Categories
micro fiction micro monday short fiction

House Party by Dory Rousos Moore

House Party | Dory Rousos Moore

I start on my second coat of Red Hot, the boldest color of nail polish I could find, carefully painting each nail. Aviva and I sit on our apartment balcony, our shiny legs long on the railing, hot air balloons in primary colors floating above us as everyone starts to arrive. When her new boyfriend’s black Grand Am swerves into our complex, she jumps up, her drink spilling over the edge. The way she falls in love is with a whoosh, like she’s being sucked into a vacuum, and the way I fall in love is by pretending not to. 

Moments later, Raj crosses the parking lot from his apartment to ours with long strides, grinning up at the balloons and clouds drifting toward the horizon. With graduation next weekend, we soon won’t be living close to each other for the first time since college started, and we became friends, walking to classes together and talking the whole way, drinking Red Bulls while studying for our physics exams, our laptops set up on his beer pong table as the sun rose purple-orange outside his front window, a meeting of chemistry and wonder.

In the living room, the roar of the music, bass turned up, vibrates the walls. Conversations punctuate the air with exclamation points, and the strawberry Boones Farm fills my body with soft static. Aviva is making out with her boyfriend in the middle of the room with one hand in the air, like she’s on a rollercoaster or praising God. 

Refilling my solo cup, I look at Raj across the crowded room, watching everywhere his eyes land, his irises the whorls of a fingerprint that I want to press into me. I’ve kissed boys I don’t know at parties, but never the one that I love. When his gaze finds mine, instead of glancing away, I hold on, walking toward him.   

A watercolor illustration of a bee on a black circular background.
About the Author:
Close-up portrait of a smiling woman with long dark hair wearing a blue shirt, sitting inside a vehicle.

Dory Rousos Moore lives in Ohio with her husband, three rambunctious sons, and opinionated rescue dog. This is her first prose publication. Her poetry is forthcoming in Modern Haiku. A dedicated daydreamer, she loves reading for hours and letting her optimism lead the way. You can find her at dorywrites.bsky.social.


Categories
short fiction

Palimpsest by Jake Bienvenue

Palimpsest | Jake Bienvenue


Palimpsest: A Horror Idyll

If you write over something enough, it turns black. Example: Condense this paragraph into one line. When you reach the margin, instead of dropping below, begin again on the left. Repeat.

A blurred and scribbled line of text resembling overwritten handwriting.

In this way it is clear that language tends toward the state it seeks to escape. Incomprehensibility. 

It was a school. Then it was another school. Then it was condemned. The records do not indicate anything sinister happened here. Nothing beyond the usual cruelties. No, the only thing the building can be accused of is being large and old. But please, don’t accuse it of that. 

These days we call it the Cultural Center. A very good idea, the Center. Convincing enough for our town’s nobility to summon the millions required to write CULTURAL CENTER over the top of everything the building has been. One more name on the squiggle. One more word in the palimpsest.

I don’t mean to sound cynical. They pay my salary, those estimable bourgeois. I prepare them long reports on culture. I compile their good deeds in dossiers bound with human hair. The accountant handles the books—I say, “This is culture, this is not.” I quantify culture. I say, “Culture is seeing a 12% increase in these sectors.” The people clap. I say, “Please, you are too generous, I will cry.”

I am myself a palimpsest. I am myself two stories of municipal brick. My walls are scaled by teens in moonlight. Conventions convene in my chest. The work of local artists is displayed on my arms. Children with gelled hair and tight bows walk my veins, clicking their heels as they go.

I am the Center’s 13th Director, and I have been here too long.

Last week the final principal of the old school perished from this earth. She was 111. Her sarcophagus is carried through the streets. They bring her here. They pass her hand-to-hand, chanting, “Feed her to the Palimpsest.” They are a silly people. They live too much in memory. 

We are fortunate to employ a handful of youth who facilitate the many agents of culture that pass beneath our vaunted brick. They wear sky-blue helmets that read: CULTURAL WORKER. We have tried to shorten this title, but nothing has stuck. They call themselves culchies. I do not like this name. It sounds like a folk monster, coughed up from the deep. 

Late at night: One culchy is dragging trash to the dumpster. A ghoul lunges from a bush and grabs her hair. All of it comes off, and now she is bald. This is why we wear helmets. It’s too bad. The Board likes the culchies to be very pretty. It is part of Culture, they say. When board members become lonely, they approach the Center from outside, singing love songs. I watch this happen from my office. I shake my head, but what can I do? They are the Board. I say culture, but they say me.

In all this, the ghoul got away. 

The sarcophagus reaches me finally. The last man to hand her over is a rogue and a blackguard, and when he passes the corpse he laughs and fingers his earring, and the bones inside rattle. I do not have time for him. I have a job to do. I carry the principal behind the old metal door. I take deep breaths: in through my nose, out through my mouth.

We keep the Palimpsest locked away, for safety. It is a site of total collapse. Linguistic singularity.

The Chair of the Board is Norton Dogbody. Really this is a nickname; I don’t know his real name. He was born in the spawning grounds to the north. From an early age, the spiders there suckled him with webs and said, “You were born a Chair, and a Chair you shall become. The world is your Board.” Webs dribble from his mouth when he talks. He says, “Excuse me,” and spits them into napkins. The boardroom is filled with them. Crumpled napkins, wet webs.

At his right hand sits Dr. Lunchmeat. She brings a Germanic efficiency to culture some find sinister. She has no eyebrows and she wears a Luftwaffe cap. She is ruthless in rooting out the enemies of culture. She drives them into attics where they write long journals, never to be published. Herr Doktor has been photographed at certain disreputable locations with Mr. Dogbody. I keep these photos, just in case. The last thing any of us want is a Culture War. But I must be prepared. 

Long ago, the native tribes of our valley would meet at this exact spot, the high point of town. It was called “The Outside Place.” I do not know whether this is the first name in the Palimpsest, but whether the wolves called it something else, we will never know.

Our monsters are not those kinds of monsters, rest assured. No Skinwalkers here. No, ours are ghouls of wood and sea. Cults with strange rites, bonfires in deep groves, women with scales in local bars, who smell of anchovies and salt, and who drink like, well, fish. 

My office is on the 2nd floor. Every day a trinket is left on my desk. By whom, I do not know. Today, my gift is a pile of bones. Small bones, like those of a leprechaun. The wrists and ankles bear the scars of nails. A note: “St. Patrick crucified by snakes.”

My office is designed around the performance of sexual favors. For example. There is in the corner a jukebox a’swirl with neon, whose only track is the tune of the ice cream truck. Norton, or Mr. Dogbody, rather, will drop in occasionally to watch me dance. All morning he sobs and begs from the culchies until he has enough quarters. Then he bullies me into dancing. If I do not, he will withhold his donations. Then who will feed the Palimpsest?

At times it seems the Center runs on the performance of humiliations. An economy of humiliations.

Last week, the DEI Committee decided the portrait of Norton Dogbody, which depicts our Chair astride a giant spider, plundering some aboriginal village, should be removed, as some of our spiders have begun to complain. Mr. Dogbody and the Board thanked the committee for its recommendation and praised it for its valuable work: “Keeping us all on our toes.” The portrait was relocated away from the nests, which is good, because the edges were beginning to corrode from all the poison.

The Committee, of which I am a member, meets virtually. We begin each meeting with the liturgy, but we rush through it quickly, eager for penance.  

This morning, a new gift from my mysterious benefactor.  A silver key the size of my forearm. I clip it to my carabiner, and it drags my pants to the floor. “Yes, just like that,” Dogbody says. He hums the ice cream song. He spits webs at me. I dance, dragging the key along the floor. 

Up late at my desk. The building is empty, the halls are dark. The pipes in the walls are very old and they thrash and sputter, but I’m used to them; I don’t startle anymore. I’m reading emails. Since the Center was opened, each director has used the same email address, and it has been passed from hand-to-hand, finally to me. All their correspondence is there, on the drive. Some of the emails are so old they are starting to decay. I’m searching for mention of a silver key. No luck. I stand and walk the halls. I step into an empty classroom. The lights are off, but the moon is so bright tonight it is like a presence in the room. I go to the window. A leviathan lifts up from the hills and unfurls its wings before the face of the raging moon.

I have discovered in the correspondence of my predecessor evidence of a monstrous conspiracy. 

Monsieur Blatt was a mime; he never spoke a word. The Board thought him an ideal candidate for director. The reasoning went that, because he was mute, he would offset the semiotic ragings of the Palimpsest. But it sniffed him out, curdled his heart. It was at this point the Center realized the Palimpsest possessed a dumb kind of intelligence, a snowball of names that swells as it rolls. It reached into his silence and planted words. Or not words, only morphemes, just little chunks of meaning, like “-ing,” for example, which by themselves do nothing but which slowly began to interact with the other chunks, combining and recombining, clarifying themselves first into monosyllabic words, then polysyllabic, and so on, until all the words in the English language had grown like mold under his skin. But it went on. Out of the storm of symbols, a sort of super language developed, one thousand times more efficient than English, in which the semantic structure developed into a kind of sonic pictogram, where every word was onomatopoetic, mirroring, or miming, rather, the essential breath of each thing, crossing the eternal bridge between the world of language and the world of the senses, signifier and signified, creating a linguistic realm coeval with reality, self-sufficient, the act of naming so powerful it had actually created another reality, “Let there be light” spoken over the faceless deep. It was as if shadows had emancipated themselves and become subsistent. At least this was what I could deduce, scrolling through his final flurry of emails in which he begged for ten thousand nukes to be directed here at once, this outside place, which would soon give rise to a new species, men made of words, legions spilling forth across the globe. 

Dr. Lunchmeat dispatched the director with her Luger. The two reports of the handgun were remarked upon by everyone in the building that day. Even then, Lunchmeat said, even in his final moment, staring down the barrel, poor Monsieur Blatt raised his hand right back at her, thumb and index finger extended in the mime of a gun, overrun with the drive to mirror. 

