the wrong direction. It is not animals that will achieve sentience. It will be language itself.
Dr. Lunchmeat stands over the corpse of Norton Dogbody. Her Luger smokes. The door I close behind me is the oldest door in the Center. It is made of black iron. We two are alone in the electrical room, where pipes and vents flail in Soviet conflagrations. Dogbody twitches, then stills. Lunchmeat is naked. Her skin is white and every inch of it is lined with text. The words on her skin wriggle like trails of ants. They even line the whites of her eyes. I raise the key. My purple eyes flash. The text explodes off her flesh like the tendrils of a squid. They writhe, whether in spasms of death or jubilation, I never learn.
For these, too, are only words.
about the author:
Jake Bienvenue holds an MFA in fiction from the University of Montana, where he was the Editor-in-Chief of CutBank. His work has appeared in The Offing, The Baltimore Review, EcoTheo, and others. He is at work on a novel about the Oregon wine country. He lives in Brooklyn.
Ayo always knew when his father was coming home. Not by the rumble of the old Peugeot stalling outside, nor by the metallic creak of the front gate, but by the sound of his footsteps—slow, deliberate, measured.
Each step carried the weight of exhaustion, of dreams deferred and dignity swallowed in silence. Ayo would listen from his room, curled up with his homework, his hands clammy as he gripped his pen. Would today be different? Would the tension in the air dissipate, leaving room for laughter instead of raised voices?
He once asked his mother why she never argued back. She had smiled—a tired, knowing smile—and ruffled his hair. “Some echoes aren’t worth chasing, my son.”
One evening, the footsteps did not come. The gate did not creak. The old Peugeot never rumbled into the driveway. The silence stretched, wrapping around the house like an unwelcome guest. Hours passed. Then days. Then weeks.
Ayo stopped listening for the footsteps. But at night, when the wind whistled through the cracked windows, he swore he could still hear them.
About the Author:
Ibrahim Abdulhakeem is a Nigerian law student, writer, and creative with interests spanning literature, design, and education. He is passionate about storytelling, Islamic scholarship, and inspiring young people through his work. His writings often explore identity, resilience, and human connection.
You arrive in the heart of the city, teeming with lorries and trucks transporting a supply of farm produce stocked in large sacks in transit to warehouses in the metropolis, the city welcoming you with the same hands you abandoned; hands pushing carts bearing purchases of market women from Sango Ojunrin market, where your mother used to sell tubers of yam, haggling with buyers who would slap prices to a ridiculous height; hands wiping beads of perspiration in the scorching sun on Oke Aare’s Hill, where your father had leaped to his death. He was a poor man with expensive dreams. But you swore yourself to the gods of The Western people to bring prosperity to your lineage. Had you known the outside world grew thorns along with its roses?
At Mokola axis, notorious for its persistent traffic gridlock, you board a yellow-rust Danfo bus overload with passengers. The stench of cigarette from the conductor fills your nose who calls you Alakowe and charges you an exorbitant fee.
In transit, you reflect on the city and observe how nothing has changed. The roads still sunken with potholes; its kerbs sullied with refuse and sewage; plied by motorcycles and rickety Micra motors, infamous as the instruments of kidnapping ritualists. You remember your friend, Tade, who had board a Micra in the night two years ago at Iwo road highway and how he was found three days later on Ojude Ade street, skull split and limbs dismembered.
From the radio inside the bus, King Sunny Ade’s Mo Ti Mo plays in retrospect. The song ends and a newscaster comes on air to read the headlines. Crisis as fuel prices hike higher. Your sighs punctuate the air alongside other passengers’.
The bus passes across the State’s Library where you had often come to bask in the world of Mbari, Transition and Black Orpheus. You return to days shelved with memories when you consumed Okigbo’s epics and Soyinka’s elegies. In the storeys of this building, you had written the first drafts for the sample works in your MFA application.
