Categories
poetry

Uncountable by Marina Cooper

Uncountable  |  Marina Cooper

twenty-one desks, three windows, one flag,
you call down the roster, stumbling,
slaughtering syllables and wincing in shame, you
count the children: they chorus present.

a student holds her soul up to the window then stuffs it
back in the heel of her shoe. she approaches your desk
to throw out her gum, and asks,
why are you even here?

the children are monstrous, their dreams spilling forth
like wounds, bubbling, too big for their chairs.
you recheck your roster, then check it again:
all boys in the class are named Jake.

a trio of wraiths congregates by the pencil sharpener,
tendrils curling towards the hallway light.
they reminisce about the days of duck and cover;
you wonder if you should call the office.

count the children – someone’s missing.
(are you sure?)
count again.

one of the Jakes, in a basketball hoodie, is sitting on the ceiling.
come down, you say, but he pulls the drawstrings tight until
the hood closes over his face, faceless
he scuttles into the corner.

you would not begrudge him his freedom, except,
in case of emergency you better know
where all the kids went. and yet! he’s reached heights
that his parents could never have dreamed.

a Jake with the tail of a fox asks if he can roam the hall.
you tell him to fill out a pass, but as his fingers
reach for his phone, he blinks and it falls
right
through.

you shrug, and check the wall clock which is tick-ticking
backwards. the wraiths in the corner giggle while a girl
whose name you think starts with a k asks if 47
(the president) will be on the test.

foxtail Jake is missing.
you go to the door but the shade is pulled, handle stuck,
all locked down like a ballpoint pen at the bank teller’s window.
the PA system yells, be very afraid.

Jake with the roses sprouting out of his ears
asks how much longer you all have to stand
in silence while waiting for the all clear and you say,
what? and check your phone, but the battery’s dead.

the Jake you recognize from sixth period english,
(the class you used to teach last year)
begins to cry, silently, over the wet lump of clay on the table
that he’s shaped into a prayer.

he tells you he wants to go home.

you tell him it’s just 90 more minutes
but he’s already down on the floor,
digging at the tiles, hands sinking through linoleum
as soft as fresh dirt, and he

digs and digs until there’s a hole,
yawning, open, and he crawls inside
and lies down,
eyes closed.

the clay on the table gets up and walks away.

you call the main office for help, and they tell you
the Jake you know isn’t on your roster;
the secretary says to count the children, then offers a list
of names but it’s long – greater than all the kids in your room,
so long that she’s going and going, she’ll name every ghost
since Jefferson County but then you hang up.
still, her voice echoes. you
count the children
and turn on the lights
and see them massed beneath the evil eye
(read: small paper stop-sign)
and Jake in the basketball hoodie has come down from the ceiling,
standing solemn with the rest of his class,
and your voice shakes as you
count the children
and the lights flicker and then
the bell
finally
rings.

About the Author:

Marina Cooper is an Asian American poet and fiction writer based in the D.C. area. Though she wrote “Uncountable” as a high school teacher, she is now pursuing an MA in English at Georgetown University. She also holds a BA in English from Princeton University. Her writing has previously appeared in Apparition Lit and Hey Alma.

Categories
poetry

Trauma is a Lullaby in Igbo by Nwodo Chukwu Divine

Trauma is a Lullaby in Igbo  |  Nwodo Chukwu Divine

~ Between 1967 and 1970, over 2 million Igbos were killed in the Nigeria civil war

The bombs tore through nnem oche
leaving her son, daughters scattered
one, my mother,
who lingers near me now
like the murmur of the forest
Igbo spirits come like afterlife ebony
i feel them watch me by the fire
singing to my ears in the voice of nkita
reminding me of the stories
of how to mend a tear in my wrapper
of the brutality
of lost memories
stories fit for honoring the fallen

                                    nnem oche stays with us

War’s refugees sing only of hunger in a minor key,
they search for solace in the ruins of dreams
Fragments of lives shattered,
Yearning for a rest swallowed by bombs

                                    nne nnem oche shielded us with her weathered hands

gave my uncle a smile stretched thin
saved my mother from the vultures circling
taught her the igbo way. the way etched in the map of starvation
though stories are all i have inherited,
never felt the sun on ancestral soil,
only the sting of displacement.
Yet, survival is the greatest birthright,
passed down like heirlooms bought with blood.
And i know i’m theirs for in my blood,
the current of their relentless river runs deep

