Categories
short fiction

When Mr. Boppo Joined the Cohort by Sharon Lee Snow

When Mr. Boppo Joined the Cohort | Sharon Lee Snow

The brisk Monday October night when Mr. Boppo flounced into the glass-walled English Department Classroom 301, we all looked up bleary-eyed from our critique group stories full of suicide ideation, suspicious yarns of days lost to raves from another era, and the usual amount of coming out tales to find a small man hovering at the door, costumed in a ruffled white tent of a shirt that bounced with a life of its own. Under a ridiculous pointed white hat, an equally white face with expectant eyes framed with black triangles smiled at us despite our obvious discomfiture. He headed straight to the empty seat beside me, bowed quickly to the class in general, and bounced his hula-hoop shirt with its red pom-pom buttons with a flourish as he sat down. 

We turned to Professor Corelli – who we called Jim since we were grad students – but Jim didn’t seem to know what to do with the little clown either. He scrolled his enrollment rolls and looked up just as perplexed. “Mr. Boppo?” he asked the man. “You were approved for this class?”

The small man stood up and bowed again; this time, a proper bow. 

“He’s one of them French clowns,” whispered my critique partner, Kelci, as she appraised him. “The sad ones.”

“I think you mean Italian, like Pagliacci,” I said. 

Kelci didn’t appreciate my interjection, and I admit I was somewhat doubtful too. I wasn’t so sure of my clowns, and my opera knowledge was limited to what I watched on The Simpsons combined with my mother’s love of a great tenor solo from time to time. 

In truth, I hated clowns. For no particular reason. Just like most people I knew tended to hate them. 

We stared at the clown. 

I was waiting for a French accent, or for him to begin belting out an aria, or jump to life, honking a horn and talking in a goofy clown voice. But a neutral North American accent simply stated: “I am Mr. Boppo.”

The class was silent, watching.

I expected a lot more questions from Jim, but he threw up his hands and said, “Welcome,” because he had tenure and one more year before retirement. 

At that, Mr. Boppo sat down, scooted his chair closer, and joined our group. I figured he would sit back and take stock of the situation, but instead, he produced a neatly stapled short story. “I’m Mr. Boppo,” he said again, as he passed out the required three copies to the three of us already in the critique group. He waited for us to announce ourselves and to read his story.

Kelci was serious about the class and the MFA program. I could see her mind working. Was this experimental writing? Was this performance theatre? Was this some test? Wyatt, next to me, secretly worked gig jobs and studied pre-med as a practical backup to being an MFA student. Wyatt had zero patience for nonsense, but he could write like a son-of-a-bitch.

“Look, clown,” he began, but Mr. Boppo held up a hand. 

“I’m just a student,” he asserted. “Same as you.”

So, our small critique group introduced ourselves and passed him our stories which worked out strangely well since we were short a group member with Emma home puking. I pulled Mr. Boppo’s story over to me, angry about it and Mr. Boppo in general. Still, I was intrigued. I picked up the paper, hoping for a fascinating insider’s insight into the circus, or about his unique life living as a clown outside of the circus. 

But it was none of those things. The story was surprising from the first line. It sang, it cried, it was light like a communion wafer on the tongue, cleansing you of tired tropes and metaphors and themes. The noise of the elevator opening and closing outside our classroom door, the hum of students talking, and the bright fluorescent lights dimmed and went silent. I went to a new place I didn’t recognize. When I put the story down, I couldn’t remember what I read but felt like the weight of the girlfriend in trouble had lifted, that things were clear, beautiful even. I handed him a paper with marks written that I did not recall making, and he thanked me with a tiny bow from his seat. 

I could see that everyone was reacting the same way to Mr. Boppo’s story. At the end of the evening, everyone in our group was at least somewhat entranced with the clown – even stoic Wyatt – and Kelci posed all of us for her Instagram post. 

When I got home, Emma had finished throwing up and was curled up in a fluffy pink blanket on the couch, like a fuzzy, helpless kitten. Her face was gaunt, her skin white and translucent, dark smudges of bags under her eyes. My worry for her was a constant ball in the back of my throat, choking me. We both knew what had to be done but couldn’t explain why it hadn’t happened. Nothing was happening at all, and I was terrified.

I sat by her and stroked her hair and told her about Mr. Boppo.

She didn’t believe me at first, but then I showed her the picture of our critique group plus Mr. Boppo on Instagram, and she laughed but then grew worried. If clowns can join the MFA program, she mused, then what value did it have anymore? Why were we going into hideous debt for a clown college? 

“I think it’s some kind of experiment,” I offered, trying to cheer her up. I couldn’t explain exactly how it felt reading his paper, so I brought out his remarks on my draft. “Let’s read them together,” I said, and she cuddled up next to me. 

Initially, his markings didn’t appear to be language, and we looked at each other. “Gibberish,” she said, but then the writing began sorting itself out, smoothing out into a lovely handwriting like magical self-writing elvish runes. We watched as it took shape in the margins, swirling up and around paragraphs, curving around bad sentence structure and cliches as it went. In the end, an exquisite red vine of words, both encouraging and meaningful, flowed through my story pages. We leaned in and read it, sighing in places where he’d nailed a particular problem in the plot line, smiling at his kind support of a well-written phrase.

“It’s wonderful,” Emma said, looking brighter. “I must meet this clown.”

Our cohort took our classes together, so we were not surprised to see him in our class the following morning. Emma had put her makeup on and looked happier than she had in days. She took a seat next to Mr. Boppo, who stood up briefly, bowed, and kissed her hand. Emma giggled. 

He looked exactly the same, as if he slept in his costume and makeup, as if they were not in fact applied but rather a part of him – or more specifically, him, himself. I found myself annoyed at how Emma continued to smile a little to herself. All the things I had been doing to cheer her up: her favorite foods, cleaning up puke, binge streaming through her favorite shows that I secretly hated…and now, a clown. It took a clown to make her smile again.

My suspicions about Mr. Boppo were back now that I was removed from his magic writing spell. And my pregnant girlfriend was giggling with him over something, like they’d been best friends for years now. 

I felt like screaming out the obvious. Nothing good could come of this infection of our tight cohort group. Why is a clown in our class? But the class was moving into place like nothing strange was happening, even those who’d missed last night’s workshop. 

Mr. Boppo looked up from regaling Emma with a witty remark that had her chuckling. He stared right at me. There was no mirth in those black clown eyes. The corner of his mouth quirked up.

Yeah, I made up my mind. I would bring down this fucking clown, this ridiculous Mr. Boppo. This imposter in our midst.

It wouldn’t be too hard, I figured. We were working on short memoir pieces, so that would provide some details on this clown. He couldn’t hide who he was forever. At that moment, the door opened. The students and I watched with interest as Professor Beadle strode into her class. Professor B was young, but also ran a tight ship. 

“Good morn—” She halted to a stop in her practical black pumps, frowning at Mr. Boppo. She looked around and verified that we were indeed her 10 a.m. memoir class. She made up her mind and walked right over with a brittle smile. 

“Good morning! Are you auditing our class today? I didn’t get any notice.” 

He popped up and bowed. “Mr. Boppo!” he said with a flourish of his hand. “I’m a student, Professor.”

She sucked in a deep breath. Her brows knit together in pain. You could feel her thinking, just what I fucking needed. She nodded and went to the computer where she furiously tapped in her password to get to the enrollment page. With a resigned sigh, she stared hard at him as he smiled back at her with a circus-wattage smile. Then she shrugged and opened her slides. “Let’s begin.” 

Mr. Boppo stayed attached to Emma’s side when class ended. I was even more annoyed then, because we knew nothing more about the mysterious clown now than we had at the beginning of the class. Professor B was delighted with his ability to parse dense material and create a discussion around Roxane Gay’s story so intense that everyone seemed disappointed when class was over. For all his talking, he had said, I realized, actually nothing. 