The bus continues towards Jericho road where you hear a muezzin’s call to prayer from a mosque nearby. Allahu Akbar, you mimic him as you had often done when you were younger. You did not understand the words but that didn’t matter. God hears his creations in all the dialects of their yearning. You remember weeks of the storms on the ship sailing the Caribbean Sea where God was a thin thread you hanged on for dear life.
You raise your eyes pregnant with tears and tales towards the city’s sky, a country of egrets flying in the air polluted with greenhouse gases from oil factories. At a T-junction in Akinyele, you alight from the bus handing the conductor your fare. He tells you there’s no change. You know it is a lie. But in the end, you forgo it.
Your mother, with hands that you have once abandoned, runs to meet you.
About the Author:
ADESIYAN OLUWAPELUMI, TPC XI, is a medical student, poet, essayist & Poetry Editor of Fiery Scribe Review from Nigeria. He & his works are featured in The Republic, Electric Literature, Only Poems, 20.35 Africa, Isele Magazine, Poetry Sango-Ota, A Long House, Brittle Paper, Fantasy Magazine, Poet Lore, Tab Journal, Poetry Wales & elsewhere.
Alice sidled up to the checkout line that stretched into the aisle of seasonal items — Halloween candy in September. She hated drugstores, always had. But old age brought her more often than ever to this place, what with Larry’s growing list of prescribed medications and recommended vitamins and now the regular purchase of Depends, a demolition so deep that neither she nor her husband spoke of them. Not since he came home with samples from the doctor’s office last year. Alice now just kept an eye on the package in the bathroom closet, and when it was halfway gone, bought another and placed it under the one in current use.
She tried to keep the drugstore trips quick, but today there was only one cashier despite four registers sitting dormant. The clerk, probably around Alice’s age with a halo of gray hair, peered over her glasses and poked at the keys the way old people did. Did Alice look like that when she used her phone or computer? Reading glasses down to the end of her nose, eyebrows raised, a general look of confusion? God, she hoped not. There were two other employees, a girl and a boy, probably eighteen, standing at the opposite end of the counter in their long blue vests, giggling as they restocked the Marlboros on the back wall.
“Excuse me, are you open?” Alice asked, walking over with the adult diapers cradled under her arm. Neither looked up, though the girl momentarily paused at the sound of her inquiry.
“Excuse me?” Alice asked, now with a lilt of irritation. She never would have used such a tone in her younger years; she would have waited in that line with her mouth shut until closing time to avoid ever being perceived as demanding or impatient or a generally unlikeable woman in any way.
At the age of seventy-seven, she hated to think about this now — how much of her life she spent complicit in her own inconspicuousness. Had she known she’d hit a certain age and become invisible to society anyway — well, she probably would have behaved in the exact same way, the desperate approval of her mother far outweighing any other external attention.
Alice had been a knockout in her youth. She could see it in photos now. But in the face of her mother’s hard-nosed expectations of her daughter — humility, presentability, decorum — she spent most of her life thinking she was plain.
“Excuse me,” she asked one more time, just as the boy turned around to pull a carton of Reds from its stack on the counter.
“Yes, ma’am?”
Ma’am.
“Are you open over here?”
The boy peered past her, then suddenly and frantically drilled on the register keys. “No, ma’am, as you can see, we’re not.”
The girl barked out a laugh.
Alice squinted at the two kids, their backs to her now, shoulders touching, giggling again. The tinny of the fluorescent lights was getting louder. She took another step toward the counter, thought about saying something else, but no words came.
In fact, she wasn’t thinking much of anything as she slid the last carton of Marlboros off the counter into her hand. Then, walking away, she heard herself say, “Excuse me,” to the customers still waiting in line, and when they didn’t move, she turned sideways, compressed herself to get through them. The automatic doors stretched open like a regal goodbye, and her heart banged in her ear as she scuttled down the ramp.