In nna’s diary,
Aunty Nneamaka hides in the bushes
escaping soldiers searching for young girls
finding refugees
Aunty Adaora, a scar on the right side of her face,
grieves for a life stolen for a table adorned with sorrow
though gone, we gather each evening,
seeking rest in the charred remains
I see Uncle Chigozie, the cracks in his smiles,
there are others whose names rustle in the woods,
some woven in the smoke
Chioma, Uzoama, Ebele, and Nkiru,
their brother, Chibuzo,
Ogochukwu, Nneka, Ndidi, and Kelechi,
spirits watchful upon my sleep,
Shards of a shattered whole,
before the exodus, before the silence.
papa tells me trauma is a lullaby in igbo
i braid palm fronds singing this lullaby
of a people who loved their land
And fought for their people

Words in italics are in the Igbo language.

* nne nnem oche – Great Grandmother
* nnem oche – Grandmother
* nna – father

About the Author:

Nwodo Divine obtained his Bachelor’s degree in English and Literature from the University of Benin, Nigeria. He is the chief editor of Akpata Magazine and also evaluates submissions for the Word’s Faire. Nwodo’s works have been published or are forthcoming on Poetrycolumn, Heavy Feather Review, Bacopa Literary Review, and others. He tweets @chukwudivine_ and is on Facebook @nwodochukwudivine.

Categories
poetry

A Convalescent Home for Retired Prophets by  Chase Dimock

A Convalescent Home for Retired Prophets
by Chase Dimock

As he parcels out his cocktail
of weekly pills, he says
he doesn’t resent the youth sitting
in the shade of trees he planted.
The bridge of his back was built
for footprints. There is satisfaction
in arthritis if you cherished
what you held on to for so long.

But he can’t help remembering
he once lived in a time when
desire could only travel as far
as a Burt Reynolds photo torn
from the TV Guide cover.

And he can’t help feeling
that he walks this bored utopia
like the doomed time traveler
whose machine can only go
forward and never back home
to tell his childhood self
where the yellow brick road ends.
Miracles of the future
are always prosaic
in another person’s present.

About the Author:

Chase Dimock teaches literature and writing in Los Angeles. He is the author of Sentinel Species (Stubborn Mule Press 2020) and the Managing Editor of As It Ought To Be Magazine. He holds a PhD in Comparative Literature from the University of Illinois and his scholarship and reviews in World Literature and LGBT Studies have appeared in College Literature, Western American Literature, Modern American Poetry, The Lambda Literary Review, and several academic anthologies.

Categories
poetry

Asset Management by Karissa Ho

Asset Management | Karissa Ho

So I was never naive enough—
On floor 11 clouds smeared
by, chalky, loomed—I watched
pale men move through glass
walls from a block away—It was
so cold I got hungry, then sick—
Copper phlegm—A building
reflected in another, resembling
mud—Improbably, trees ruffed
out under Whole Foods and up
from the roof of a gym—People
walked without anger or deceit
or perception of my own regret—
Crusting brick towers stacked
closely—Later, offices and more
offices hid, insubstantial, thinly
and unknowing—I only wished
to sleep, to lock the computer
and never open it again—Never
counting myself so lucky as to
want to know what comes next
—It tastes of pennies, and the
empire they built, from losing
and finding and—Losing again.

About the Author:

Karissa is a writer and artist from Los Angeles. Her poems and paintings appear in JMWW, Red Ogre Review, Radar Poetry, and Sundog Lit. She studies English literature and economics at the University of California, Berkeley, and she is a very fast walker.

Categories
poetry

In Memory of Birdperson by William Bonfiglio

In Memory of Birdperson  |  William Bonfiglio

Fucking Tammy, I write her

because this is what friends do:
they leave messages without
subject or context, assured their
meaning will be derived despite
time and distance. They
anticipate recognition,
approval, and agreement.

But she writes, I’m sorry, what?

It’s nothing, really – a reference to
a show we watched as friends,
delighted by the boy’s every
hapless stammer, the grandfather’s
every belch, their madcap
adventures attended by a charming
cast of aliens and mutants.

What has changed: We’re older. I
don’t know who Michael is. She
doesn’t know Harry was put down.
I don’t know if she went home to
Arkansas this summer. She doesn’t
know I applied there today.

But we both remember – I’m sure, I’m
certain – the mutant we loved most:
the wise, inexpressive friend whose
brow lifted only as he reached for her,
as her weapon carved through and
pushed him over the woven wicker
sides of his nest to the ground where

he lay cawing, twitching. I mourn him.