My gift this morning is a vial of poison. The note says, “Drink Me.” I twist off the skull, which serves as a cap. I glug the purple goo. And I know without question what must be done. 

The culchies remark upon my purple eyes. “Mr. Thirteen,” they say. “What happened to you? What are you doing with that key?” A pulse of psychic energy is sufficient to push them away. I am gentle in this. They do not deserve their humiliations.

Reports on the death of Director Blatt indicated the sentient language perished with him, but I know it is not true. The Palimpsest is already broken. My purple eyes see deep into the truth. 

Every night I walk home from the Center, I pass beneath powerlines flocked with crows. They grip that wire and stare. And I wonder if animals will ever evolve consciousness alongside us, like crows or dolphins or elephants. It’s still possible, I suppose. But I wondered in the wrong direction. It is not animals that will achieve sentience. It will be language itself.

Dr. Lunchmeat stands over the corpse of Norton Dogbody. Her Luger smokes. The door I close behind me is the oldest door in the Center. It is made of black iron. We two are alone in the electrical room, where pipes and vents flail in Soviet conflagrations. Dogbody twitches, then stills. Lunchmeat is naked. Her skin is white and every inch of it is lined with text. The words on her skin wriggle like trails of ants. They even line the whites of her eyes. I raise the key. My purple eyes flash. The text explodes off her flesh like the tendrils of a squid. They writhe, whether in spasms of death or jubilation, I never learn. 

For these, too, are only words. 

An illustration of a honeybee painted in warm orange and yellow tones against a black circular background.
about the author:
A person in a casual t-shirt stands in a restaurant with a finger to their lips, signaling for silence. Behind them is a drink dispenser and a sign for a Mexican food restaurant.

Jake Bienvenue holds an MFA in fiction from the University of Montana, where he was the Editor-in-Chief of CutBank. His work has appeared in The Offing, The Baltimore Review, EcoTheo, and others. He is at work on a novel about the Oregon wine country. He lives in Brooklyn.

Categories
short fiction

The Grieving Scar by Frank Gaughan

The Grieving Scar | Frank Gaughan


Carson never understood why Susan left him. She explained why on more than one occasion, but in Carson’s mind these explanations were akin to a complicated mathematical formula: holding one part in his head invariably pushed another out of mind. One Saturday afternoon—the last Saturday afternoon—Carson sat on the couch holding his head in his hands. From the kitchen, Susan brought him a cup of chamomile tea.

“I accept that you’re leaving,” he said while warming his hands on the teacup. Susan had grown to hate the smell of chamomile and tried to hide this fact by scratching her nose. 

“But,” she said. 

“But I still don’t understand why.” 

It was an outburst, one she wanted to suppress even as the words left her mouth: “Maybe you should take notes, then.” A pause followed, like the kind that happens after an ancient Sequoia topples at the teeth of a chainsaw. “I’m sorry. I’m sorry. I shouldn’t have said that. It was hurtful. I know this is difficult for you.” She stepped into the kitchen and took a swig from a bottle of three-day-old Chianti. There was no way she was going to find her hairbrush now or do a final sweep through the apartment. Whatever. If it wasn’t in the boxes in the living room, she didn’t need it. 

She returned to find Carson diligently writing on a legal pad. 

After twenty minutes, he asked. “Can I read it? Out loud?”

She hadn’t smoked in nine years, hadn’t even thought about smoking, but the urge to smoke was overwhelming. She wanted a Parliament, the kind with the recessed filter. 

“Sure,” she said. 

“You are leaving me because you feel unfulfilled. No other person can fulfill another on their life’s journey. However, another person can and should support you in pursuit of fulfillment. After careful reflection, you have concluded that I can never be this person. Regardless of how much I have changed or agree to change, you no longer want to be involved with me.”

“Yes,” said Susan. She spoke the word with a long exhalation. 

“Thanks,” he said. “I understand now.” He offered to help with her things: four boxes piled in a two-by-two stack in the hallway. The robot vacuum, having already programmed the apartment’s layout into its circuitry, was persistently banging into every inch of these boxes in an effort to reconfigure its map.

“I have it,” she said. 

“Do you want the vacuum?” he asked. 

The vacuum had been a joint purchase, an expensive one, made to keep the place cleaner and thereby resolve one of their issues. 

“It’s all yours,” she said. 

From the window he watched the cab driver load the boxes into the trunk. The car stopped at the light on the corner and turned south down 2nd Avenue. He did not ask where she was going, and she did not tell him. 

The vacuum let out a plaintive bleating sound, which signaled it was trapped somewhere. Carson followed the sound. He preferred to keep nothing under the bed, believing that leaving stray boxes and shoes under there invited bad dreams and dust bunnies, but when Susan moved in, he agreed to store his ski boots there to make more of their limited closet space. The vacuum had gotten itself knotted up in the boot’s bindings. As he cleared the obstruction, he saw that Susan’s hairbrush must have fallen from the nightstand and then been pushed under the bed. He recovered the brush and studied it for a moment: flat on one side, rubber-tipped bristles on the other. It was the kind of brush you might find at Walgreens. He could throw the brush away, but what if she returned or contacted him to ask for it back? 

He checked the drawers of the nightstand that once held her bedtime items: phone charger, book light, Carmex, hand creme, a case for her glasses. All gone. He could have put the brush in one of the now-empty drawers but decided instead to set it on top of her nightstand. “The nightstand,” he corrected himself, and then adjusted the brush so that its length was aligned with the length of the room. 

#

“How long would you think about her if you were in my situation?” Over the next four years, Carson asked versions of this question to a lot of different people. Answers were surprisingly varied. 

“Three days. Same as Jesus,” said Mike Bennington—the most bro-like of his friends. Carson had a hard time liking Bennington, at least at first. Being around him was like being around an untrained Bull Mastiff, but Bennington was loyal, as Mastiffs are, and when most of Carson’s other friends had either stopped talking to him or started avoiding him, Bennington stayed around. 

Carson resolved to speak with Trish, who was technically his boss, but also one who enjoyed giving frank advice about all variety of matters. “If you keep using non-stick cookware, you’re going to die.” In previous conversations about Susan, she had already given him advice. “Just stop ruminating. Put on a podcast. I like true crime, but you could find shows about trimming bonsai trees or whatever it is you like.” 

But on this occasion, while they ate lunch in the office kitchen, he mentioned he had tried the podcasts with no positive effect. He still thought about Susan all the time. 

“Susan?” she said. “The girl from—”

“Today’s the fourth anniversary of when she told me. When she left me.” 

“And since then, you’ve been—”

“I tried the podcasts like you said.”

“Been dating?”

“Not successfully.” 

She picked up a slice of orange pepper with her fork and considered it from all four sides, then ate it. “There’s no telling. It might be forever.”

“Forever?” asked Carson. 

“Until you die,” she said. “It’s just something that’s always with you—like a mole.”

“Or a scar,” said Carson.

“Sometimes, grief is like that.”

In the year that followed, Carson set up camp under Trish’s perspective. Susan was a grieving scar. He continued with his job, which involved exporting information from a database to a spreadsheet. He condensed this information and added pictures and graphs to create slides. Other people, who did not have time to figure out how to look things up in a database, or even to read the information in spreadsheet form, looked at the slides and argued with one another, or sometimes they celebrated, or else just walked away. He wondered about these other people—Trish and her Zoom room full of C-suite suits, his mother, Bennington, all the people who had stopped talking to him, Susan, and whoever it was that Susan was talking to now—all of them. Did they, too, carry with them grieving scars? Did everyone just walk around like this, or was it just him?

#

 Bennington set him up on a blind date. 

Carson didn’t want to go and nearly called twice to cancel, but this date seemed so efficient that it was easier to show up than cancel. She picked the day, the restaurant, sent an invite to his Google calendar—all without even talking to him. 

“What do you want?” Terry had all the get-some! energy that came with a job in pharmaceutical sales. They would never work out. Both knew as much, probably even before they met in person, but certainly by now. Still, they were nice enough to one another and maintained a pleasant enough banter to conclude their white tablecloth dinner with a cab back to Carson’s place where they had sex. It was her idea. “Do you want to have sex?” she asked. “No strings.” 

That morning, Terry gathered her things for the first and last time. She sat on the couch where, five years prior, Susan said “Maybe you should take notes,” when Carson expressed difficulty understanding why she was leaving. 

“You never told me,” said Terry, pulling on her running shoes and lifting both feet as the robot vacuum completed its morning rounds. She was dressed in gym clothes; last night’s outfit had been folded Marie Kondo style into her seven-hundred-dollar leopard print handbag. It occurred to Carson that she knew she would spend the night with him, even before meeting him, and she knew also that she’d be going to the gym at precisely this time. Remarkable, he thought, and wondered if better scheduling would benefit him as well. 

“About the other woman,” she said. 

The words hit Carson like a virus. He reached for the table to steady himself. 

“The woman?”

“Her hairbrush is on the nightstand. I don’t care. It’s obvious she doesn’t live here.” She waved her hands at the drab decor. “But if you’re on the market you should be honest about it. If you aren’t being honest already.” 

The last bit seemed to him like a conciliatory gesture, one put forward to allow a possibility that seemed unlikely in her mind. 

“She’s gone,” he said. 

“As in, she passed away?” 

“No.” 

Terry nodded as if delivering a terminal diagnosis. She stood and shouldered her bag. “There are drugs that will treat the symptoms. I sell baskets of them. But the problem is you.”

“I cannot not be me.” 

“There are all different versions of you. And me. All of us. You’re a good person,” she said and kissed him. 

“I don’t want another version,” said Carson. 

“That’s what I’m talking about.” She sighed in a way that recalled Susan’s expressions of exasperation. “You can try to think of her one thought less each day. That will helpmore than the drugs, honestly. But you’ll still be you, and that’s the problem.” 

He appreciated the advice and took it to heart. If the goal was one thought less each day, then it occurred to Carson that moving the hairbrush from its place on the still-empty nightstand would be a good idea. Yet it did not seem right, after all these years, to just throw the thing away. Instead, he placed it in a Ziplock bag and then set it on the shelf, beside the Q-tips, under the bathroom sink. 