At the car, she nearly fell over, weak-kneed and dizzy. She threw the diapers over to the passenger seat, before getting herself in and examining the carton of cigarettes against the steering wheel. She was laughing, cackling really, as she ripped open the box, pulled out a single pack and untwirled its little plastic string. Her fingers tingled with a strange, luscious delight as she rifled around the glove compartment for one of Larry’s old lighters. She lit the cigarette, inhaled. The rush went to her head in an instant.
She held the smoke in her lungs with surprising ease, tilted her neck back on the head rest. She had only smoked one other cigarette in her life, with a boy named John when she was sixteen. She cut school with him on a bright blue day, and they sat under the bleachers, passed a Pall Mall back and forth, talked about The Rolling Stones and kissed. Oh, what a thrill it had been to sit there with a boy she thought she loved, defying every one of her mother’s expectations, even just for an afternoon. She had been devastated when John and his family moved away that following summer.
Alice exhaled, the smoke enveloping her — head in the clouds. John’s face was still so clear in her mind even after so many faces had faded to faceless through the years. She placed the cigarette between her lips again, let it hang there as she reversed out of the parking spot.
Larry was in the study when Alice arrived home. She could see him through the doorframe in his favorite chair, reading a book, as she walked to the bathroom, lifted the pack of opened Depends in the cabinet, placed the new one underneath.
“Hi, honey,” he called, only after she was well out of the bathroom, in the kitchen, at the sink, the pots and pans she’d washed earlier now clanging as she put them away.
She couldn’t remember the last time they’d spent time together. They were around each other constantly, passing by one another in this big house like complacent ghosts, dust floating in the air, fine and indifferent. For fifty-two years, Larry had loved her with a genial and gentle loyalty, offering a secure life in a well-built home and one winter vacation to a warm place each year. There were Christmases that boasted abundance, and a tolerable group of friends who didn’t enjoy gossip. “You’re beautiful, you know that?” Larry said to Alice so often that it lost its meaning entirely, mostly falling on her ears as sarcasm. As far as she knew, Larry never had eyes for another woman. (But how could she know, really? How could anyone really know the inner workings of another’s mind?) He was a stern but joyful and involved father at a time when that simply wasn’t expected of men. And she credited the two of them, and only the two of them, for raising four well-loved children into four well-loved and stable adults. What more could a woman want? she had asked herself so many nights that it had become a type of prayer, lying awake with eyes closed, sometimes clasping her hands over her mouth so that only the faintest whimper emanated from somewhere deep inside her.
“What are you reading?” she asked, approaching the study, dish towel in hand. Larry wore a collared shirt like the ones he had donned every day at the university for forty years, but now with sweatpants and a blanket draped over his knees. The walker was standing a few feet away against the wall.
Larry looked brightly at her then lifted the book up just enough to display the cover: THE GERMANS.
“Fun.”
He shrugged.
When did he get so old looking? For years, the Parkinson’s had come on slowly, gas-lightingly slow. Had he been tripping a lot lately? she’d wondered for two whole years before voicing the question to him out loud. It took seventeen doctor’s visits — she’d tallied them up once — to get a definitive diagnosis, and when it finally came, what befell them was a cartoonish combination of relief and devastation, like they’d found a life raft in a rushing river just before getting hurtled over a waterfall.
For a while, they were able to pretend the disease wasn’t there, that he was just clumsy and stumbled a lot, but then came the undeniable tremors and the stiffened movements and the hunched posture of a forever-straight-backed man, the sometimes-slurred speech and, probably the most horrific for Larry, the difficulty writing.
“You doing anything today?” Alice asked, her attention turned toward the paint peeling on the door frame.
“This is it, baby. And I need to go to Verizon later.”
Larry and his phones. She’d seen more smashed phones in the last three years than she had otherwise seen in her lifetime. They were constantly being flung from his body because of the tremors, the imbalance, the falls. Poor Larry.
“Okay, well I’m going to go out for a bit.”
“You just got back.”
“I thought I’d go visit Marie for a little while.”