About the Author:

William Bonfiglio’s poetry has been awarded a Pearl Hogrefe Grant in Creative Writing Recognition Award, the Julia Fonville Smithson Memorial Prize, and has appeared in Gulf Coast, New Letters, PRISM international, and elsewhere.

Categories
micro monday poetry

What I’ve Tried to Ignore by Jamie L. Smith

What I’ve Tried to Ignore | Jamie L. Smith

That our bodies are cities on the verge
of riot, that the blackout eclipsing

our overburdened power grid
approaches with each hum and click

we utter. Under the ash gray and black
lily tattoo, a constellation of red

beauty marks like taillights punctuates
my left side. I’ve tried to forget

that coffee grounds are placed
on hospital radiators

to mask the scent of bowl movement.
To forget that it doesn’t always

work. That I hid in the bathroom
until the nurses had changed

my father. As a child in Miami,
he was taught to hide

beneath his desk with a textbook
covering his head. His mother

fled Europe as the reich advanced.
Towards the end

my father’s tongue remembered
its German. Unsere Körper

revoltieren. Where is there to hide
when we can’t escape?

About the Author:

Jamie L. Smith

Jamie L. Smith is the author of “The Flightless Years”, forthcoming from Finishing Line Press (November 2024). Her chapbook “Mythology Lessons” was winner of Tusculum Review’s 2020 Nonfiction Prize and is listed as notable in Best American Essays 2021. Her poetry, nonfiction, and hybrid works appear in publications including Southern Humanities Review, Bellevue Literary Review, Red Noise Collective, and anthologies by Indi(e) Blue, Allegory Ridge, and Beyond Queer Words. Please visit jlsmithwriter.com for more information.

Categories
poetry

Electric Eclectic Strong by Randy Bynum

Electric Eclectic Strong | Randy Bynum

Today the air waves, and no I don’t mean
a breathy metaphor raise of a hand or fist
or a live long and prosper Mr. Spock salute hello-
goodbye but the Morning Session jazz radio host
is laying down, segueing, spinning and pouring
out some liquid light—Afro-pop, Texas saxes,
a hypnotic brass band named well, Hypnotic,
with a tuba (are you kidding me),
and a grab bag burger bar full of blues,
with Mingus shakes—and for just a moment
or a couple starship dayshine hours or three,
the uglies known as autocrats, republic-bought-
fatcats, genocide, slavery denied, sexicide,
planetary homicide/cruelicide be momentarily
confined to back back background backbeat,
tossed out the backdoor to the dusty dirt floor.

Oh mamas of the world, (who rule? you rule!)

this is some sweet sweet jam on top of toast
and one way to get through the brain-cracking
soul-sucking fires and flames of a fall-apart
world frayed at seams, each step forward
a simultaneity of present/future madness,
cash-flush mcmansioneers, charioteers,
side by side the homeless, the helpless,
lands and lands of rubble-buried kids.
How to get through a day that involves
step step stepping the fray? Let those jazz
messengers and the jazz hosts play, channel
language universal, bathe and baptize me,
you, all in the bop diddy boom fresh air waves,
wish upon a toe-tapped head-nod red native
star, there’s get-it-done activism still to be made,
and now, yes now, these tunes will kick free,
happen it up higher, staying strong today.

Tomorrow will show its cheat cards soon enough.
For Now: Marvin Gaye, end of show, take it away.

Electric Eclectic Strong by Randy Bynum was selected as the winner of the 2024 HoneyBee Prize in Poetry by Nebraska State Poet, Matt Mason. Here’s what Mr. Mason had to say about the piece:

This poem is a beautiful celebration of music and radio. With great use of sound and language (musically put together!), it deals with frustrations that music can’t eliminate but can give a respite from so that we can gather ourselves back together and be able to deal with the madnesses of the world. With a conversational style, it draws you in like a friend’s voice and holds you to the last, gorgeous lines.

About the Author:

Randy Bynum’s work appears in Cirque (contest winner), Arboreal Literary Magazine, Metonym Journal, Atticus Review, New Plains Review, Cathexis Northwest Press, and others. He explores people, places, social inequity (his mother was ½ Native American/Cherokee). He’s seeking publication for his collections Tulips Talking Behind My Back and Dragons Who Type: Poems of Whimsy and Wishes. He’s a former speech/theatre teacher, an award-winning playwright, (“The Convert”, Kennedy Center/ACTF, Region IX), and believes KMHD Jazz Radio can help save the world. He lives in Portland, OR with wife Dani and rescue dog Cooper.