A fresh start, he said to himself, and opened a spreadsheet on his computer. He noted all 1,440 minutes in a day, one row for each minute, one column for each day. For the next several weeks, he set about logging the degree to which he continued to think of himself and Susan together. Up to this point, he had only figured the answer vaguely and with phrases like “All the time.” 

Carson did not drink, but he found the results “sobering.” That was the word he used while sitting in a bar with Mike Bennington. Carson did not like bars, since he did not drink, but Bennington refused to meet him anywhere else, and always seemed to drink steadily, something just shy of heavily, when he was with Carson. 

“Dude, you are messed up. Have you considered, I don’t know, a lobotomy?” Bennington tapped the chart that Carson had presented to him. Along the horizontal axis were the days of the week, Monday through Sunday. Along the vertical axis were the numbers 0-1,500 set up in 100-point increments. Each day of the week had a bar, and none of the bars was below 700. “No normal person does this.” 

“I didn’t say I was normal, just that I’m trying to think of us—Susan and me—one thought less each day. It’s hard to do that without knowing how often I think of us.” 

“Eight hundred times?”

“Monday’s seven-fifty-three was my highest.”

“That’s all the time. Like once a minute.” 

“Once every 1.9 minutes, better to say once every 2 minutes or 30 minutes of every hour.” 

“You will never fix a chart like this by making charts like this. You got to fix your life. None of this is about Susan. Hell, she’s already married.” 

“She’s married?”

“You think of her 800 times a day, but you don’t follow her on Insta?”

“I don’t like social media. It gives me anxiety. And I don’t think about Susan, per se. I think about us.” 

“This thing here.” Mike tapped the chart. “Is not about Susan. Or us. It’s about you. Fix your life, you’ll feel better.” 

The bartender delivered hamburgers and french fries, and for half a burger, they ate in silence. Bennington ate like he’d just been released from prison. Fortified, he returned. “Let me ask you something. When you’re thinking about her. Or us.” He put air quotes around the word. “What are you thinking about? I don’t want to be crude with your girl or your ex-girl, but are you thinking about doing her?” He smacked his fist into his palm. 

“No,” said Carson. 

This baffled Bennington, so he tried again. “I’m just saying that there’s this thing. Psychologists have written about it. You get a song in your head. An earworm, right? One time I had the theme song from Walker, Texas Ranger in my head for three days. You know what I did?”

“No.” 

“I played it louder. In my mind, I played it louder, and I gave it this huge finale with tubas and cymbals and all kinds of crazy piano. He broke into song: “The eyes of the Ranger are upon you, any wrong you do he’s gonna see.” 

“And?” 

“I was able to finish season six without having that stupid song in my head. It’s not even an issue anymore. I could binge-watch a whole season right now, two seasons, no problem.” 

Carson’s portobello mushroom burger sat there. He ate a few fries, removed the pickle from the mushroom, and set it on a bar napkin. Seeing that the relevance of his point might be lost, Bennington continued. “We can probably find a girl who does this kind of thing for money. You see what I’m saying?  Start with a lap dance, see where things go.” 

“When I think about Susan. Us. Together. I don’t think about having sex.” 

“So you’re like… on vacation together, then? Like that time you two went to the Grand Canyon? Maybe we go back there? Burn her picture, throw it off the cliff, swig of whiskey, we’re done.” 

“It’s not vacation, exactly.” 

“So then?”

“You’ll think it’s silly.”

“I definitely will.” 

“I picture us in this ball of blue light. We’re ourselves still, but we don’t have bodies anymore. We’re beings, glowing lights—like stars—and we’re inside this bigger cloud of glowing blue light, like we’re in a nebula. Together.”

#

Carson consolidated Terry’s and Bennington’s advice into two sentences and wrote them neatly on either side of resume paper that he had trimmed to wallet size: “One thought less each day” and “Fix your life.” The advice to think about Susan “one thought less each day,” was difficult but at least chartable. The steps necessary to “fix your life” were obscured by any number of variables. You might as well say “make a lasagna” to someone who did not know there were such things as cheese and pasta—or grocery stores and ovens for that matter. 

Carson resolved to speak with Trish, since she seemed to him a reliable source but had not yet offered advice so much as an assessment.

He waited for their weekly catch-up and reviewed with her all the charts relevant to the week’s slate of upcoming meetings. She smiled at some, frowned at others, and when the meeting concluded, he said, “How do you fix your life—if you think it’s broken in some way?” 

“Oh shit. You’re quitting,” she said. 

Carson had not thought of quitting, but now that she raised the idea, he began to wonder about the possibilities. 

“Do you know how long it’s going to take for me to train someone else? And who am I going to hire? You know what salary the last little snot-nose asked for? Right out of school with an MBA. An online MBA for Christ’s sake.”

Carson did not know but figured it was quite a bit higher than his current rate. 

“You have another offer?” she asked. 

“I don’t think so.” 

“You’re just on the market? All right. I can do 5,000.”

“I don’t see how that would fix my life.” 

“I’ll go retroactive to the beginning of the year, but that’s the best I can do. You’ve seen the budget. You make the slides! You can’t ask for something unreasonable.” 

“I think I am!” said Carson with the kind of enthusiasm he had last expressed when sighting a raft of otters in the Prince William Sound. 

“I get it,” said Trish. “Sometimes, you got to get rid of one thing before the new thing will take its place.” 

“Do you think that’s what happened? When Susan left me, did she want to get rid of me so that something new would take its place?” 

Trish looked at him over the top of her glasses, and that was the last they saw of one another. 

After taking a week of silent meditation, Carson responded to a Craigslist ad, which read Wanted: Man with a Van for Odd Jobs. Must be willing to take RISKS. 

After several bizarre exchanges of texts and a Zoom chat, Carson arrived for the in-person interview at AAZO’s studio. Everywhere around the studio were bits of Manhattan street trash in various states of transformation. Take a seven-dollar umbrella, the kind you buy from a vendor on the corner when unexpectedly caught in a rainstorm. Let the wind flip it inside out several times until it tears and then, after an effort to right the thing, watch it blow from your hands and get run over by a cab. Now let it marinate in the gutter for a few days. All kinds of stuff suffered similar indignities: take-out containers, Starbucks coffee cups, an old sneaker, a frame for eyeglasses missing the lenses, and one stem. AAZO collected these items and placed each one reverently into a pine wood box, cut to fit. 

“In another life, born at another place and time, I’d have been a carpenter,” she said, moving her hand over the grain of unvarnished pine board. “Or an undertaker.” 

AAZO upholstered each box, decorated it with lace and a lustrous fabric in colors that complement the item at its center. A bumblebee yellow for the black umbrella. Yellows and blues for the Starbucks green. Thus adorned, AAZO filled the interior of the box with gallons of polyurethane, adding blue and silver stars—the kind you get for good behavior—as she pours the clear varnish in layers and with great care so that no air bubbles remain and the result is a coat of thick, translucent plastic with shining stars suspended over an artistically glorious box with a piece of unadulterated garbage at the center. 

“It’s the same stuff you use on floors,” she said of the varnish. “I get it at Home Depot by the bucketful,” she said. “The guy knows me. He sees me and brings the big cart and says, ‘More floors, Mr. AZZO,’ and I tell him every time. ‘I am woman! Don’t you see the tits?’ I don’t think he does. You see them though.”

The words were more a command than a question, and Carson looked anywhere but her chest and said, “Seems like a classic silhouette to me.” AZZO wore flannels over white tee-shirts and always had at hand things like hammers and sanders and tape measures and safety goggles.

“And your van?” said AAZO. 

“I don’t have a van,” said Carson. 

“The ad said man with a van.” 

“The ad said, ‘Man with a Van for Odd Jobs. Must be willing to take RISKS.’ I have three of the four characteristics.” 

“Typical,” said AAZO. The lights in the studio blinked out, and they were in darkness until AAZO removed a flashlight from the desk drawer and turned it on, placing the beam of light beneath her chin. “You must have a van.” 

Carson took the flashlight and placed it under his chin. “I know someone with a van. He can help with your light problem too.” 

The issue at heart and the reason for the van, she explained, was that she felt stale, unoriginal. “There’s only so much you can do with garbage,” she said. 

“It’s not garbage anymore,” said Carson, holding up the crushed coffee cup assemblage. AAZO had cut a clean rectangle box with beveled edges and lined the interior with lilac print fabric. The silver and blue stars inside the thick varnish caught the light such that it seemed the cup had been frozen in time. “It’s beautiful,” he said. “Some part of us that isn’t wanted anymore is transformed. Or some part of us that is here no longer is brought back for our inspection, frozen in a blue cloud.” 

AZZO’s smile lifted her whole face. “You have the job, but you will need a van. I want BIG garbage. Van-sized.” 

The side panel of the van read Ben-E-Lectric and Sons underlined by a lightning bolt. Bennington was a third-generation electrician, his grandfather having started the business after returning from the Korean War. 

“Trash ripe for transformation. That’s what we’re looking for. And we gotta go big!” said Carson as he climbed into the passenger seat. He liked his new job. It paid radically less than his previous one but that was part of the appeal. 

Bennington made his way downtown. “Nothing that stinks, ok? I bring this van back smelling like a landfill and my old man’s going to have my ass.” 

“I have an idea.” The weather had turned warm, and the days were growing longer. It was mid-May, and dawn brought with it the day when all the super achievers from Columbia and NYU had to move out of their dorm rooms. They left behind all variety of things, and everywhere across New York, enterprising dumpster drivers were preparing their salvage operations. Carson pulled a futon into the back, a floor-to-ceiling mirror, a collection of lampshades with ink prints of little mountain villages, a television set, a refrigerator, a microwave, a corkboard, a wine rack, three acoustic guitars, one twelve-string guitar, and a desk with the letters FZU WUZ HERE carved into the top, and a new portable vinyl record player designed to look vintage.

“She’s going to love this stuff,” said Bennington. “Makes me wish I went to college.” 