“Good morning!” he said, bowing at me when I finally managed to insert myself between him and Emma as we packed up to leave.

“Great discussion, right, babe?” Emma was glowing like she used to when we’d started dating. 

“I look forward to reading your memoir next week,” I told him, making a point out of grabbing Emma’s hand. A bigger man would have been grateful for anyone who got their clinically depressed girlfriend out of her funk. But staring down some challenge in his clown eyes, I found I wasn’t that man. 

When the class made plans to grab lunch in the Student Center, Mr. Boppo came along as if he did this every Tuesday. Emma dropped my hand and joined the herd. I hung back with Wyatt, who had just finished an online quiz for his Organic Chemistry class. I wanted a reality check.

“Don’t you find him strange?” I asked him. “The whole thing – this Mr. Boppo clown?”

“Of course I do!” he said, stuffing his computer into his backpack. “Why is a fucking clown in our program? I worked hard to get into it and now they’re letting in any clown?”

“Well, there’s that, but him in general. Being a clown. Like all the time.”

Wyatt shrugged, tossing on his backpack. “There is something weird about it, yes, but I don’t have time to care.” He patted me on the back. “I’d watch my girlfriend if I were you, though.” And he winked. 

In the lunchroom, Mr. Boppo regaled us with funny stories without monopolizing the conversation. Everyone laughed over their cold, shitty pizza slices. I noticed Emma had a better appetite and didn’t seem inclined to throw up in his presence, something I resented. 

When we migrated to our next class, I walked behind the clown. He was asking Emma about her writing, and she hadn’t noticed when I slipped back. Surely someone else could see how ridiculous this all was. 

“What do you think,” I whispered to Kelci, “about this clown?”

Kelci shrugged. “It’s odd. I find myself forgetting things. Like, what did we just talk about at lunch? And what did he even think about Roxane Gay’s piece? I wanted to remember it, but I couldn’t. Still, I like him. There’s just something about him.”

The week went on, and Mr. Boppo became a part of the cohort as if he’d never not been a part of it. Emma began washing her hair and putting on makeup again. Her clothes were clean, and there was color in her cheeks. Her eyes sparkled. She couldn’t wait to get to class, where she always sat next to Mr. Boppo, forcing me into an odd man out role. 

Thursday evening, we all went out to the local student drinking hole after Jim’s class, as was often our custom. Jim came too. Emma was talking quietly with three girls from the cohort. 

For once, I caught the clown alone, sitting at the bar by himself. I sat down and bought him a beer. “So,” I said to him. “How are you enjoying the program?” 

“It’s great,” he said, smoothing his white tent shirt. “Such talented writers.”

I nodded. “You seem to know all about us, but we know so little about you.”

He smiled at me and took a sip of beer.

“What’s your name, for instance?”

“You know my name,” he said. 

“That’s not a real name. What’s your first name? Where are you from? Why are you here? Why do you dress like a clown?” I spoke as fast as I could with an eye on our group slowly making their way to us. 

Mr. Boppo leaned back. “You’re an angry man,” he said. “So much anger for a young man. You can’t appreciate that something can just exist. You can’t see the miraculous.”

“That’s just stupid,” I said, practically spitting as I whispered. “What are you here for?”

“That’s a good question, Evan,” he replied. He looked concerned, then nodded at Emma. “Don’t you have more important things to consider, though?”

After that, I really hated the clown. I began to hate his fucking guts. My whole existence became entwined with pulling off the mask of this clown, exposing him as a fake, as a fraud, a pretender. We had all earned our way into this program, and some sketchy guy in makeup had become the sudden darling of the cohort, the mascot of our MFA program. But who the hell or what the hell was he?

I spent my nights on the computer trying to smoke him out. There was nothing. Just a million references to Boppo the clown in cartoons or in general, but nothing about our Mr. Boppo. And the whole Pagliacci story worried me, with its sad, vengeful unraveling clown, the faithless wife. I began staying up until 3 a.m. just to get to my schoolwork. When I did sleep, my night was tormented with violent dreams that didn’t end well for clowns and with me getting nudged awake by a frightened Emma. 

Emma would not listen to reason. “I feel better around him,” she said. “He makes me happy. What have you got against him? Everyone loves him except you.”

One late afternoon after we’d come home from class, she was still smiling. She wouldn’t show me what Mr. Boppo had written on her paper, the vines of beautiful writing swirling around her pages. 

“I think we need to speak about what we’re going to do,” I said. I hated to do it while she was so happy, but for some sick reason, I felt a need to kill whatever joy the clown had given her. I also needed her strong enough to hear the truth. “We are running out of time.”

There. We’d danced around this for too many days. It was finally out.

She stopped smiling and stared at me. “Is this about the clown? Why are you so jealous of Boppo? Is it because he makes me happy? All you do is bring us down with your focus on what is wrong. In your writing and in life.”  

That hurt, but was so off the point that I lost it. 

“It’s not about school!” I screamed. “It’s about our fucking predicament. We are running out of options and it’s time we got our heads out of our asses!”

I felt bad when I said it, but only for a minute because she wasn’t looking sad or helpless or kitten-like at all. She was glaring at me, through me, like I was the clown, a buffoon, a piece of shit. 

That did it. “Enough about that damn clown! That stupid, stupid clown! Who the fuck does he think he is anyhow? Mr. Boppo. I hate his fucking guts! And you need to stay the hell away from that psycho!”

She didn’t wait for me to finish yelling. She marched to the bedroom and threw things in a small suitcase, grabbed her computer, her marked-up story, and told me she was going to stay with Kelci.

I didn’t sleep that night and was even more furious the next day. This was going to be my chance, I thought. I was finally going to critique Boppo’s memoir piece. I couldn’t wait to read that bullshit and rip it to shreds. In front of everyone, I decided. Time to end this shit.

When we got into our groups, I was sad to see that Emma wasn’t in our usual spot, but glad on some level. Kelci flipped me off and went into the other group with Emma on the other side of the classroom. Wyatt joined me and Mr. Boppo to make the required minimum of three participants.

Mr. Boppo was serious today, watching me. 

“I’m worried about you, Evan,” he said, handing me his paper. 

“I’m going to find out your game, you fucking clown,” I whispered. “I’m bringing you down, Mr. Boppo.”

Mr. Boppo actually frowned, and I saw the paint crack on his forehead, which made me smile until he said, “Is this really what you should be focusing on? Is that really what you want?”

Wyatt ignored us and plowed right into the work. When he was done, he tossed his comments on our desks and began working on Organic Chem homework. I finished Wyatt’s excellent piece about the Christmas tree he and his single mom had made inside the car they lived in when he was a little boy, and then I went to work on the clown’s essay.

It was a short piece, slightly shorter than the required page limit, and I marked him off for that right off in gleeful, savage strokes. It began in a weird place, too, in the future, which seemed odd for a memoir. Try as I might, though, I could not escape the pull of his beautiful words, his magic art of storytelling. The memoir piece was like everything he wrote: deep, packed full of meaning without being pretentious, but light as well, full of airy hope and tears mixed, like a beautiful composition balanced with both salty and sweet candy, like hitting the perfect note on a beautiful aria. He was at once a child living in a world that only loved creatives when they were confined to specific places, and a man yearning to be more than this clown, pushing at the boundaries of allowed place and time. 

When I finished, I was wiping away tears. I found I had written in the margins in a beautiful vine-like way, and the words were encouraging, wanting more of this story. I sniffled, handing it to Mr. Boppo. 

Wyatt looked up once and shook his head, muttering something before going back to tapping on his computer. 

“Thank you,” Mr. Boppo said, reading my critique. He smiled, and it was a normal smile, not his big-ass clown smile. 