Categories
poetry

Night Sweats by Molly Sturdevant

Night Sweats | Molly Sturdevant

A spoon scrapes a plate in my house, the oak in the floor a hundred years old a thousand planks and penny nails. Is this man made of rock who forgets to kiss on a bus I made a list of how my house sounds. Quiet – that’s the sound of his glass being emptied. Hiss – the expressway slithers. Silver – streetlamps slice my kitchen when I cannot sleep. I fascinate on the faucet – a long diamond. Ghost – it knows about the attic, the carpenter’s marks for apparent stairs, a doorknob lodged in the basement’s mortar. Summer is a flood, it takes out the washer, the water softener, it creeps at the cabinets and shelves. Normal is a sump pump and stink of mold. Debt is how we got here. A knife clinks the sink or am I too warm to sleep. Is high ground a place I can crawl to. How the night looks – vast.

About the Author:

Molly Sturdevant’s prose and poetry have appeared in Orion Magazine, The Dark Mountain Project, Crab Creek Review, Poetry Northwest, About Place Journal, and many other places. She is recognized as a WFM Union Scholar, and taught early modern philosophy for a decade before becoming a full-time writer and editor. She recently completed her first novel, which focuses on women in labor history, and is seeking representation.

Categories
poetry

A Beginners Guide to Yoga by Genevieve N. Williams

A Beginners Guide to Yoga | Genevieve N. Williams

Trauma stays tucked in ribcage and hip,
jolts you out of dreams you can almost see.
When you wake too quickly, the image slips

with the ancestral shadow in your pulse’s grip.
You repeat, Nothing happened, at least to me.
It’s your parents’ trauma staying tucked in ribcage and hip,

and then you’re bent and crying on the lip
of your yoga mat, and you don’t know why. The key
to all this, you think, is lost when the image slips

and you wake too quickly. Flip
off the sweaty blanket, make some tea.
Trauma stays tucked in ribcage and hip.

Stretch it out of you, let your sweat drip,
release whatever dams your sea.
You wake too quickly, and the image slips

but you are stronger than whatever trips
through your dreams. Breathe…
even as trauma stays tucked in ribcage and hip,
even if you wake too quickly, and the image slips.

About the Author:

Genevieve N. Williams holds an MFA from University of Nebraska at Omaha, where she received two Academy of American Poets Prizes. She is a queer poet whose poetry won an Edward Stanley Award from Prairie Schooner, has been nominated for a Pushcart Prize and Best of the Net, and has appeared in Prairie Schooner, Nimrod, The American Journal of Poetry, Mid-American Review, and Verse Daily, among other journals and anthologies.

Categories
poetry

Beacons by Jamie L. Smith

Beacons | Jamie L. Smith

A small cat curled in my friend’s bathroom sink.
Half a glass of lemonade left to drink.

The urge to touch the rosewood floorboards
when the light slants just right. Waves

against breakwaters.
What saves us?

            Everyone wants to know
            if I’m suicidal,

                        my father had said,
                        from his nursing home bed,

            As if that would be
            such a bad thing.

Stacks of books I’ve yet to read, the needlepoint
I’ll finish and need to redo. Unplanted seeds

in tiny jars on my windowsill. The meteor showers
I keep missing. Squirrels scrambling on powerlines.

            Curiosity—that’s
            what keeps me here,

                        he said.

            I’d still like to know
            what will happen

            with this next election
            and with you,

            what we’ll do
            when the water runs out

            or the border walls
            cage us in.

The woman I love who I haven’t told.
My friends’ not-yet-written poems.

Brass rabbit bookends whose noses I dust
with my thumb

on my way out the door
most mornings. The tree that sways

by my friend’s Brooklyn balcony.
The lanternflies:

whether they’ll be back. The track
that skips on my father’s worn record:

what a wonderfulwonderfulwonderful world.

About the Author:

Jamie L. Smith is the author of “The Flightless Years”, forthcoming from Finishing Line Press (November 2024). Her chapbook “Mythology Lessons” was winner of Tusculum Review’s 2020 Nonfiction Prize and is listed as notable in Best American Essays 2021. Her poetry, nonfiction, and hybrid works appear in publications including Southern Humanities Review, Bellevue Literary Review, Red Noise Collective, and anthologies by Indi(e) Blue, Allegory Ridge, and Beyond Queer Words. Please visit jlsmithwriter.com for more information.