AZZO had managed to get the lights back on in the studio through an elaborate series of daisy-chained extension cords and table lamps. Her reaction to the van’s contents was both less and more than they had anticipated. 

“Garbage! Not even garbage. Pier One puke! Get it out. Out! Out! You’re fired. The both of you.” 

“You haven’t hired me—yet,” said Bennington. “But I can tell you all this jerry-rigged wiring is going to cause a fire. You’re probably pulling 50 amps with this setup alone.” He gestured to the table saw, lathe, kiln, and other assorted workshop kits. “Feel how hot these wires are? Then turn on your microwave and you’ll have flames shooting out of the walls. And what’s in here?” He opened the door to the circuit breaker panel on the wall and frowned. “Yeah. Whole thing’s gotta go.” 

AZZO stopped and smiled as if the stars had come into alignment. 

“You do odd jobs?” 

“Electrical jobs. Ben-E-Lectric and Sons. I’m the son. Grandson, actually.” He handed her a business card. 

Bennington’s talents had bought Carson a reprieve from AAZO’s wrath, but if he was going to keep his job, he had to go big, and it was not clear how to go bigger. Nothing any bigger would even fit in the van. 

He sat alone in his barren apartment, the same apartment he had shared with Susan five years ago. The robot vacuum made its rounds, as it was programmed to do. His phone reminded him that he was supposed to complete 20 minutes of box breathing. Part of a meditation regimen he had started in an effort to “fix his life.” 

 “Go big,” he said on the exhale. And then he knew, removing the hairbrush from under the sink. It didn’t seem right to just hold it in his hand. He worried that the bristles would get damaged if he shoved the brush in his pocket, and it didn’t fit in there anyway. For lack of a better plan, he found a brown paper lunch bag, placed the brush inside, and folded the top of the bag over twice. 

AAZO’s studio was illuminated by the battery-operated glow of Bennington’s tripod floor lights, which created sharp divisions between brilliant illumination and deep shadow. Bennington had cut the power so he could replace the circuit breaker panel. Most of his head and part of his shoulders were concealed inside the hole he had cut into the wall. AZZO worked by flashlight with a hand saw and file, shaping a pine wood box. 

“Dude!” said Bennington. The beam from his headlamp traced Carson up and down. AAZO wanted BIG, as everyone knew. But Carson had nothing in his hands except a lunch-size brown paper bag. Bennington’s headlamp focused on the bag and then shook a back-and-forth no. “Don’t worry. I’ll talk to my dad. We’ll take you on as an apprentice. Union gig. It’s good.” Bennington’s head and lamp dove back inside the wall. 

Carson removed the brush from the lunch bag and held it in his hands, presenting it to AAZO. She considered the object from all sides, not touching it, not even breathing. She looked around the shadows of the floodlights. She took a flashlight from her desk and studied the hairs entwined in the bristles. Finally, she said, as if discovering life on a new planet, “This is not garbage.” 

“No,” said Carson. 

“This is yours,” she said. “Very big.” 

“No,” said Carson. “And yes.” 

She put her hands on top of his, on top of the brush. “I will make it for you.” 

“I don’t want it,” said Carson. “I just want you to take it.”

“I will call it—” 

“Call it The Grieving Scar.” 

AZZO banished Carson from the studio and began her work. Over the course of weeks, she built the box to be only slightly larger than the brush itself. She lined the box with auburn and yellow fabric, highlights to Susan’s hair wound in the bristles. In a break from past designs, neither the fabric nor the brush itself rested in the box. With blue fairy lights, thin as human hair, she suspended everything so the brush appeared to float weightless, and the entire creation glowed blue as an old star. When the varnish dried and set, AZZO shaved away the wooden box until it was no more and sculpted the edges of the varnish into rounded curves that looped into and out of one another at random intervals. The result—a dime-store hairbrush floating above a handmade pillow, surrounded by a translucent knot of blue-glowing polyurethane. 

AZZO insisted on inviting Susan to the gallery exhibition. Carson refused at first.

“Did you lie?” she demanded. 

“I don’t usually,” said Carson. 

“You said,” she poked a finger into his chest. “Some part of us that isn’t wanted anymore is transformed. Or some part of us that was is brought back for our inspection, frozen in a blue cloud. This is what you said at the interview. And here we are.” 

“Are you really dating Bennington?” 

AZZO blushed, which Carson had never seen her do. “My next exhibition will be about electricity and magnetism.” 

The exhibition—AZZO’s first in a dozen years—featured four walls filled with varnish-entombed coffee cups, umbrellas, lottery tickets, sunglasses, earbuds, a single shoe, but only the Grieving Scar took the center of the room. The artwork, the artist, caterers with trays of mini-chicken and waffle bites, and all the guests moved in orbit around the blue-glowing brush. People loved the thing. Gallery security put up a sign that said, DO NOT TOUCH, PLEASE, but people nonetheless felt compelled to hold their hands to it, as if it were a sun, or a fire, or the sounds of a congregation’s beloved prayer. 

Susan showed up, although somewhat later than expected. Most of the guests had left. The waffle bites and champagne had been put away and, staff with small brooms and dust pans on handles discreetly flipped napkins off the floor. 

“It’s Susan,” AZZO said. She took Bennington’s hand and moved them to the periphery. They were always talking, talking, talking as people do when the future is in front of them. Carson was happy for them and realized he had not felt this way in a long time. 

“Sorry I’m late, Carson. The kid puked on me, so I had to change.” Susan had arrived alone, wearing the jean jacket with the Decemberists pin that she wore when they were together. They had met at the show. She looked good. Better. Hot in fact. Carson was pretty sure these five years hadn’t treated him so well. 

“I’m glad you came. It’s a little weird, I know,” he said. 

“So that’s what happened to my hairbrush.” She studied it for longer than he expected and like so many of the others that night, approached the sculpture to a point where security staff leaned in. She held her hands to the glowing blue light, circling as if she were a spaceship rocketing around its gravity. “I was cruel to you,” she concluded. 

“Indifferent, maybe. Not cruel,” said Carson.

“Travis can’t tell the difference.” Carson knew this was her son. She took his hand and warmed it between her own. “None of us can.” 

An illustration of a honeybee painted in warm orange and yellow tones against a black circular background.
about the author:

Frank Gaughan is a fiction writer and educator based in New York. His short fiction appears in Arcturus, and he is completing a collection of contemporary short stories. His academic writing on composition pedagogy has appeared in College Composition and Communication and Inside Higher Ed. He teaches composition and ESL at Hofstra University.

Categories
micro fiction micro monday short fiction

The Echo of Footsteps by Ibrahim Abdulhakeem

The Echo of Footsteps | Ibrahim Abdulhakeem

Ayo always knew when his father was coming home. Not by the rumble of the old Peugeot stalling outside, nor by the metallic creak of the front gate, but by the sound of his footsteps—slow, deliberate, measured.

Each step carried the weight of exhaustion, of dreams deferred and dignity swallowed in silence. Ayo would listen from his room, curled up with his homework, his hands clammy as he gripped his pen. Would today be different? Would the tension in the air dissipate, leaving room for laughter instead of raised voices?

He once asked his mother why she never argued back. She had smiled—a tired, knowing smile—and ruffled his hair. “Some echoes aren’t worth chasing, my son.”

One evening, the footsteps did not come. The gate did not creak. The old Peugeot never rumbled into the driveway. The silence stretched, wrapping around the house like an unwelcome guest. Hours passed. Then days. Then weeks.

Ayo stopped listening for the footsteps. But at night, when the wind whistled through the cracked windows, he swore he could still hear them.

A watercolor illustration of a bee on a black circular background.
About the Author:

Ibrahim Abdulhakeem is a Nigerian law student, writer, and creative with interests spanning literature, design, and education. He is passionate about storytelling, Islamic scholarship, and inspiring young people through his work. His writings often explore identity, resilience, and human connection.


Categories
micro fiction micro monday short fiction

Return by Adesiyan Oluwapelumi

Return | Adesiyan Oluwapelumi

You arrive in the heart of the city, teeming with lorries and trucks transporting a supply of farm produce stocked in large sacks in transit to warehouses in the metropolis, the city welcoming you with the same hands you abandoned; hands pushing carts bearing purchases of market women from Sango Ojunrin market, where your mother used to sell tubers of yam, haggling with buyers who would slap prices to a ridiculous height; hands wiping beads of perspiration in the scorching sun on Oke Aare’s Hill, where your father had leaped to his death. He was a poor man with expensive dreams. But you swore yourself to the gods of The Western people to bring prosperity to your lineage. Had you known the outside world grew thorns along with its roses? 

At Mokola axis, notorious for its persistent traffic gridlock, you board a yellow-rust Danfo bus overload with passengers. The stench of cigarette from the conductor fills your nose who calls you Alakowe and charges you an exorbitant fee. 

In transit, you reflect on the city and observe how nothing has changed. The roads still sunken with potholes; its kerbs sullied with refuse and sewage; plied by motorcycles and rickety Micra motors, infamous as the instruments of kidnapping ritualists. You remember your friend, Tade, who had board a Micra in the night two years ago at Iwo road highway and how he was found three days later on Ojude Ade street, skull split and limbs dismembered. 

From the radio inside the bus, King Sunny Ade’s Mo Ti Mo plays in retrospect. The song ends and a newscaster comes on air to read the headlines. Crisis as fuel prices hike higher. Your sighs punctuate the air alongside other passengers’.

The bus passes across the State’s Library where you had often come to bask in the world of Mbari, Transition and Black Orpheus. You return to days shelved with memories when you consumed Okigbo’s epics and Soyinka’s elegies. In the storeys of this building, you had written the first drafts for the sample works in your MFA application. 

The bus continues towards Jericho road where you hear a muezzin’s call to prayer from a mosque nearby. Allahu Akbar, you mimic him as you had often done when you were younger. You did not understand the words but that didn’t matter. God hears his creations in all the dialects of their yearning. You remember weeks of the storms on the ship sailing the Caribbean Sea where God was a thin thread you hanged on for dear life. 