She drove until the pavement turned to dirt, pulling into the river viewpoint beside a lone truck idling. She hadn’t been down here for years, decades. It was the place she’d come when the kids were small, usually on the weekends when Larry was home, and, just for a few minutes, sit perfectly still and think of nothing.
She lit another cigarette from the pack, pressed the window button on the door. A man came walking up the path. He was young, maybe mid-forties. He lifted his fishing rod and tackle box as a Hello.
“How ya doin’,” he said while passing the car. He looked familiar; probably had been in school with one of the kids.
“Catch anything?” Alice asked reflexively.
“Nah, nothing worth taking home today.” He opened the truck’s tailgate. “Those things’ll kill ya, ya know.”
She examined the cigarette smoldering between her fingertips. Fucking punk.
“Promise?!” she yelped, her voice cracking just as the tailgate smacked shut, jolting three crows from a branch above it.
Alice watched the truck leave in her rearview, taking in a long defiant drag as it went. Then she coughed it all out — too much.
At the senior living center, the doors pulled open and she was met with a firewall of warm putrid air, that combination of urine and disinfectant and a meal of mush being cooked somewhere.
Last year, Alice came home from the grocery store to find Larry splayed out on the bedroom floor. “Just send me to a nursing home,” he said in the doctor’s office an hour later, wincing in pain as they waited for X-ray results that would display a cracked rib and a fractured ankle. “You can’t handle this all on your own.”
“I’m not sending you to a nursing home,” she said flatly.
She’d never admit it, but this had been a consideration among the many questions that bombarded her after the diagnosis, like, How was she going to take care of a man who had a ninety pounds and over a foot on her? But then she thought about Larry sitting there, reading his big scholarly books among those smells of human waste and it made her feel like she was going to explode. “I’ll take care of you as long as I can, and then, I don’t know.” She paused. “When I can’t, hopefully we both fall and crack our heads open on the same day, same time, and we’ll die right there in the house and be done with it. The kids can deal with the mess. They owe us that much.” She knew this would give Larry a good laugh, which would allow him an excuse to swipe the tears that had been pooling at the ridges of his eyes, and it did.
“I’m here to see Marie Cunningham,” Alice was telling the receptionist, a young thing with crispy yellow hair pulled tightly back. She was watching a video on her phone. “Is she having lunch? I can just pop into the dining area.”
“Let me check,” the woman said, bored, picking up the landline and talking so low that Alice couldn’t decipher a word. Or was she going deaf?
“Yeah, Marie isn’t having a great day,” she said, hanging up. “Unfortunately, you’ll have to come back tomorrow.”
“Oh, I don’t mind if she’s having a bad day. I can just —”
“Right, well, you might not mind, but Marie would probably mind.”
Alice had known Marie since their sons became friends in kindergarten. She was easy to talk to and had a quick, scathing wit — never would Alice have said some of the things that came out of her mouth. When she was with Marie, she often found herself laughing in a way that sounded devilish to her own ears.
Marie began showing signs of Alzheimer’s a few years ago. That’s what her husband said anyway when he began looking into nursing homes last winter. Alice always got the sense that Marie’s boldness infuriated him, and more than once Marie canceled their plans because “Bob was being Bob,” which, back then, could have been woman code for just about anything. When Marie had a hip replacement six months ago, she was admitted to the senior living center for her rehabilitation period. Then the rehab ended but Marie stayed.
This wasn’t the first time she’d come to visit Marie and was sent away. The last time was a month ago. As she was leaving that day she saw Marie down the hallway, screaming and punching at the air as a nurse dodged blows trying to restrain her. It felt like catching a glimpse of herself. Alice couldn’t eat or sleep for days after that.
The receptionist had returned to the video on her phone. There was another smartphone sitting on the ledge of the desk. Alice scanned the room then slipped the phone from the counter into her purse.
“Okay, well, thanks anyway,” Alice turned toward the door.
“Mind putting that back where it was?” she then heard.
“Sorry?”