“It’s not been easy,” I said to him, picking up my story with his critique, knowing it was the same story as his, the future my future, the pain my pain.

“It’s not been easy,” he agreed.

“How will I know?” I asked him, understanding at that moment that he was going to walk out the door forever in two seconds. “What is the right thing? What the hell is real in all of this mess?”

He just smiled. “Art, beauty, truth. It’s not about the right thing. It’s about what is important, Evan, what is important…to you.”

He was at the door now, and only I was watching him leave. “How do I know what’s important?” 

But he just bowed and shut the door. 

Wyatt pulled his head up for a moment and stared at the closed door. “I thought that clown would never leave.”

An illustration of a honeybee painted in warm orange and yellow tones against a black circular background.

Read by the author:

Sharon’s story was selected as the 2025 Honeybee Short Fiction Prize winner by Michael Czyzniejewski. Mike had this to say about the piece…

“When Mr. Boppo Joined the Cohort” is a story that works on so many levels. The surface weirdness of a sad French clown joining a fiction workshop in the middle of a term is a surreal type of absurdity that drew me right into the story. Then, as it plays out, the narrator’s insecurity over his writing, his relationship, and his life choices in general tells me that this author understands character and how to control narrative. It’s a terrifically weird and wonderful piece of fiction.

about the author:
A smiling woman with short, light brown hair wearing a colorful patterned shirt stands in a garden with green grass and foliage in the background.

A multiple Pushcart nominee, Sharon Lee Snow earned an MFA in Creative Writing from the University of South Florida in Tampa, Florida. Her award-winning short stories, creative nonfiction, and poetry have been published in Passengers, BurningwordNew Plains ReviewSouth 85, Gulf Stream, and other journals. She currently lives in Tampa where she teaches professional writing to college students and works on her short story collection. Connect with her on X and Instagram @sharonleesnow and her website:
 www.sharonleesnow.com

Categories
micro fiction micro monday short fiction

Once I Lived in Heaven by Mea Cohen

Once I Lived in Heaven | Mea Cohen

Remember when we were clumsy and gloomless? New lovers undressing in front of each other for the first time. I want to keep this story there. In the curls of your chest hair, in the uncrossing of my arms from my bare breasts. In the stroke of laughter from your lips as my fingers ran their way across your manhood. Oh, I said, surprised at my own bravery. Oh, I said, when you bravely found your way inside me. I want to keep the story there, in the sunlight that fell across your sweat-dappled forehead in the aftermath of our love. In the damp white sheet we turned into a tent and swore we’d never leave. 

Regarding loss, I’m afraid to bring it into the story, worried what I might bring back to life. Like my marble belly so swollen with time and excellent time. And how I woke one night to find my innards scattered around my knees. They say that blood from the belly tastes sweeter than blood from anywhere else. How we held each other differently that night, how we wept tears we’d never weep again. Christening tears for what wasn’t born right. Can tears christen what wasn’t born right? 

I kept dreaming I was a creature pulling out my wings to sell in a market stall, next to stacks of pomegranates and shovels. Once I lived in heaven with you, because I wanted to. 

We didn’t ask for God that night. Or any night thereafter.

A watercolor illustration of a bee on a black circular background.
About the Author:
A close-up portrait of a woman with long hair, wearing a dark scarf and a black coat, set against a forest background during autumn, with fallen leaves on the ground.

Born and raised in Palisades, NY, Mea Cohen is a writer now based in Manhattan’s Lower East Side. Her work has appeared in West Trade Review, OKAY Donkey, Big Whoopie Deal, Barely South Review, and more. She was nominated for best micro-fiction in 2024 and 2026. She earned her MFA in creative writing and literature from Stony Brook University, where she was a Contributing Editor for The Southampton Review. She is the Founder and Editor in Chief for The Palisades Review.

Categories
micro fiction micro monday short fiction

A Haunted House at the End of the World by Autumn Bettinger

A Haunted House at the End of the World | Autumn Bettinger

Is this the end of the world?

“It may be, old girl. Are you ready?”

Marigold slid a wrinkled hand up the faded post of her house. The ghosts were heavy with the coming storm—anxiety manifesting in creaky floorboards and swinging tapestries. Marigold leaned over the porch railing as the first plump drops of the apocalypse battered her front garden. The other seaside towns along the bluffs began to wink out, obscured by the storm that ingested the world with a swirling, single-minded intensity. 

The satellite images had been all over the media before the internet went dark—a storm cell so large it covered half the planet. Earth’s own great red spot, only the color of bruised and necrotic skin: mottled purple veined with oily black. Sickly. Contagious.

KA-CHUNK. The backup generator kicked in. 

Marigold closed her eyes as the storm consumed, bloating on snapped branches and tsunami waves.

I will protect you.

“No need.” 

The house shuddered. Marigold was nudged back inside by rolling porch boards that nipped along her fuzzy slippers. The door snapped shut behind her, and the locks chunked home. 

“I’m happy to be here with you, at the end,” Marigold said as she shuffled towards the kitchen. The wind exploded. Rain drowned gutters and sloshed beneath the foundation. 

Is it, though? The end?

“I don’t think we’re getting out of this one.”

Marigold settled herself in the breakfast nook. A cup of tea waited on the table. It smelled of garden lavender and lemon balm. The house must have hidden a bundle of those dried herbs from last harvest. Marigold’s favorite tea. The bond she shared with the house lay sticky with memories and murmured adorations. She mourned its destruction much more than the passing of her own unremarkable life.

  We got out of that thing with Ron.

“Murdering my asshole husband was decidedly less complicated than surviving an extinction event.”

But you are resourceful and clever. You fed me so many. 

“Killing men is easy. I’m just sorry you had to keep their weak souls inside you.” 

Once they were a part of me, they loved you, like I do.

Hail whipped through shingles, softball-sized chunks of ice splintering rafters and shattering siding. Marigold sipped her tea as the house crowded around her with every last ounce of structural support. It coddled Marigold, collapsing into just one, tight room. It crumpled offices and bathrooms, slapped hallways against kitchen walls to reinforce this last bastion of safety. The storm sucked up the windows as the exterior shredded.

The kitchen walls were so close, bent so deeply that Marigold could brush the wallpaper with her pale fingers. She smiled, love radiating between them as the roof buckled and plaster rained down, splashing into her tea and dusting Marigold like sugar. The room disintegrated. 

“Buying a haunted house was the best thing I ever did,” Marigold whispered as the wind ripped them away.

A watercolor illustration of a bee on a black circular background.
About the Author:
A woman with long brown hair sitting by a window, wearing a pink lace top and a black tulle skirt, gazing thoughtfully outside.

Autumn Bettinger is a short-form fiction writer and full-time mother of two living in Portland, Oregon. She was the 2024 Fishtrap fellow, has won the Tadpole Press 100-Word Writing Contest, The Not Quite Write Flash Fiction Prize and the Silver Scribes Prize. All of Autumn’s published works can be found at autumnbettinger.com

Categories
micro fiction micro monday short fiction

Discovery of Newborn Girl on the Greenway, Newham, London by Leah Mullen

Discovery of Newborn Girl on the Greenway, Newham, London | Leah Mullen

Discovery by a dog walker at 9.13 pm on Thursday, 18 January
junction of Greenway and High Street South in East Ham
child was taken to hospital, without any injuries
police are appealing 
to find the baby’s mother.

The baby could’ve been laboured out of a Dickens novel, born as she was and left like an unexploded bomb on the pathside.  The caul fell foul of the 10p plastic bag charge.  She mewled against it, spiking her newborn panic in the stubby grass. The mother was gone.

The mother was trafficked in an anonymous hospital ward.  The mother was fearing for her life, handcuffed in a cell, in a basement, in a cubicle on a boat.  The mother was sent overseas for daring to come overseas. The mother was anonymously dead or drunk and loving it.