You raise your eyes pregnant with tears and tales towards the city’s sky, a country of egrets flying in the air polluted with greenhouse gases from oil factories. At a T-junction in Akinyele, you alight from the bus handing the conductor your fare. He tells you there’s no change. You know it is a lie. But in the end, you forgo it.

Your mother, with hands that you have once abandoned, runs to meet you.

A watercolor illustration of a bee on a black circular background.
About the Author:
A young person wearing a black turtleneck stands against a backdrop of leaves, looking contemplative.

ADESIYAN OLUWAPELUMI, TPC XI, is a medical student, poet, essayist & Poetry Editor of Fiery Scribe Review from Nigeria. He & his works are featured in The Republic, Electric Literature, Only Poems, 20.35 Africa, Isele Magazine, Poetry Sango-Ota, A Long House, Brittle Paper, Fantasy Magazine, Poet Lore, Tab Journal, Poetry Wales & elsewhere.


Categories
short fiction

Alice by Mikaela Conley

Alice | Mikaela Conley


Alice sidled up to the checkout line that stretched into the aisle of seasonal items — Halloween candy in September. She hated drugstores, always had. But old age brought her more often than ever to this place, what with Larry’s growing list of prescribed medications and recommended vitamins and now the regular purchase of Depends, a demolition so deep that neither she nor her husband spoke of them. Not since he came home with samples from the doctor’s office last year. Alice now just kept an eye on the package in the bathroom closet, and when it was halfway gone, bought another and placed it under the one in current use.

She tried to keep the drugstore trips quick, but today there was only one cashier despite four registers sitting dormant. The clerk, probably around Alice’s age with a halo of gray hair, peered over her glasses and poked at the keys the way old people did. Did Alice look like that when she used her phone or computer? Reading glasses down to the end of her nose, eyebrows raised, a general look of confusion? God, she hoped not. There were two other employees, a girl and a boy, probably eighteen, standing at the opposite end of the counter in their long blue vests, giggling as they restocked the Marlboros on the back wall.

“Excuse me, are you open?” Alice asked, walking over with the adult diapers cradled under her arm. Neither looked up, though the girl momentarily paused at the sound of her inquiry. 

“Excuse me?” Alice asked, now with a lilt of irritation. She never would have used such a tone in her younger years; she would have waited in that line with her mouth shut until closing time to avoid ever being perceived as demanding or impatient or a generally unlikeable woman in any way.

At the age of seventy-seven, she hated to think about this now — how much of her life she spent complicit in her own inconspicuousness. Had she known she’d hit a certain age and become invisible to society anyway — well, she probably would have behaved in the exact same way, the desperate approval of her mother far outweighing any other external attention.

Alice had been a knockout in her youth. She could see it in photos now. But in the face of her mother’s hard-nosed expectations of her daughter — humility, presentability, decorum — she spent most of her life thinking she was plain.

“Excuse me,” she asked one more time, just as the boy turned around to pull a carton of Reds from its stack on the counter.

“Yes, ma’am?”

Ma’am. 

“Are you open over here?”

The boy peered past her, then suddenly and frantically drilled on the register keys. “No, ma’am, as you can see, we’re not.”  

The girl barked out a laugh. 

Alice squinted at the two kids, their backs to her now, shoulders touching, giggling again. The tinny of the fluorescent lights was getting louder. She took another step toward the counter, thought about saying something else, but no words came. 

In fact, she wasn’t thinking much of anything as she slid the last carton of Marlboros off the counter into her hand. Then, walking away, she heard herself say, “Excuse me,” to the customers still waiting in line, and when they didn’t move, she turned sideways, compressed herself to get through them. The automatic doors stretched open like a regal goodbye, and her heart banged in her ear as she scuttled down the ramp.

At the car, she nearly fell over, weak-kneed and dizzy. She threw the diapers over to the passenger seat, before getting herself in and examining the carton of cigarettes against the steering wheel. She was laughing, cackling really, as she ripped open the box, pulled out a single pack and untwirled its little plastic string. Her fingers tingled with a strange, luscious delight as she rifled around the glove compartment for one of Larry’s old lighters. She lit the cigarette, inhaled. The rush went to her head in an instant. 

She held the smoke in her lungs with surprising ease, tilted her neck back on the head rest. She had only smoked one other cigarette in her life, with a boy named John when she was sixteen. She cut school with him on a bright blue day, and they sat under the bleachers, passed a Pall Mall back and forth, talked about The Rolling Stones and kissed. Oh, what a thrill it had been to sit there with a boy she thought she loved, defying every one of her mother’s expectations, even just for an afternoon. She had been devastated when John and his family moved away that following summer. 

Alice exhaled, the smoke enveloping her — head in the clouds. John’s face was still so clear in her mind even after so many faces had faded to faceless through the years. She placed the cigarette between her lips again, let it hang there as she reversed out of the parking spot.

Larry was in the study when Alice arrived home. She could see him through the doorframe in his favorite chair, reading a book, as she walked to the bathroom, lifted the pack of opened Depends in the cabinet, placed the new one underneath.

“Hi, honey,” he called, only after she was well out of the bathroom, in the kitchen, at the sink, the pots and pans she’d washed earlier now clanging as she put them away.

She couldn’t remember the last time they’d spent time together. They were around each other constantly, passing by one another in this big house like complacent ghosts, dust floating in the air, fine and indifferent. For fifty-two years, Larry had loved her with a genial and gentle loyalty, offering a secure life in a well-built home and one winter vacation to a warm place each year. There were Christmases that boasted abundance, and a tolerable group of friends who didn’t enjoy gossip. “You’re beautiful, you know that?” Larry said to Alice so often that it lost its meaning entirely, mostly falling on her ears as sarcasm. As far as she knew, Larry never had eyes for another woman. (But how could she know, really? How could anyone really know the inner workings of another’s mind?) He was a stern but joyful and involved father at a time when that simply wasn’t expected of men. And she credited the two of them, and only the two of them, for raising four well-loved children into four well-loved and stable adults. What more could a woman want? she had asked herself so many nights that it had become a type of prayer, lying awake with eyes closed, sometimes clasping her hands over her mouth so that only the faintest whimper emanated from somewhere deep inside her.

“What are you reading?” she asked, approaching the study, dish towel in hand. Larry wore a collared shirt like the ones he had donned every day at the university for forty years, but now with sweatpants and a blanket draped over his knees. The walker was standing a few feet away against the wall. 

Larry looked brightly at her then lifted the book up just enough to display the cover: THE GERMANS.

“Fun.”

He shrugged.

When did he get so old looking? For years, the Parkinson’s had come on slowly, gas-lightingly slow. Had he been tripping a lot lately? she’d wondered for two whole years before voicing the question to him out loud. It took seventeen doctor’s visits — she’d tallied them up once — to get a definitive diagnosis, and when it finally came, what befell them was a cartoonish combination of relief and devastation, like they’d found a life raft in a rushing river just before getting hurtled over a waterfall. 

For a while, they were able to pretend the disease wasn’t there, that he was just clumsy and stumbled a lot, but then came the undeniable tremors and the stiffened movements and the hunched posture of a forever-straight-backed man, the sometimes-slurred speech and, probably the most horrific for Larry, the difficulty writing.

“You doing anything today?” Alice asked, her attention turned toward the paint peeling on the door frame.

“This is it, baby. And I need to go to Verizon later.”

Larry and his phones. She’d seen more smashed phones in the last three years than she had otherwise seen in her lifetime. They were constantly being flung from his body because of the tremors, the imbalance, the falls. Poor Larry.

“Okay, well I’m going to go out for a bit.”

“You just got back.”

“I thought I’d go visit Marie for a little while.”

She drove until the pavement turned to dirt, pulling into the river viewpoint beside a lone truck idling. She hadn’t been down here for years, decades. It was the place she’d come when the kids were small, usually on the weekends when Larry was home, and, just for a few minutes, sit perfectly still and think of nothing.

She lit another cigarette from the pack, pressed the window button on the door. A man came walking up the path. He was young, maybe mid-forties. He lifted his fishing rod and tackle box as a Hello

“How ya doin’,” he said while passing the car. He looked familiar; probably had been in school with one of the kids.

“Catch anything?” Alice asked reflexively.

“Nah, nothing worth taking home today.” He opened the truck’s tailgate. “Those things’ll kill ya, ya know.” 

She examined the cigarette smoldering between her fingertips. Fucking punk.

“Promise?!” she yelped, her voice cracking just as the tailgate smacked shut, jolting three crows from a branch above it.

Alice watched the truck leave in her rearview, taking in a long defiant drag as it went. Then she coughed it all out — too much.

At the senior living center, the doors pulled open and she was met with a firewall of warm putrid air, that combination of urine and disinfectant and a meal of mush being cooked somewhere. 

Last year, Alice came home from the grocery store to find Larry splayed out on the bedroom floor. “Just send me to a nursing home,” he said in the doctor’s office an hour later, wincing in pain as they waited for X-ray results that would display a cracked rib and a fractured ankle. “You can’t handle this all on your own.”

“I’m not sending you to a nursing home,” she said flatly.

She’d never admit it, but this had been a consideration among the many questions that bombarded her after the diagnosis, like, How was she going to take care of a man who had a ninety pounds and over a foot on her? But then she thought about Larry sitting there, reading his big scholarly books among those smells of human waste and it made her feel like she was going to explode. “I’ll take care of you as long as I can, and then, I don’t know.” She paused. “When I can’t, hopefully we both fall and crack our heads open on the same day, same time, and we’ll die right there in the house and be done with it. The kids can deal with the mess. They owe us that much.” She knew this would give Larry a good laugh, which would allow him an excuse to swipe the tears that had been pooling at the ridges of his eyes, and it did.

“I’m here to see Marie Cunningham,” Alice was telling the receptionist, a young thing with crispy yellow hair pulled tightly back. She was watching a video on her phone. “Is she having lunch? I can just pop into the dining area.”

“Let me check,” the woman said, bored, picking up the landline and talking so low that Alice couldn’t decipher a word. Or was she going deaf?