“My colleague’s phone.”
Alice’s heart plunged. “Oh! I’m so sorry, I thought it was mine!”
The woman’s eyes stayed on the screen. “Mmhmm. You’d be surprised how often that happens around here.”
Alice nearly threw the phone at the woman before wobbling out the door, woozy and overcome by shame. What was she doing? But, upon exiting, the swell of humiliation lifted and was replaced by something else — something equally disorienting. She wanted to drop to her knees right there on the pavement, thank God for the sun on her skin and that fresh autumn air coursing through her lungs.
She didn’t want to go home. All that was left for her to do was clean some more. There was always cleaning to do — and then of course the yard work, the basement that needed gutting, the painting, both inside and out. The house had been for years in a state of degenerative disrepair that Alice and Larry couldn’t get ahead of.
The sun was high. She pulled down the visor, took a right onto the main road, merged onto a clear Route 12. It was a Wednesday; kids were in school, adults at work. Retirement had placed Alice in an alternate realm that most people sought their whole lives. She never related to those aspirations of retirement. “Only ten years left!” she often heard friends say when they were in their fifties. She had always cringed at the declaration.
She’d stayed home for more than a decade to take care of the house and the kids, but once she started working, she never wanted it to end, first as a part-time secretary for a local construction company then full-time as their bookkeeper. She loved ironing her clothing each morning and getting into the office early to have the whole place ready to go by the time the bosses arrived. She was good at the job, using the same skills that kept her home running smoothly, and stayed at the company for thirty years until the owner retired and sold the business. After that, she bounced around town doing similar work but was never able to find the stability she had that first time around. The job opportunities eventually dried up as outsourcing and computer programs erased the need for her at all. Retirement arrived unceremoniously when she simply couldn’t find any more work.
She pushed open the door at Verizon and the bell offered up a polite ding. Alice grazed her hands over the phones on the shelf, all bright lines and hypnotic matrices. Larry always insisted on buying the oldest, most neglected iPhone kicking around the back of the store, knowing it would soon meet its demise anyway.
“Can I help you, ma’am?” a man called from behind the counter.
“Just looking for a new phone for my husband. He broke his screen.”
“Okay, do you have his phone with you?”
“Oh, no —”
“Well, it’d be a lot easier if you had the old one so we could transfer the data.”
“Oh, we’ve bought one — well, a bunch — here before, without the old one.”
“Yes, you can do that, but —”
“Great, then let’s do that.”
She showed him the phone she wanted, the one tucked in the corner, far away from any sort of display.
“A lot of apps don’t work on this phone anymore because the software is so old.”
She and Larry knew this by now. They were too old for apps. Larry only wanted a smartphone so he could video call with the grandkids. Still, “Then why sell it?” she asked.
The man shrugged, then, perplexingly, walked away.
The carpet in the store was faded, and she was sure she could smell it — those industrial chemical fibers soaked in the dirt and grime and shit from the bottom of a thousand different shoes. And again with the lights. So unnaturally effulgent, bringing her body back to Wallace Apothecary, the drugstore now long gone that Alice had frequented as a child, armed with her mother’s prescriptions. She always had to crane her neck to speak to the pharmacist standing on the platform behind the counter and in front of the rows and rows of drugs, like he was some kind of god. Or lord. A drug lord.
Alice was a senior in high school when her mother died of complications from multiple sclerosis. At the end, she was paralyzed and prescribed experimental medication as a last-ditch effort. Alice was convinced the pills were only killing her faster. Still, she obediently doled them out to her, never missing a day.
Alice held the old new phone in her hand. It wasn’t connected to the shelf with a wire like the others. Perhaps not worth the price of the cable to keep it tied down. For the second time today, she dropped a phone that wasn’t hers into her purse. This time, no one saw her. She left the store, the bell delivering another civilized chime behind her.