Wise Men?  Too late in the season.  Too far north for storks.  Fortunately for this scrap of prey, too built-up for hawks to be buzzing the wasted verges. In the spring, hollers of sparrows murmured up from the long weeds there, surprising out of poppies and thistle along paths thick with joggers and crabapples. But January sprung almost sudden in the city with its grey promises: a season of steel wool, eczema, grass just stripes of prickle.

But the baby, for now just a collection of kicks in striped plastic, just a collection of scents, of blood, of milk, of meat to a wet and searching lurcher nose in the stubby grass, just a collection of slightly less grey promises: the baby

was found.

A watercolor illustration of a bee on a black circular background.
About the Author:
A smiling woman with shoulder-length brown hair and a black sweater, sitting indoors in front of a dark cabinet.

Leah Mullen is a New Jersey native who’s been living in the UK since 2003. She is a secondary school English teacher and advocate for the arts and humanities subjects. You can find her work in Five on the Fifth, Molotov Cocktail, Impspired, Literally Stories, and Mosspuppy . She has been shortlisted for several flash fiction awards, including the Bridport Prize.

Categories
micro fiction micro monday short fiction

The Cashier by Trish Cantillon

The Cashier | Trish Cantillon

I pulled the wrinkled dollar bill from the front pocket of my too-tight shorts and laid it next to the bag of M&Ms. The Cashier looked at me, then at the candy.  I knew I wasn’t supposed to eat candy because of my diet, but he didn’t.  Or at least I assumed he didn’t.  

I lied when I told my mom I was going to hit tennis balls against the backstop near the courts in the apartment complex we lived in.  My real destination was The Grog Shop, the convenience/liquor store in the lobby of our building.  

He lingered too long with my dollar in his hand, “You don’t need these,” he said, “They’re really bad for you.”  It was as if time stopped.  I was frozen, unsure what to do, but certain I didn’t want to put the candy back.  My humiliation gave birth to another lie, “They’re not for me, they’re for my brother,” I answered and made sure to put my racket on the counter so he could see I was an athlete, not an overweight twelve-year-old girl desperate for the M&M’s she would eat in secret.

A watercolor illustration of a bee on a black circular background.
About the Author:
Close-up black and white portrait of a woman with long wavy hair, smiling softly at the camera.

Trish Cantillon is a native Angeleno, and lover of California. She’s published personal essays on BrevityHippocampus (one of top 10 most read essays in 2023)The Fix, Refinery 29’s “Take Back the Beach,” The Manifest Station and Ravishly, among others.  .

Categories
micro fiction micro monday short fiction

Drunk Husband Crashes Yard Sale by Alice Kinerk

Drunk Husband Crashes Yard Sale | Alice Kinerk

You decide to hold a yard sale, because it’s a nice thing to do, a homey, all-American thing to do. Also, you’re broke. You place a classified ad, mark the date, start stickering. 

Night before the sale, Drunk Husband goes out drinking, and by dawn has yet to return. Nothing unusual there, but given his recent promises, it hurts.  It’s for the best, you tell yourself. He’s sleeping it off somewhere. With all the hauling to do that morning, all the folding tables to set up.  Linens, CDs, tapes, pot holders, trivets, posters, books, magazines, clothes, garden tools, shoes, clothes, unused wedding gifts and parental cast-offs, beach stuff, utensils, plant pots. Everything out the door, down the steps, onto the front yard for liquidation purposes. 

It’s for the best. It is. It is. It is.

But then, Drunk Husband is rounding the corner. He’s tipping back a paper bag, stiff-legging it. Trespasser! he bellows at the old lady Q-tip who is your first customer. He’s half a block away, bellowing. 

Then he gets close, hovers over her like an interrogator. The Q-tip drops an eggbeater and beelines it to her Cutlass, drives away.

Another customer appears.  Scene repeats.  

You tell Drunk Husband to go to bed, but he doesn’t hear you. Instead he does a King Kong through your cityscape of folding tables, picking things up and dropping them. 

You cajole. He refuses. Repeat, repeat, repeat.

Until finally, mercifully, he does go. He stumbles inside to use the bathroom, some time passes, and he doesn’t return. Peace falls again upon the yard.

More customers arrive. Sales are made. 

But then, from inside the house, the bedroom window opens.

Trespassers!  

It won’t be the final time he hurts you, nor the worst. But one day, twenty years later, remarried, middle-aged, you will watch the sunset through wildfire smoke, and this is the image which will surface.  Drunk Husband’s face in the window that morning, round and red like the sun is now. Just as angry.  Every bit as impossible to contain.

About the Author:

Alice Kinerk spends her free time attempting to make complicated desserts, most of which are tasty failures, such as the time she tried to make a croquembouche. She’s published dozens of stories. Read more at alicekinerk.com.


Categories
flash fiction

Taco Bell Customer Satisfaction Questionnaire by Susan L. Lin

Taco Bell Customer Satisfaction Questionnaire | Susan L. Lin

Welcome to the Taco Bell Customer Satisfaction Questionnaire. Thank you for taking time out of your busy day to bare your heart and soul to a group of data analysts on the Internet. We appreciate your honest feedback. 

Store Number/Location: 

Date of Visit (MM/DD/YYYY): 

Section I: True or False 

Please respond to each of the following statements as truthfully as you can. 

1. This was my first visit to any Taco Bell restaurant. 

2. This was my first visit to this particular Taco Bell location. 

3. Arriving at this restaurant was like finding an oasis in the middle of a hot desert. 

4. Arriving at this restaurant was like finding powdered cinnamon in the middle of a hot dessert.

5. My food looked/sounded/felt/smelled/tasted like my childhood stuffed into a paper sack. 

6. I was provided with sufficient napkins to soak up my nostalgic/bittersweet tears. 

7. I was very satisfied with my overall dining experience. 

8. I am likely to return to this location again.

Section II: Multiple Choice Fill-in-the-Blank 

Please choose the word clusters that best complete the following sentences. 

9. If I were holding a Taco Bell _____ right now, I would no longer feel _____ or _____. 

A. Mexican Pizza; hungry; Italian 

B. MTN DEW® Baja Blast® Freeze; my fingers; my thumbs 

C. cash register; hopeless; short-changed 

D. employee; horny; alone 

E. all of the above 

10. _____ is the reason Taco Bell _____ my _____ every day and/or night. 

A. The color purple; catches; eye 

B. Fast, cheap food; finds its way into; stomach 

C. A fond childhood memory; permeates; thoughts 

D. An unpleasant childhood memory; haunts; nightmares 

E. all of the above

Section III: Short Essays 

Please select two prompts from the list below and respond appropriately with well-developed thesis statements and supporting arguments. 

11. If you were given the opportunity to create your perfect custom Taco Bell Chalupa, what would the secret ingredient be? Why? 

12. If you were given the opportunity to design your dream Taco Bell hotel, what would the guest keys look/feel/sound like? Why? 

13. If Taco Bell discontinued your favorite menu item tomorrow, would we trigger the apocalypse? Why or why not? 

14. If Taco Bell brought back everyone’s favorite discontinued menu item tomorrow, would we finally achieve world peace? Why or why not?

Section IV: The “Are You a Robot?” Math Section 

To confirm your humanity, calculate the solution to this simple algebra problem. Please show your work. 

15. In the distant future, you’re exiting the last Taco Bell on Earth with a greasy paper sack full of delicious warm food. You are, however, in a foul mood because the restaurant was experiencing an alarming shortage of salsa verde packets. “How exactly is one expected to live más when all our basic condiments have been stripped away?” you wail, shaking your fist at the heavens. That’s when you notice a hot air balloon rising vertically into the sky at a steady velocity of 1.5 ft/sec from a launch pad roughly 30 feet away. Whoever is picnicking inside the basket waves an elusive red bottle above their head. “Fire sauce!” they yell. “Want to feel the flames?” You peer inside your bag. The Crunchwrap Supreme® at the top could indeed use a little kick. “Toss it my way!” you reply, but the stranger ignores your command. Instead, 22 seconds after the start of their aeronautical journey, they simply allow the hot sauce to fall from their open hands. How fast must you now run to catch the bottle before it shatters on the pavement? 