“Yeah, Marie isn’t having a great day,” she said, hanging up. “Unfortunately, you’ll have to come back tomorrow.”

“Oh, I don’t mind if she’s having a bad day. I can just —”

“Right, well, you might not mind, but Marie would probably mind.”

Alice had known Marie since their sons became friends in kindergarten. She was easy to talk to and had a quick, scathing wit — never would Alice have said some of the things that came out of her mouth. When she was with Marie, she often found herself laughing in a way that sounded devilish to her own ears.

Marie began showing signs of Alzheimer’s a few years ago. That’s what her husband said anyway when he began looking into nursing homes last winter. Alice always got the sense that Marie’s boldness infuriated him, and more than once Marie canceled their plans because “Bob was being Bob,” which, back then, could have been woman code for just about anything. When Marie had a hip replacement six months ago, she was admitted to the senior living center for her rehabilitation period. Then the rehab ended but Marie stayed. 

This wasn’t the first time she’d come to visit Marie and was sent away. The last time was a month ago. As she was leaving that day she saw Marie down the hallway, screaming and punching at the air as a nurse dodged blows trying to restrain her. It felt like catching a glimpse of herself. Alice couldn’t eat or sleep for days after that. 

The receptionist had returned to the video on her phone. There was another smartphone sitting on the ledge of the desk. Alice scanned the room then slipped the phone from the counter into her purse. 

“Okay, well, thanks anyway,” Alice turned toward the door.

“Mind putting that back where it was?” she then heard.

“Sorry?”

“My colleague’s phone.”

Alice’s heart plunged. “Oh! I’m so sorry, I thought it was mine!”

The woman’s eyes stayed on the screen. “Mmhmm. You’d be surprised how often that happens around here.”

Alice nearly threw the phone at the woman before wobbling out the door, woozy and overcome by shame. What was she doing? But, upon exiting, the swell of humiliation lifted and was replaced by something else — something equally disorienting. She wanted to drop to her knees right there on the pavement, thank God for the sun on her skin and that fresh autumn air coursing through her lungs. 

She didn’t want to go home. All that was left for her to do was clean some more. There was always cleaning to do — and then of course the yard work, the basement that needed gutting, the painting, both inside and out. The house had been for years in a state of degenerative disrepair that Alice and Larry couldn’t get ahead of.

The sun was high. She pulled down the visor, took a right onto the main road, merged onto a clear Route 12. It was a Wednesday; kids were in school, adults at work. Retirement had placed Alice in an alternate realm that most people sought their whole lives. She never related to those aspirations of retirement. “Only ten years left!” she often heard friends say when they were in their fifties. She had always cringed at the declaration.

She’d stayed home for more than a decade to take care of the house and the kids, but once she started working, she never wanted it to end, first as a part-time secretary for a local construction company then full-time as their bookkeeper. She loved ironing her clothing each morning and getting into the office early to have the whole place ready to go by the time the bosses arrived. She was good at the job, using the same skills that kept her home running smoothly, and stayed at the company for thirty years until the owner retired and sold the business. After that, she bounced around town doing similar work but was never able to find the stability she had that first time around. The job opportunities eventually dried up as outsourcing and computer programs erased the need for her at all. Retirement arrived unceremoniously when she simply couldn’t find any more work.

She pushed open the door at Verizon and the bell offered up a polite ding. Alice grazed her hands over the phones on the shelf, all bright lines and hypnotic matrices. Larry always insisted on buying the oldest, most neglected iPhone kicking around the back of the store, knowing it would soon meet its demise anyway. 

“Can I help you, ma’am?” a man called from behind the counter. 

“Just looking for a new phone for my husband. He broke his screen.”

“Okay, do you have his phone with you?”

“Oh, no —”

“Well, it’d be a lot easier if you had the old one so we could transfer the data.”

“Oh, we’ve bought one — well, a bunch — here before, without the old one.”

“Yes, you can do that, but —”

“Great, then let’s do that.”

She showed him the phone she wanted, the one tucked in the corner, far away from any sort of display. 

“A lot of apps don’t work on this phone anymore because the software is so old.”

She and Larry knew this by now. They were too old for apps. Larry only wanted a smartphone so he could video call with the grandkids. Still, “Then why sell it?” she asked.

The man shrugged, then, perplexingly, walked away. 

The carpet in the store was faded, and she was sure she could smell it — those industrial chemical fibers soaked in the dirt and grime and shit from the bottom of a thousand different shoes. And again with the lights. So unnaturally effulgent, bringing her body back to Wallace Apothecary, the drugstore now long gone that Alice had frequented as a child, armed with her mother’s prescriptions. She always had to crane her neck to speak to the pharmacist standing on the platform behind the counter and in front of the rows and rows of drugs, like he was some kind of god. Or lord. A drug lord.

Alice was a senior in high school when her mother died of complications from multiple sclerosis. At the end, she was paralyzed and prescribed experimental medication as a last-ditch effort. Alice was convinced the pills were only killing her faster. Still, she obediently doled them out to her, never missing a day.

Alice held the old new phone in her hand. It wasn’t connected to the shelf with a wire like the others. Perhaps not worth the price of the cable to keep it tied down. For the second time today, she dropped a phone that wasn’t hers into her purse. This time, no one saw her. She left the store, the bell delivering another civilized chime behind her. 

Larry had moved to the couch by the time she returned. A glass of lemonade sat on the coffee table alongside a plate of peanuts and a bunch of grapes. She pictured his journey from there to the refrigerator and back again, using the walls and furniture to steady himself. 

“You look like you’re holding on for dear life,” Alice had said yesterday when he refused to use his walker for a similar perilous journey to the kitchen. Larry didn’t respond, hadn’t seemed to hear her at all as his big hands clutched the back of the sofa, then the corner wall. But later that evening, as they ate steak tips at opposite ends of the table, he said, “Don’t ever talk to me like that again,” in a tone that scared and shocked and shamed her all at once.

“I’m sorry,” she said into her plate, and she meant it.

“I could have gotten you that,” she was saying now, pointing her chin to the snacks. He waved her away. Then she said, “Got you a phone.”

He took it from her, examined it. The sight of him holding it sent a fresh thrill up her arms.

“Where’s the box?”

“The kid said he couldn’t find it. He said just take it as is.”

This seemed to satisfy Larry. 

Alice stood there for a while, watching Larry’s big hands crack open the peanut shells. He did this sometimes — allowed her to bear witness to his mundane tasks, like she was his audience in the theater production of his life. 

When she heard the knock on the front door, she thought it was another bird that flew into the kitchen window. It happened just last week — a sparrow torpedoed full throttle into the large pane when Alice was cooking at the stove. She was startled to see the bird’s guts on the other side of the glass and the poor thing lying stunned on the dirt below. 

When she heard another knock, this time three quick raps, she went to the door.

It was Don Sullivan. He was friends with Greg in high school and would often stay over at the house when they had early football practice. He used to be a scrawny thing but now here he was on her doorstep, all shoulders and biceps. My god how these kids grew up. 

“Hi, Donnie,” Alice said, pulling the door wide. The cops were always stopping by to talk to Larry; he’d been a selectman in town for years. “Larry’s in the other room. Come in, let me get you something to drink.” 

She heard Larry on the sofa, fists to cushions as he pushed himself to his feet, then listened for his hand to reach the chair then the corner wall, then — 

“No, thank you, Mrs. Parker. I actually needed to come by to ask you some questions.”

Despite a day of theft, she hadn’t thought for a single moment, hadn’t a single sweep of dread, that this boy, with his cruiser in the driveway, was there to speak to her. 

Now, she reached for the molding of the doorframe to steady herself.

“Mrs. Parker, Verizon called in a theft —” Donnie was saying as Larry appeared around the corner.

“Oh, hi, Mr. Parker.”

“Donnie, how you doing,” he said, planting his feet and reaching out a hand. Donnie shook it. “Why don’t you come in?”

“Oh, actually Mr. Parker, I was just telling Mrs. Parker —” 

“What do you need from me, Donnie? To come to the station?”

“That’d be great,” he said, relieved. 

“I’ll follow you there,” she said, refusing to acknowledge Larry’s stare bearing into her temple.

For a short time as a child, Alice had a pet bunny that she took everywhere she went. One day she was at the neighbor’s house playing hopscotch with one of the girls on the front walk. The bunny sat nearby, a puff of marshmallow in the warm summer sun. Alice was hopping from number 8 to 9 just as the girl’s brother came barreling out the front door, taking a flying leap from the top step, sailing through the air before landing directly on the lump of marshmallow below.

Alice ran home wailing, but all her mother did was shush her. “Get yourself together. Life isn’t fair,” she said, gesturing to the wheelchair in which she sat. “You better get used to it.” 

She had no idea why she was thinking about that bunny while following Donnie in her car to the police station — she hadn’t thought about it for decades — but the thoughts were spiraling and bursting and soon she was punching at the steering wheel, the air, screaming to the heavens for that little creature, and for her nine-year-old self, who had been forced to swallow down the anguish of having watched that creature die such a brutal death.

“You can sit Mrs. Parker,” Donnie said to her. She was standing in the door frame of the station, scanning the cement walls and the yellowed linoleum floor. Donnie’s desk was made of the same brown metal as old filing cabinets. On it sat a small, framed photo of a basset hound.

What had gotten into her? Stealing? Not once in her life had she ever even considered stealing, and now here she was at four o’clock on a Wednesday, seventy-seven years old, arrested — arrested! 

“Am I being arrested?” she asked as Donnie rifled through his desk drawer. 

Donnie said the Verizon manager sent him security footage of her visit to the store this afternoon. “Do you think that was you in the video, Mrs. Parker?” he asked, standing upright. 

She cleared her throat. “Yes, most likely.”

Donnie led her to a small room. “We’ll need to get your fingerprints.” 

He pulled on latex gloves and reached for her hand, weeding out her thumb and pressing it down on the scanner. They watched the green light crawl left to right under the glass. He did that again and again, his fingers momentarily intertwining with hers. 