Larry had moved to the couch by the time she returned. A glass of lemonade sat on the coffee table alongside a plate of peanuts and a bunch of grapes. She pictured his journey from there to the refrigerator and back again, using the walls and furniture to steady himself.
“You look like you’re holding on for dear life,” Alice had said yesterday when he refused to use his walker for a similar perilous journey to the kitchen. Larry didn’t respond, hadn’t seemed to hear her at all as his big hands clutched the back of the sofa, then the corner wall. But later that evening, as they ate steak tips at opposite ends of the table, he said, “Don’t ever talk to me like that again,” in a tone that scared and shocked and shamed her all at once.
“I’m sorry,” she said into her plate, and she meant it.
“I could have gotten you that,” she was saying now, pointing her chin to the snacks. He waved her away. Then she said, “Got you a phone.”
He took it from her, examined it. The sight of him holding it sent a fresh thrill up her arms.
“Where’s the box?”
“The kid said he couldn’t find it. He said just take it as is.”
This seemed to satisfy Larry.
Alice stood there for a while, watching Larry’s big hands crack open the peanut shells. He did this sometimes — allowed her to bear witness to his mundane tasks, like she was his audience in the theater production of his life.
When she heard the knock on the front door, she thought it was another bird that flew into the kitchen window. It happened just last week — a sparrow torpedoed full throttle into the large pane when Alice was cooking at the stove. She was startled to see the bird’s guts on the other side of the glass and the poor thing lying stunned on the dirt below.
When she heard another knock, this time three quick raps, she went to the door.
It was Don Sullivan. He was friends with Greg in high school and would often stay over at the house when they had early football practice. He used to be a scrawny thing but now here he was on her doorstep, all shoulders and biceps. My god how these kids grew up.
“Hi, Donnie,” Alice said, pulling the door wide. The cops were always stopping by to talk to Larry; he’d been a selectman in town for years. “Larry’s in the other room. Come in, let me get you something to drink.”
She heard Larry on the sofa, fists to cushions as he pushed himself to his feet, then listened for his hand to reach the chair then the corner wall, then —
“No, thank you, Mrs. Parker. I actually needed to come by to ask you some questions.”
Despite a day of theft, she hadn’t thought for a single moment, hadn’t a single sweep of dread, that this boy, with his cruiser in the driveway, was there to speak to her.
Now, she reached for the molding of the doorframe to steady herself.
“Mrs. Parker, Verizon called in a theft —” Donnie was saying as Larry appeared around the corner.
“Oh, hi, Mr. Parker.”
“Donnie, how you doing,” he said, planting his feet and reaching out a hand. Donnie shook it. “Why don’t you come in?”
“Oh, actually Mr. Parker, I was just telling Mrs. Parker —”
“What do you need from me, Donnie? To come to the station?”
“That’d be great,” he said, relieved.
“I’ll follow you there,” she said, refusing to acknowledge Larry’s stare bearing into her temple.
For a short time as a child, Alice had a pet bunny that she took everywhere she went. One day she was at the neighbor’s house playing hopscotch with one of the girls on the front walk. The bunny sat nearby, a puff of marshmallow in the warm summer sun. Alice was hopping from number 8 to 9 just as the girl’s brother came barreling out the front door, taking a flying leap from the top step, sailing through the air before landing directly on the lump of marshmallow below.
Alice ran home wailing, but all her mother did was shush her. “Get yourself together. Life isn’t fair,” she said, gesturing to the wheelchair in which she sat. “You better get used to it.”
She had no idea why she was thinking about that bunny while following Donnie in her car to the police station — she hadn’t thought about it for decades — but the thoughts were spiraling and bursting and soon she was punching at the steering wheel, the air, screaming to the heavens for that little creature, and for her nine-year-old self, who had been forced to swallow down the anguish of having watched that creature die such a brutal death.
“You can sit Mrs. Parker,” Donnie said to her. She was standing in the door frame of the station, scanning the cement walls and the yellowed linoleum floor. Donnie’s desk was made of the same brown metal as old filing cabinets. On it sat a small, framed photo of a basset hound.