Thank you for completing the Taco Bell Customer Satisfaction Questionnaire. We will never sell your personal information to third parties. If you choose to share your email address below, you will be entered to win a lifetime supply of reheated Doritos® Locos Tacos and the one-million- dollar equivalent of our Taco Bell x Dogecoin ‘90s throwback Chihuahua Pog® cryptocurrency.

About the author:

Susan L. Lin is a Taiwanese American storyteller who hails from southeast Texas and holds an MFA in Writing from California College of the Arts. Her novella GOODBYE TO THE OCEAN won the 2022 Etchings Press novella prize, and her literary/visual art has appeared in nearly a hundred publications. She loves to dance. Find more at https://susanllin.com.

Categories
flash fiction

Flying Fish by Corinne Harrison

Flying Fish | Corinne Harrison

I bend to pick up another bottle and a sharp pain in my back makes me freeze, bowed to the sand. My hand flies to my back, but the pain mellows into something dull and pulsing. 

I straighten and look towards my daughter. Ida is scanning the line of froth, sea stones, and litter while dusting caked sand from a mud-green bottle. She usually works early morning shifts, but today she’s free to accompany me. 

Behind her, the bay is a mass of slow undulating bars. At its fringe, foaming sheets of water fall on top of each other, clapping for the two women who have foregone sleep to scan the beach for the previous night’s leftovers.

My knuckles punch my lower back but there’s a deeper pain it can’t reach, one that thrums through my chest and orbits my heart. I sigh, chase off thoughts of my cleaning shift later in the day, and look at the bottle I’ve picked up. The blue label tells me it’s a Flying Fish.

We’ve been the only people here for the entirety of early morning. So I’m surprised to see a figure break from the palm tree-lined strip far down the beach and struggle over the sand towards us. They’re indistinct, a rocking white column in the distance. Another Cape Town early riser.

Ida returns and drops an armful of beer bottles in our pile with a small crash. She has my deep-night skin tone, and it makes the sea spray along her cheeks sheen like the Milky Way. She inherited her beautiful round eyes from her father. They flick between the bottles and I’m sure that, like me, the numbers are tumbling and merging through her mind. Some rice and potatoes for dinner. Maybe a meatless meal. 

She bends to pick a piece of litter from the mouth of a bottle and as she does, I see her premature greying crown, an iris of embers. Her arm hosts a thin landscape of boils, the same kind that erupted when her father died and again when we were thrown out of our apartment, left on the street with our belongings around our ankles. Even after I’d crushed and liquified a root of devil’s horsewhip and thickly applied the ointment along her forearms, the skin would settle only for a while until something else made it pucker and rise. 

My heart burns.

“Hi there,” a voice says behind us.

I turn and see that the stumbling white column has arrived. A boy. He’s young, maybe as young as Ida. Like her, but not like her. He’s young. And soft as a marshmallow. He has pancake cheeks with a hint of stubble, a radish-like sunburn on the side of his neck, sand-white shirt and chinos, hair bright as a yolk. Blue eyes flicker to the pile of bottles between us.

“Sorry to – disturb you. Don’t suppose you’ve come across a watch? It’s black, got a silver rim. Left it here last night.”

I stare. 

Now that he’s arrived, I see his shirt is crumpled, as though he’s slept in it. His eyes are bloodshot. An unwashed sour odour hangs around him, detectable under the sea breeze. I think of the ring of burnt-out wood at the other end of the beach where we found most of the bottles.

He meets my unwavering stare and his sloppy-adolescent grin falters. His gaze drops to my shoulder. He’s frazzled, like a brood of chickens spooked by a fox. His feathers are all awry.

“No, nothing.” Ida says. She gives him the down-and-up again look, raises her eyebrows my way, just an inch, and grabs a binbag for the bottles. 

“Oh – ok then,” the boy mumbles. He fiddles with the hem of his shirt, and his eyes go to the boils on her arms and stay there. 

I look at his rolled-up sleeves, his forearms. They’re smooth and covered in downy strands. They speak of starched sheets and cool white tiles, and I think of the neighbourhoods on the other side of Cape Town, broad pastel-coloured homes dispersed by private pools, streets embedded with topiary shrubs and palm trees. 

“Well, I’ll just –” the boy says. He still doesn’t know where to look, what to do with his hands. I haven’t taken my gaze from him. 

He throws one last, disconcerted look at the boils on Ida’s arm and crunches back over the sand. Probably back to his bed. Or to a meal, prepped, steaming and waiting.

Ida watches the boy and shakes her head sardonically. My hand is at my back again. She touches my shoulder and says affectionately, “I’ll give you a back rub after your shift Mama.” 

The mention of my cleaning job brings a wash of weary dread, but I pinch her chin and smile up at her. 

“I knew I raised you right.”

She laughs and walks back across the sand towards more bottles. 

I throw the Flying Fish in the pile with a clink.

Listen as Corinne reads an excerpt from her story…

About the author:
A woman with curly hair, wearing a yellow top, sits at a table with a relaxed expression. She has a warm smile and is surrounded by a softly lit setting with people in the background.

Corinne is an author, digital nomad, and avid traveller. Her fiction has appeared in The Bond Street Review, Remington Review, Elegant Literature, inScribe, Cool Beans Lit and others.

You can find more of her work at corinneharrison.com

When I hear “the good life”, I think of a life filled with travel, new experiences and time with friends and family.

~ Corinne Harrison

Categories
short fiction

Tbilisi by Sara Maria Hasbun

Tbilisi | Sara Maria Hasbun

The morning I arrived back in Tbilisi, I messaged my old trainer, who met me just inside the door to Urban Garden. He rested his swollen hands heavily on my shoulders. 

Ana, he said. Anuka. You came back. 

He looked into my eyes without a smile.

Of course, I said. How is everything here? How are the protests?

Immediately, he disengaged. With his bear paw he swiped away the thought of protests.

No protests, he said. You watch too much foreign media. This is just a few kids.

He set up my weights, gestured impatiently that I should start. Almost noon, he said. Very busy at lunch. Hurry up.

The gym was already busy. Russian women with their swollen lips, a group of German twenty-somethings in old t-shirts. And Israelis. So many Israelis. Later, Davit told me that Tbilisi was “crawling with Mossad.” Anytime there were protests, Tbilisi swelled with Israelis.

Where do the Georgians work out? I asked my trainer. I never see Georgians at this gym.

Georgians don’t work out, he said.

You work out, I said.

I work, he said. This is my job.

###

After the workout we got a coffee at Slink. Wi-Fi password: putinkhuilo. Putin Sit on a Dick. 

The trainer drank his black coffee and looked at my face. You’re drinking again.

I was always drinking, I said. I didn’t stop.

He shook his head. If you stop drinking, I’ll put you on my Instagram.

I don’t want to be on your Instagram.

You foreigners drink so much.

You Georgians made the wine, I said. Did you think we came here for the Wi-Fi?

He laughed, then got up and walked away. Tomorrow, Ana, he said. Anechka, Anuka. Legs. No drinking.

###

I didn’t make it to any more training that week, mostly because of the drinking. But also because there were a lot of people to see. I was based in Beijing then, but Tbilisi is one of those world cities that absorbs you quickly into the fabric, social digestion of the most expedient order. 

In the hours I had free, I wrote, and once I had adjusted to the timezone I finally called Davit. 