Later, she stood in front of a gray wall; the ropes of fluorescent light seemed to sing above her. The camera flashed and then she heard, “Okay, now we need a profile shot.” 

She turned, and another flash came.

“Okay, and now Mrs. Parker, I don’t usually do re-dos, but let’s do the front-facing again. It’s recommended not to smile in these photos.”

Donnie talked to Alice for a while and she signed some things. Then she was alone in the office, ankles crossed, running her finger along a ridge of the white wall. It had been so shocking, how the bunny went from living to dead in such an instant, from pure white to a splattered blazing red. 

“Now that’s a hardened criminal right there,” she heard. Larry was in the doorframe, leaning hard on his crutches.

“Can I go?”

“You’re a free woman, Alice Miriam Parker — though you’re not allowed to set foot in a Verizon again.”

She stood quickly and smoothed her coat. It was too warm for such a mild day and she should have restitched the pocket. It was her mother’s, though — the butterfly brooch on the lapel too — and she always looked forward to wearing it once the weather turned.

Larry held an arm wide, his crutch dangling from his forearm. She walked toward him, buried her face into his torso.

“Let’s go.”

At the car, he opened her door, then threw the crutches in the trunk without care or regard, opened the passenger side door and sat. “Where’s your car?” she asked from the driver’s side, turning the key in the ignition halfway. The interior lights blinked on.

“Over there. I’ll get it in a minute. I just want to be with you.”

She held the steering wheel at ten and two and looked at him. “Why?”

“A man can’t sit with his wife?”

So they sat for a while like that, the car between stop and go, the warning chime singing softly.

When Larry reached for Alice’s shoulder, he saw the pack of cigarettes sitting in the center console.

“Since when do you smoke?” he asked, reaching for the pack. 

“Since today, I guess.”

Then Larry laughed, a loud rugged laugh that sounded like he was at the bottom of a barrel, a laugh so true that there was no controlling it. It had taken over. He laughed until he was wiping tears away and she was laughing too, laughing at his laughing, and her laugh made him laugh some more, the sound ping-ponging inside the car like atoms bouncing around in space.

When they were both drained empty, Larry gave the pack three quick taps on the meat of his palm like a professional.

He searched the glove compartment, cracked the window. Alice watched him hold a cigarette between his lips as the lighter let out a quick spit of metal on metal, the flame dancing until it found the end of the roll and he inhaled and held it for a while before releasing a slender plume of smoke from his mouth.

“Ah, the ol’ vice,” he said.

Then he turned toward her, holding the thing upright, the smoke writhing then dissipating into the air. Here and then gone. Here and then gone. She reached for the cigarette and placed it between her lips and watched her husband watching her, the light of the day’s end streaking through the windshield, illuminating both their faces.

An illustration of a honeybee painted in warm orange and yellow tones against a black circular background.

Bonus audio of Mikaela reading from her story…

about the author:

Mikaela Conley is a journalist and writer based in Berlin. Her journalism appears in Wired, The Guardian, The Los Angeles Times, and many other publications. Her creative writing can be found in The Forge Literary Magazine, The Boston Globe, and elsewhere. She has a master’s in journalism from Columbia University, grew up in rural New Hampshire and is currently working on a novel about friendship and grief.

Categories
short fiction

A Boy Who Thinks Quite a Deal by David Hutto

A Boy Who Thinks Quite a Deal | David Hutto

Ma gave me a piece of lemon pie, then said, “You can’t stay here and get a bomb on your head.”

What if she got a bomb on her head? If I couldn’t stay in Liverpool, why was she staying? She just said, “You have to go until the war is over. It probably won’t take long.”

“There aren’t any bombs where we live.”

“The Germans don’t know where you live. Anyway, Mr. Churchill said the children need to leave the cities.”

“Why aren’t you coming?” I asked.

“Somebody has to work. The men are going off to war.”

“I could be the man of the house.”

“That’s not a job for eight-year-old boys,” Ma said. “You have to be ten for that.”

Da went to the army, and sometimes he wrote letters. Ma would read me the parts he wrote for me, but I missed Da. Before he went in the army, Da worked for the BBC on the radio every day. Two times when I was home sick from school I heard him. He was talking about adult stuff, but even if it was boring, I still liked hearing me Da on the radio. The best thing was when he would talk to me after work.

“We learned kinds of trees in Norway,” I told Da one day.

“Did you? And what kinds of trees grow in Norway?”

“Oak trees, like here, and birch and spruce. Maybe ash. I’m not sure if that’s a tree. I don’t remember all of them.”

“That’s a lot to know,” Da said. “Maybe I should start studying to keep up. If I need to know Norwegian trees, I’ll have to ask you.”

I especially liked when Da would read me stories. Me favorite book was The Leprechaun’s Album of Lively Tales, because it had stories like the one about the brown hen tricking the fox or the one with the seven dogs and the seven thieves.

Then I got sent to live in the country with me grandma, Nanna Evans. I used to like Nanna Evans’ house when we went to visit sometimes, but it felt different after I had to go live there. Ma brought me right after school, so instead of playing all summer with me bezzies Julian and Ralph, I just had the toys Ma let me bring, a train set and a box of toy soldiers Da gave me and a ball. There weren’t any kids around except the cook’s little girl Amelia. Amelia was only four and she was a girl.

The day Ma brought me on the train, Nanna Evans picked us up in her car and we drove to her house. We were having tea, and she said, “Well, Archie, I hope you’ll enjoy a little time here. It’ll be like a summer vacation. Aren’t you in the third year of school now?”

“Yes ma’am,” I said.

“I hope you’re studying hard and learning.”

“He does well,” Ma said. “He’s got a hard head, but it has things in it.”

“I know the names of some countries in South America,” I told Nanna Evans.

“Good for you, Archie. I suppose Brazil is one of them. Would you like some more peas?”

“No, ma’am.” 

Ma only stayed two days and then left. Nanna Evans knew I was sad, and she said, “Why don’t I take you to see the horse who’s staying here. We didn’t have a horse when you were here before.” We walked to the pasture, and I saw a gray horse who Nanna Evans said was named Napoleon. When the horse saw us, he came to the edge of the fence and nodded his head up and down and Nanna Evans gave him a piece of apple.

I said, “Are you afraid he’ll bite you?”

“No, he’s a tame old horse.” Then she petted him on the nose.

Elizabeth Evans to her friend Hetty Bevan:

Just as I wrote before, Jennie brought my grandson Archie to live with me until the war is over. I’ve asked Wendell, the dairyman, to deliver extra milk while the boy is here, and Wendell agreed that he’ll exchange the milk for apples from our trees. Archie is a pleasant boy, well mannered, and Jennie deserves credit for that, more than her husband, as far as I’m concerned. The boy speaks with that unfortunate Scouse accent, but a proper education can take care of that. I know Archie is sad to be here, and I can’t say I blame him. I myself would not like being uprooted from living here in Lindenchapel. If anyone is to blame, of course, it’s Mr. Hitler.

A week after Ma left, I saw a bush with white flowers, and a lot of petals fell on the ground. The petals looked like snow, like it was winter with snow everywhere. I started to think about polar bears and what if I was hunting them? Then I found some polar bear tracks and followed them to the big ice wall behind the house where the polar bear lived. Polar bears can be dangerous, so I didn’t get too close.

“What are you doing?”

I turned around and the girl Amelia was standing in the yard.

“I’m playing,” I said.

“You want to play having tea?”

Who would want to play having tea? “No,” I said. “I’m chocker.”

“What is that?”

She didn’t even know how to talk to Liverpool people. “Chocker is busy. I’m hunting a bear.”

“OK, I’ll hunt a bear, too,” Amelia said.

“Little girls can’t hunt bears,” I said. “It’s too dangerous.”

She looked like she might cry and said, “Jesus says to be nice to everybody, so you have to let me hunt a bear.”

I didn’t want her to start crying because I might get in trouble, so I said, “OK, the bear’s behind that ice.”

“I don’t see any ice.”

“Right there,” I said.

“That’s a fence.”

“No, it’s an ice wall.”

“Oh,” Amelia said, “pretend ice.”

But the polar bear had already left, because it knew little girls aren’t supposed to hunt them. In a few minutes we gave up. I couldn’t play with Amelia. She was too little.

One day Nanna Evans asked if I like to read, and I said I do. She took me to Granddad’s old room and said maybe I could find a book I liked in there. There was a big desk with a lamp and an old radio on it, and a bookcase with a lot of books. “You can come in here whenever you want and look at the books,” Nanna Evans told me.

I was in there a long time looking at Granddad’s books, but the only book I liked was one that had photographs of other countries, like a desert with snakes and some place with a lot of people dancing with big things on their heads. I wished I had more books that told stories or had adventures. Something I liked in that room was a picture on the wall of Ma when she was a girl. It was really strange to think the girl in that picture was me Ma. I kept looking at the picture, and then I think the girl winked at me and she said, “Someday you’ll be me little boy.”

Elizabeth Evans to her friend Hetty Bevan:

You remember the lower pasture where we used to have those two bulls Walter finally sold, that he didn’t get a proper price for because he waited too long. Water under the bridge. In any case, we have an old horse in that pasture now, from one of my neighbors, the one who used to be the chemist here in Lindenchapel. He’s left to join a medical corps, and while he’s gone, he’s paying me to keep the horse,  which belonged to his father. I’ve had the vet take a look at the animal, and he says the poor thing is on its final legs. If the war does not end soon, I’m afraid my neighbor will come home to find his horse gone. For now I’m glad to have the beast here, as I think it cheers Archie up to see it, but he’s going to need more cheering than he’ll get from one old horse. When we were leaving the horse, Archie said “ta ra” so I had to tell him we are not in Liverpool, and please learn to say goodbye properly.

After Nanna Evans showed me the horse, I went to see it sometimes. Napoleon is really old, and Nanna Evans let me take an apple to give him. I was a little bit afraid, but I was pretty brave, and I gave him apples. One day I figured Napoleon must be so old he came from King Arthur days, because the knights back then rode horses like that. The next day when I went to see him, I was thinking he used to carry a King Arthur knight and they would fight dragons and monsters and maybe worse things, only I don’t know what would be worse than dragons or monsters. “Do you miss doing that?” I said and he nodded yes. “You’re probably bored without a knight to ride on you,” I said. “I bet you hate being bored.”