What had gotten into her? Stealing? Not once in her life had she ever even considered stealing, and now here she was at four o’clock on a Wednesday, seventy-seven years old, arrested — arrested!
“Am I being arrested?” she asked as Donnie rifled through his desk drawer.
Donnie said the Verizon manager sent him security footage of her visit to the store this afternoon. “Do you think that was you in the video, Mrs. Parker?” he asked, standing upright.
She cleared her throat. “Yes, most likely.”
Donnie led her to a small room. “We’ll need to get your fingerprints.”
He pulled on latex gloves and reached for her hand, weeding out her thumb and pressing it down on the scanner. They watched the green light crawl left to right under the glass. He did that again and again, his fingers momentarily intertwining with hers.
Later, she stood in front of a gray wall; the ropes of fluorescent light seemed to sing above her. The camera flashed and then she heard, “Okay, now we need a profile shot.”
She turned, and another flash came.
“Okay, and now Mrs. Parker, I don’t usually do re-dos, but let’s do the front-facing again. It’s recommended not to smile in these photos.”
Donnie talked to Alice for a while and she signed some things. Then she was alone in the office, ankles crossed, running her finger along a ridge of the white wall. It had been so shocking, how the bunny went from living to dead in such an instant, from pure white to a splattered blazing red.
“Now that’s a hardened criminal right there,” she heard. Larry was in the doorframe, leaning hard on his crutches.
“Can I go?”
“You’re a free woman, Alice Miriam Parker — though you’re not allowed to set foot in a Verizon again.”
She stood quickly and smoothed her coat. It was too warm for such a mild day and she should have restitched the pocket. It was her mother’s, though — the butterfly brooch on the lapel too — and she always looked forward to wearing it once the weather turned.
Larry held an arm wide, his crutch dangling from his forearm. She walked toward him, buried her face into his torso.
“Let’s go.”
At the car, he opened her door, then threw the crutches in the trunk without care or regard, opened the passenger side door and sat. “Where’s your car?” she asked from the driver’s side, turning the key in the ignition halfway. The interior lights blinked on.
“Over there. I’ll get it in a minute. I just want to be with you.”
She held the steering wheel at ten and two and looked at him. “Why?”
“A man can’t sit with his wife?”
So they sat for a while like that, the car between stop and go, the warning chime singing softly.
When Larry reached for Alice’s shoulder, he saw the pack of cigarettes sitting in the center console.
“Since when do you smoke?” he asked, reaching for the pack.
“Since today, I guess.”
Then Larry laughed, a loud rugged laugh that sounded like he was at the bottom of a barrel, a laugh so true that there was no controlling it. It had taken over. He laughed until he was wiping tears away and she was laughing too, laughing at his laughing, and her laugh made him laugh some more, the sound ping-ponging inside the car like atoms bouncing around in space.
When they were both drained empty, Larry gave the pack three quick taps on the meat of his palm like a professional.
He searched the glove compartment, cracked the window. Alice watched him hold a cigarette between his lips as the lighter let out a quick spit of metal on metal, the flame dancing until it found the end of the roll and he inhaled and held it for a while before releasing a slender plume of smoke from his mouth.
“Ah, the ol’ vice,” he said.
Then he turned toward her, holding the thing upright, the smoke writhing then dissipating into the air. Here and then gone. Here and then gone. She reached for the cigarette and placed it between her lips and watched her husband watching her, the light of the day’s end streaking through the windshield, illuminating both their faces.
Bonus audio of Mikaela reading from her story…
about the author:
Mikaela Conley is a journalist and writer based in Berlin. Her journalism appears in Wired, The Guardian, The Los Angeles Times, and many other publications. Her creative writing can be found in The Forge Literary Magazine, The Boston Globe, and elsewhere. She has a master’s in journalism from Columbia University, grew up in rural New Hampshire and is currently working on a novel about friendship and grief.