Davit had been a diplomat in Beijing. The Georgian embassy there was small, they were badly understaffed, Davit was overworked. But he was always good for a nightcap, always good for some dancing at the sandwich shop that turned into a disco. 

Now Davit was back in Georgia’s capital, working for his family business, taking a break from foreign service. We met at a posh bar in Vera, the embassy district, and sat outside next to the heaters. I should have known where the night was going when he violently ordered shots of chacha to start.

The chacha settled into our bloodstreams, hot and fiery and reassuring, and Davit filled me in on the latest. Georgia’s accession to the EU was “on pause.” Protesters were irate. It was enshrined in the Georgian constitution, he explained, that Georgia should aspire to join the EU.

Should you be talking like this? I teased. Don’t you work for the government?

I should not be talking like this, he said. Seriously. Why do you think I needed a break from foreign service? I’m tired of letting them speak through my mouth. Don’t get used to this, Ana. Hearing my own words from my own mouth.

I asked him if he had been to any protests, and he said no. That if he went, he’d lose his job. 

A cat jumped onto his lap; there were cats everywhere in Tbilisi. They were clean and chipped, but numerous. Belonging to no one and everyone all at once. The cat sniffed the glass of chacha, retreated.

How big are the protests? I asked. Bigger than last spring?

Tens of thousands, easily, he said. They’re small in the evenings, but by the late hours of the night it looks like a New Years party. A really angry New Years party. 

My trainer didn’t think there were protests at all, I told him. He said it was all a foreign hoax.

Is your trainer Russian? he asked.

No, I said. He’s Georgian. He speaks Russian, though.

Well, said Davit. We all speak Russian here. Speaking Russian doesn’t make you less Georgian. Except in some cases, when it does. Anyways. That’s enough politics. 

He called the waiter over and they chatted in Georgian. We ended up with two bottles of Saperavi, a Mukuzani and a Khashmi Oak.

Two at a time? I said. 

Let’s not pretend we don’t know where this night is going, he said. Let’s dispense with the modesties.

And where is it going? I asked. My hand was easily within reach of his; in Beijing he had been greedy with my hand, in Beijing he had clasped it, traced it, squeezed it. 

But he just shook his head, and poured two glasses for each of us, encouraged me to switch between the two wines, to enjoy the comparison. The Mukuzani was chocolatey and herbal. The Khashmi was nutty and earthy. If we hadn’t said a word for the rest of the night, I could have happily sat there switching off between the two glasses, watching cats slide noiselessly along stone walls, meowing, waiting in vain for us to order food. 

I want to work on problems that are mathematical, he said finally. Logical. Cold. I’m done with foreign service, I won’t be bidding again. I want to track the cost of goods sold. Top line, bottom line. I don’t want to deal in the abstractions of sovereignty. I don’t want to deal in the currency of relationships. People suck, you know, Ana.

Not all people, I said. 

Some of our best friends are people, I said.

Not all people, he repeated.

You’re people, he said. You’re good people.

Thanks, I said. You’re good people too. I reached out my hand, but he looked away. 

Most people suck, he said. I wish I were like you, Ana, I wish I still didn’t know about how much people suck. Why did you even come here to Georgia? 

I thought about it. I guess I’m the opposite, I said. I’m tired of business. I’m tired of the black line. Top line, bottom line. All the lines.

The only lines you should care about, he said, are the ones you’ll do off a mirror if we go to Bassiani tonight.

Where? I said, absently. I was trying not to think about the fact that he still hadn’t taken my hand. 

You don’t want lines, he said.

I guess I want inspiration, I said. I’m still trying to write. I think I’m your opposite. I’m done with business. Abstraction is what I want.

Abstraction is fine when it isn’t your abstraction, he said. When it isn’t your country’s abstract problems. When it isn’t your country’s muddy pain. Then abstraction is just art.

He smiled at me. That’s good, right? Put that in your book.

You’re drunk already, I said.

Maybe.

Over the course of the next few hours, Davit and I both got ragingly drunk on the Saperavi. We had forgotten to eat. Davit got louder and louder, and I laughed harder and harder. He became more and more insistent on the idea of going to Bassiani.

You want something to write about, he said, I’ll take you to Bassiani.

The waiter was pouring wine at that moment and momentarily paused the flow. Then clucked, shaking his head, muttering in Georgian.

Davit was clearly displeased at the intrusion and sparred with the waiter in language I didn’t understand. Then the waiter shrugged his shoulders, turned to me, and said in Russian, it’s not a good idea. 

Then I suppose the waiter had reason to doubt my Russian, because he squeezed out, in effortful English: Is. Not. Good. Idea. Understand?

She’s American, said Davit to the waiter, in Russian. She’ll be fine at Bassiani. 

The waiter shook his head and spoke to me in Russian again, slow and careful. Bassiani. Police. Many police. You understand?

Davit waved off the thought. The police came once to Bassiani, he explained to me in Russian, for the waiter’s benefit. Only one time. 

He switched back to English. It’s great music. They say it is second only to Berghain. But it can get political, he said. At Bassiani. If you look Slavic, you must show your passport to get in, to prove that you’re not Russian. But you don’t look Slavic. You’ll be fine. Police resources are very low because of the protests, they’re not going to raid a dance club.

We paid and called a cab.

As our cab crossed the river, I put my hand on Davit’s hand. He squeezed it, then put my hand back in my lap.

I can’t think about that right now, he said. I’m sorry, Ana. I’m feeling terribly old.

You’re forty, I said. Spring chicken, I said. Spring chicken kebab. 

He was quiet. Our cab crept through the Chugureti weekend traffic, slow enough that I could read the English and Russian graffiti that crept over building facades, like so many vines. Russians Go Home. Glory to Ukraine. Georgia is Europe.

I feel so old, he said again.

You’re a spring chicken, I said. Spring chicken mtsvadi. I drunkenly stumbled over the Georgian consonant cluster. Not that I could have done better sober.

Or too young, I don’t know.

You’re older than me, I said. Is there someone else?

Davit took my chin in his hand, kissed my mouth quickly, chaste. It’s not you, he said. It’s not anyone else. I haven’t jacked off in a month.

Ah, I said. 

I’m just stressed, he said. It really isn’t you.

###

The Bassiani idea didn’t last long. As we pulled up, Davit saw some friends who had already been waiting in line for an hour, ready to give up. They convinced us to go instead to a wild little corner bar where glass shards already lined the floor, already crunched under our shoes, and where two Spaniards were already dancing on the counter, singing in Spanish.

It’s all fucking foreigners here, said Davit, perhaps forgetting I was a fucking foreigner.

A man at the bar turned around, leaned back on his elbow, and spoke to Davit in English. That’s because any real Georgian is at the Parliament building, he said. 

I felt Davit go very still.

The man spoke calmly, but those within earshot had gone quiet. 

I looked at Davit’s face. His features did not change, but he put his hand on the back of my neck. I could feel the heat from his fingers.

Excuse me, said Davit to the man at the bar. Excuse me. You’re here. You’re not at Parliament. Are you not a real Georgian?

I’m from Abkhazia, said the man. I’m a Georgian from Abkhazia. A real Georgian. And I’m only here to pick up a friend, then we’ll go back to the protests.

Well, Abkhazia, said Davit. You don’t fucking know me. You don’t get to fucking judge me. 

Abkhazia shrugged and sipped his drink.

How do you know what I’m giving, said Davit. What I have already given.

Davit switched into Georgian, then, and let forth a barrage of words I couldn’t hope to understand. Abkhazia was unperturbed; he shrugged and turned back to his drink at the bar. 

Davit turned back to me, put his hand on my lower back, guided me to another part of the bar. He waited for the bartender’s attention but kept glancing over at the Abkhazian.

Abkhazia’s friend soon arrived, as forecasted, and took a barstool. He was a dark man in a black t-shirt, very built. Had I seen him at Urban Garden? 

The two friends slapped hands, did a half-hug. Abkhazia showed off the contents of a plastic bag full of little plastic bottles, and the friend seemed to approve. They left the bar without another look at us. 

Davit’s friends were already nowhere to be seen, but we befriended the Spaniards who had been dancing on the bar. Then some Belorussians showed up and we started throwing dice. We tried not to talk about the protests, or at least Davit tried, and I definitely tried. But one Belorussian had just come from Minsk that morning; he wanted to see what it would look like, a protest in Georgia. Protests in Belarus are very different, he said, I can assure you. You Georgians don’t know how good you have it. How lucky you are. His face tightened and he did not elaborate. 

Davit’s dark eyes grew darker by the hour, he threw dice and didn’t even watch where they went. He couldn’t hold onto the thread of the conversation, he laughed a few beats behind everyone else, he grunted at the wrong times. I nudged him when it was his turn to play, and he threw, then smiled and patted my hand, the smile disappearing as quickly as it had appeared, as he stared down the bottom of his drink. He got up to order another round of chacha.

I thought of a TV news producer who had taught me about “gear shifts.” Sometimes, he said, after reporting on a terrible tragedy, you need to switch to a lighter story. But you can’t make the switch right away of course, that would be gruesome. Sometimes, at the very least, you need to say, “the time in London is 10:30, fog is expected to last through the evening.”

Our new friends were rowdy, silly, we were at that part of the night where everything is hilarious, everything that happens is in the service of hilarity. But as drunk as we all were, as accepting as I knew the group would be of any insanity that came out of my mouth, at 3 a.m. in a bar in Chugureti, I couldn’t think of how to say it, the gear shift. The time in London, I thought desperately, watching Davit. The time in London.

It all started to get very dark. Not even the wine and the chacha could keep us light although we were really trying, even though Queen was playing, then Carly Rae Jepsen, then Tatu, then Abba. Davit and the Spaniards and the Belorussians were groping desperately for lightness, ordering drinks with a vengeance, twirling me halfheartedly, laughing loudly, translating terrible Belorussian jokes for my benefit. But the lightness wouldn’t take. Protesters were coming into the bar with red eyes from tear gas, washing their faces in the same sink the bartender used to wash our glasses. A protester came in with a broken nose, the bartender gave him a stack of branded napkins to stuff into his nostril. One of the Belorussians started to cry and told us he could never go home. I felt their sadness take shape in me, and I shuddered involuntarily with fear. I didn’t, back then, have the faculties to cope with that kind of existential precarity. 

Around two in the morning, I got a phone call from an old lover and there it was, a chance for lightness. I stumbled outside to take the call, to listen to sweet words, to lower the stakes a bit. 

Davit came out to the street shortly after, to throw up into the sidewalk trash can. I told the lover I’d call him back.

They didn’t understand, Davit said to me. That Abkhazian, those Georgians. You should have told them I’m a diplomat. That I’m serving my country. Even if I have to pretend it isn’t all just a puppet show for Bidzina. You should have told them that. I can’t tell them that, I’d sound like a jackass. But you could have told them. You could have defended me.

I’m sorry, I said. You’re right. I should have told them.

I’m so old, said Davit, I’m so, so old. But I’m really not in a hurry to die.

Who’s dying? I said. No one is dying. Who’s dying? Jesus, Davit. It’s the weekend. 

Not me, he said. I’m not dying. Because I’m staying out of that abstractionist bullshit. I’m not trying to be some hero, I’m not trying to pretend like the future of Georgia depends on whether or not I’m standing in front of Parliament acting like an idiot.

Davit, I said. I tried again, like an idiot, to take his hand.

Don’t fucking judge me, Ana. I’m still a man. I’m still a man.

He kicked a wall. I backed away a few steps.

I’m not judging you, I told him. Do I look like I’m judging you? Do I look like I am risking my life for my country? Do I look like I am risking my life for anything? 

Just then my old lover called again, so I told Davit I was going to take a walk around the block. He shrugged and went back inside.

I walked around the block, I walked some more, and then I found myself back at my Airbnb. I pulled the covers over my head while I listened to the lover’s sweet words. There in my bed I let the phone sex pull me out of the abstractions, let it pull me into the singularity of a present moment, the tunnel vision of desire. The absolution of having, as the single most important short-term goal, the release of orgasm. No other thoughts in my head. No other abstractions. I came hard, then immediately felt guilty. I felt bad for leaving Davit, in that state.

Come back, texted Davit. The Abkhazian came back with his friend. They almost smashed a bottle over my head, but now we’re doing shots.

You’re really selling it, I told him. 

I considered going back to Davit; I did feel pretty bad about abandoning him at the nadir of his moral reckoning. But I quickly realized the guilt I felt was not enough to propel me outside. There was no fucking way I was going back out, not into that darkness. The lover was still on the phone. He kept going, mostly for himself by then, he kept saying his sweet, pretty, filthy things. I half-listened, half-scrolled through Georgian news alerts. Took some notes for my writing.

Did you come? asked the lover. Yes, I said. I came. But keep going. I can come again.

###

The next morning Davit called and woke me up, I’d forgotten to mute my phone.

 He was having brunch at Slink, with the Abkhazian and his friend, they’d gone all night, they were friends now. They’d lost the Belorussians but had ended up at Bassiani after all. They’d ordered too many syrniki, he said, your favorite. Come eat syrniki.

I threw on my clothes and hoped I wouldn’t run into the trainer, since Slink was right next to the gym.

I joined the group and dug right into the fluffy clouds of cheese syrniki. Hunger was clarifying, it had temporarily eliminated my fear of Davit and his existential dread. Once I finished a couple fluffy clouds I looked up. They were all watching me eat. Davit reached over and dumped more cherry sauce on my plate. 

So much sugar, said the Abkhazian’s friend.

Do you work out at Urban Garden? I asked him.

Of course, he said. Every Israeli works out at Urban Garden.

So are you Mossad? I asked. 

He laughed and shook his head. No, little girl. I’m just here for the party.

Davit raised his eyebrows at me. 

The Abkhazian told me his story. He had fled Abkhazia during the five-day war in 2008, when Russia had occupied the region. He had ended up a refugee in Istanbul. When he finally sorted a proper Georgian passport, he came back, this time to Tbilisi. He opened a poetry café. The police had closed the cafe last Spring. Health code violation, he said, making quotation marks of his fingers.

Stupid move for them, he said. Because now that I’m not supervising pourovers I can work full-time in service of a European Georgia.

The Abkhazian put more food on Davit’s plate. Eat up, he said in Russian, yesh, yesh. You’ll need your strength for tonight.

Davit shook his head. I’m not going out tonight, he said.

Are you going to stay in and cry? asked the Israeli. Like you cried last night?

You cried? I asked.

Davit shoveled food into his mouth and watched the Israeli. I was drunk, he said. 

Well, tonight you can cry from tear gas, said the Israeli. Or if you prefer, you can stay home, and you can cry because you’re a little bitch.

I tensed, but Davit was either too drunk or too sober to be baited anymore. 

It’s so much more complicated than that, he said to the Israeli, looking exhausted. Trust me. I told you. I work in government. You guys have no idea. You have no idea what else is going on. Even if you get what you think you want—it’s so much more complicated than you think.

The Israeli shrugged. I’m sure it is very complicated, he said. But if so, then I am glad to have no idea. As long as I can still see what’s right in front of me. And if you’re having trouble seeing what is right in front of you, they say just a few drops of these can help.

He held open the plastic bag that the Abkhazian had given him the night before at the bar, showed us the contents. Inside were dozens of bottles of saline solution.

###

A few days later I was back in Beijing, back at the café where Davit and I used to go, where we used to have breakfast after a night of dancing. I met with a journalist from Russia Today, an old friend. A longtime Beijinger, originally from Siberia. 

I’m glad you went to Georgia, she said, I’m glad you could see it for yourself. How much the media is blowing everything out of proportion. You didn’t see any protests, right? No drama? Just a few kids making trouble, right?

I thought about it and realized I hadn’t actually seen the protests. Not with my own eyes. I hadn’t gone anywhere near the parliament building. I shrugged.

Just then my phone rang. Davit. 9 a.m. in Beijing, 5 a.m. in Georgia, I did the math.

You ok, Davit? Everything ok?

Yes, Ana, he said, Anyushka, Anuka. Aniko. 

He was drunk, perhaps. Or amped. Using all of my Georgian nicknames at once.

I just wanted to show you this, he said. He turned on his video, and I pulled the phone away from my ear, to watch.

Around Davit was a colorful wave of people and flags, a wave that licked and retracted, flowed and receded, seemingly meters from the steps of Parliament. No, not quite reaching the steps of Parliament. In between the steps and the crowd was a black mass of police. With the poor resolution, I had thought the mass was an empty shadow. As the details came through, as the pixels multiplied, I saw helmets, shields, yellow reflective stripes.

You’re at the protest, I said. 

Yes, he said. Can you see?

I thought you didn’t want to deal in abstractions.

What? he said. I can’t hear you. Sorry, it is so loud. I saw the Abkhazian, pulling on a black balaclava. 

Be safe, Davit, I said. Please be safe. 

He laughed and shook his head. I can’t hear you, he said. I just wanted you to see. Can you see?

I can see.

He laughed, I can see now, too. 

Mid-laugh, the line cut off. Perhaps the signal was weak in the crowd, thousands and thousands of mobile phones guzzling data. Or perhaps Davit had given up, since he couldn’t hear me, perhaps he had ended the call. 

My phone screen returned to black. In the dim and distorted reflection of the screen, all I could see was my face.

Listen as Sara Maria reads an excerpt from her story…

About the author:

The good life is full of more questions than answers, because no one wants to go to a dinner party and hear someone give you all the answers. The good life is sitting around with people whose company you enjoy, having some good food and some good drink, and trying to piece together an understanding of reality. Ideally one that leaves room for hope.

Sara Maria Hasbun is an American linguist, currently based in Beijing. You can find her on Instagram, @misslinguistic. This is her first published fiction piece.

Read our full Q&A with Sara here.

Categories
flash fiction

The Next Empty Cup by Myna Chang

The Next Empty Cup | Myna Chang

We meet at the old Pandemonium Deli on 6th Street. Every Thursday morning, coffee and pastries, for more years than we can remember. Well, Cora, Elaine, and I get coffee and pastry. Diva preferred hot tea and chocolate cake. Always had to be different, that one. This morning when we shuffle in, there are only three of us.

We slide into our customary booth. Diva picked it because it offers a good view of the counter. To watch the action, she’d said.

The owner’s sexy grandson, Peter, brings out baklava and coffee. Three mugs.

“We need a cup of tea, too,” I say. “And a slice of cake.”

Peter glances at the empty seat and nods.

We wait, quiet, holding onto the foolish illusion that perhaps our best days are not all behind us. We know that once we begin, our tightly-held fears may spill out, the secret dread of our remaining years impossible to deny. We let the silence cocoon us for a few more moments.

Peter returns with the cake and a teacup, setting it gently in front of the empty chair, then retreats.

We pause for another heartbeat. Elaine inhales a deep breath, then begins: “Diva was a poet of men, wasn’t she? The way she understood them. Like Peter. Remember how she called him Pandemonium Pete?”

Elaine’s words wash away our reluctance. Memories emerge. And, of course, top of the list is a sexy man. It’s Diva we’re mourning, after all.

“It was his hair,” Cora says. “That’s what she found most attractive in men.”

Pandemonium Pete did have glorious hair. We studied him as he boxed up sandwiches for the coming lunch crowd. Morning sun streamed in the front windows, highlighting his untamed crown of chestnut waves.

“Remember how she said she wanted to weave her fingers into the storm of it?” I say.

We laugh and nod. She was the only one of us brash enough to flirt with a man as young as her grandson. Up at the counter, Peter locks his gaze on us, as if he can hear our thoughts. Cora and Elaine flush, and my own cheeks heat. He winks, and oh my god, he is a cocky thing. No wonder Diva fantasized about him.

Cora picks up her baklava, then drops it. Flakes scatter across the table. “My son wants me to go to a retirement home,” she blurts. Her hands tremble as she wraps them around her coffee.

I rub my eyes and reach for Diva’s teacup. A bag of her favorite black tea rests on the saucer. I dunk it into the hot water and press it down with the spoon. The bag splits and tea leaves spill out, swirling in the tiny whirlpool of the spoon’s wake.

“Ah, it’s ruined,” I whisper. “Isn’t that how it goes? Everything aswirl?”

“That’s the way she liked it,” Cora muses. “Everything aswirl.”

“Maybe you should consider it,” Elaine says abruptly. “The retirement home, I mean. It might be nice to have that safety net.”

Cora taps her finger on the table. “No. Don’t want to live with a bunch of strangers. Besides, it pisses me off when my son tries to boss me around.”

Elaine bites her lip. She’d only had one child, and he died years ago. We’re all widows, but Elaine holds the additional burden of a lost child. She shifts the conversation back to Diva.

“Remember when she set her kitchen on fire?”

Cora snorts. “Told her husband she’d been lighting the burner. Didn’t want him to know she was trying to learn how to smoke cigarettes.”

“They had to move in with me for three months while they repaired the damage.” I laugh until I wheeze. It’d been a cramped, chaotic mess, but I’d missed them after they returned to their own home.

We pause as Pandemonium Pete brings a fresh round of coffee.

Then it’s my turn to share a memory. The words catch in my throat. I’m thinking about Cora and retirement homes. About Elaine, with no children to dictate her final years.

My breath shudders. I’m overwhelmed by the terrors we share. The specific shame of getting lost, of falling, of embarrassing ourselves because our hands are too shaky, our fingers too clumsy to work the buttons on these goddamned new phones and touch screens and self-checkout kiosks. I’m burning with the anguish of young people humoring us, of doctors and receptionists and salespeople ignoring us.

It’s not the dying I’m afraid of. It’s living that scares the hell out of me. Living diminished. Living lonely.

I take their hands, my remaining friends pulled close. “Move in with me. We can cram our beds into the living room. It’ll be like the old days in the dormitory.”

No one speaks for a moment. Then Cora’s smile lights the room, more dazzling even than Pandemonium Pete’s hair. Elaine swipes at her eyes and says, “Yes, of course. We must stay together.”

Pent-up tension drains away with the decision. “We’re old enough, we don’t have to hide our vodka in the laundry hamper anymore,” I say. “Remember how Diva used to do that?”

Laughter bubbles freely now, spirits rising. I’m almost buoyant as I listen to my friends reminisce. I don’t tell them about my diagnosis. How the next empty cup at the table will probably be mine. I’ll leave them my apartment after I’m gone, but that’s a conversation for another day.

“Hey,” I say, “do you remember the time we stole twenty bucks from the bingo hall?”

The girls gape at me, puzzled.

“I don’t think we ever did that,” Elaine says.

I grin. “We’ve still got time.”

An excerpt of Myna Chang’s story read by Tony Allen…

about the author:

To me, “the good life” means having the freedom and opportunity to live life as I choose. I believe every person in the world deserves this unfettered autonomy, and I’d love to see more people working toward this goal.

Myna Chang is the author of The Potential of Radio and Rain (CutBank Books). Her writing has been selected for Best Microfiction, Best Small Fictions, and WW Norton’s Flash Fiction America. Find her at MynaChang.com or on Bluesky at @MynaChang.

Read our Q&A with Myna here.