After I talked to Napoleon, I went back to the house to play in the garden, but I heard Amelia there. She was singing the song “Jesus Loves Me” and I know it because it was a song we used to sing in church if Ma took me, only we didn’t go to church much. When I heard Amelia, I was glad she didn’t see me, so I didn’t have to play with her. I went back to the stream, where Nanna Evans told me not to go, but I was only going to look at it just a little bit. There’s a big tree at the stream, the kind that droops down like it’s sad, and I knew that tree was where fairies live. I know a lot about fairies because I read about them, so I knew fairies live next to streams, and I was pretty sure they like big trees, even the droop-down sad kind.

When I was close to the stream, I got down low so I wouldn’t scare the fairies. The queen of the fairies sat under the droop-down tree, and servant fairies brought her some fairy food. The queen said “thank you” the way Ma says you’re supposed to when somebody gives you something, and after she ate the food, the fairies started dancing.

I liked seeing all the fairies and especially the queen, but I wished I had somebody else to play with. Even to hunt polar bears would be more fun with Julian and Ralph, because then you could say, “You go over there, and I’ll go over here and we’ll capture the polar bear in the middle.” Three of us could catch a polar bear.

Elizabeth Evans to her friend Hetty Bevan:

Archie was telling me the other day one of his little tales about leprechauns. I like to give the child a chance to play, but I wasn’t listening too closely because I was peeling apples. I do still like to bake a pie now and then. I know you, in particular, remember how I would win prizes at the fair, when they had judges who could recognize a proper pie. My new cook is willing to bake pies, but I enjoy doing it myself. Archie talked on for a few minutes while I was peeling, but I suppose the poor child realized I wasn’t paying him much attention, so he went outside. Perhaps I missed out on the leprechauns. It seems to me he is a boy who thinks quite a deal. I don’t believe Jennie was ever like that when she was a girl, always such a practical little thing. I suppose I had an easier time raising a girl who was more down to earth.

I was thinking about Ma and Da and I wished they would come and get me and then we would go home. Because I was thinking about them, I went back to Granddad’s room to see the picture of Ma when she was a girl, and I looked at it for a long time. She was smiling in that picture, and she had a bow in her hair, not like now. Ma doesn’t smile much now.

Then I looked at the radio on the desk and turned the knob. It made a crackle noise like the radio does at home when Ma turns it on. People were talking on the radio, the same kind of boring talk Ma always listens to. But in a few minutes a man said, “Hello to all the boys and girls listening out there.” He sounded like he was talking from far away. “We’re bringing you this program during the war, and every week we’ll have a different story for your enjoyment. We hope you enjoy hearing our little story.” I couldn’t believe they were going to have stories for children, and I was glad I turned on the radio. Then I heard another man start talking, and it was Da!

“Hello, boys and girls,” Da said. “I’m going to read you a story from a book called The Leprechaun’s Album of Lively Tales.” I was so happy Da had that same book from home, because I really liked that book.

“This story is called Going for a Lucky Walk. There was a woman who used to take her baby out for a stroll, and usually she would take the dog on a leash, so the dog could have a walk. When they went out for walks, the dog would notice things, like cars driving down the street or birds flying overhead. Then when the dog got home, it would talk to the cat. As we all know, cats can’t walk on a leash, so the cat couldn’t go for walks, but the cat was very curious about what was happening outside. Whenever the dog came home, the cat wanted to hear all about it. One time the dog was in a mischievous mood, so when the cat said, ‘What did you see today?’ the dog decided to torment the poor cat. ‘Oh,’ the dog said, ‘there was a parade that went by, with lots of people walking down the street, and everyone was pulling a piece of string attached to a ball of yarn. A hundred balls of yarn were bouncing up and down on the street.’ The cat thought of all those balls of yarn and how he could have been jumping at them. He was very jealous and said, ‘Oh, oh, oh, why can’t I go for walks?’ Then the dog said, ‘And when the parade passed by, a hundred parakeets came down to the street. They were so fat and lazy they could barely fly, and some were just walking on the ground.’ Then the cat was so jealous it began to meow and howl. ‘Oh, why am I stuck in the house? Why can’t I go for walks? Meow, meow!’”

It was funny to hear the story and how Da read it, how he sounded like the dog and cat. I felt really happy after I heard Da reading a story on the radio. After that time every week I would go to Granddad’s room to turn on the radio and listen to another story, like one about Kulijolli, a god from old days who lived in a cold stone house. One day Kulijolli got tired of shivering, so he made a warm spot in the house and it got so warm a fire started, and that’s where fire came from. Another story was about singing butterflies, who could sing better than anything in the world, but people couldn’t hear the butterflies, so they went to sing just for bees.

One day Nanna Evans said, “Archie, you seem to be enjoying your grandfather’s room. Are you finding interesting books in there?”

“I found the one with pictures,” I said. “But I’ve been going to listen to Da on the radio.”

“Is your father still on the radio?”

“Yes, ma’am, he tells stories for children. I listen to him reading stories.”

Elizabeth Evans to her friend Hetty Bevan:

Hetty, I have to tell you what happened this afternoon. I’ve allowed Archie to go to Walter’s old office, which hasn’t been used since he died. I thought the boy might find a book among Walter’s things that would give him some amusement, and of course I made sure to remove the things Walter never should have had to begin with that are not appropriate for a child. There’s a radio in there, and Archie told me that he’s been using it to listen to broadcasts of his father. I was so surprised that I went back to the room when Archie wasn’t there to check, and I was right, that radio has been missing its cord for years. I’m concerned about Archie, and he deserves to know what happened to his father.

One day when Da wasn’t on the radio, I went to me room where I had the toys Ma let me bring. I wanted to throw the ball, but I didn’t have anybody to throw it to, so I bounced it on the floor, except that wasn’t much fun. After that I got the box of toy soldiers Da gave me, and the soldiers fought a big battle, and I let one of the soldiers be Da. Then he said, “Next time I’m on the radio I’ll tell me little boy about how we won.”

An illustration of a honeybee painted in warm orange and yellow tones against a black circular background.

Bonus audio of David reading from his story…

about the author:
A man with gray hair wearing a blue shirt stands with a neutral expression in a bookstore filled with greenery and people in the background.

The good life is..
(1) Feeling contented with who you are, and with how you live and what you do. (2) Having a glass of wine, some chocolate, and a comfortable couch, with something you really love to read.

David Hutto’s work is forthcoming in Little Old Lady, Bookends Review, and Carmina Magazine, and has recently appeared in Southern Quill and Avalon Literary Journal.  In 2024 his work appeared in Paterson Literary Review, The Hemlock, Brussels Review, Literally Stories, Cable Street, Galway Review, Symphonies of Imagination, Mediterranean Poetry, and Mudfish. His experience as a writer includes a residency at the Vermont Studio Center in 2003, as well as writers’ retreats in Mérida, Mexico in 2024 and Dublin, Ireland in May 2025. Website: www.davidhutto.com

Categories
short fiction

Looking for a Friend by Ben Seabolt

Looking for a Friend | Ben Seabolt


“This is the end of the road.” Mr. Sharpeton pulls the red Tacoma to the side of 421 and parks in a pool of moonlight. 

“Are you fucking kidding?” Sam Humbert asks.

“This is the end of the road, for me.” The sign to exit into Yadkinville, North Carolina sits about 70 yards ahead of them. 

Sam pulls on his cigarette and blows the smoke across the dashboard. His scraggly brown hair falls into his eyes but he does not flinch to move it. “Not even halfway, huh?” 

“I’m done. I think if I keep going I’ll go crazy.” Mr. Sharpeton sits straight, his well-ironed flannel shirt and oiled beard collecting remnants of Sam’s last exhale. His eyes follow the few cars passing by. 

“You know what, old man? You’re already crazy. You’ve got your priorities turned all the way around.” 

“He’s your friend, Sam.”

“He’s your son, Jack.” The informal first name falls between them like a ship washed onto shore. Neither can row it back out. 

“Why don’t you just get out of the car, Sam?”

Sam opens the car door and leaves it ajar. He stands dangerously close to the right lane. “I don’t know what to take from this. You don’t care or you have no hope?” His gaze settles onto Mr. Sharpeton’s flickering eyelashes, now aimed towards a gold pendant of the Mother Mary swinging from the rearview mirror. “Or, no, hold on, I know: You’re hoping this time he really is gone. Your hands are washed from it and now you can soak in the celebrity of a humble, mourning father. I’m sure Mrs. Sharpeton would love to share that spotlight with you. Maybe you can even get your photo taken in the Watauga Democrat.” 

Sam continues to gaze into Mr. Sharpeton’s face. For the first time in a week, he can read the sadness etched into the crevices, between the wrinkles accumulated in the mountain wind and the dimples in his forehead formed by a lifetime of bewilderment. Mr. Sharpeton is silent, still looking forward, but oncoming headlights catch the tears rolling down his cheeks. Sam closes the door and walks on down the road to a Motel 6, briefcase jumping against his leg, his heart carved out and left for the foxes and deer along the highway. 

* * *

In the motel room, Sam sets his briefcase on the desk. His hands shake. Sweat seeping from his palms runs down along his fingers, wetting the paper of a Marlboro Menthol as he lights it. The fingers of his left hand trace the figures of fat-bellied, stout-faced little angels, like those found in Renaissance oil paintings, carved along the edges of the briefcase’s leather. He looks out into the empty parking lot and watches the summer condensation fog across the window. Across the street, a blinking neon bar sign advertises bottomless beer, and Sam feels the desolation settling into his bones. 

Of course, this is all inevitable. A week at the Sharpeton’s farm in the West Jefferson hills, scouring letters, text messages, Tweets, bank statements, and pure intuition to locate their son, David, and all Sam got was a whirlwind of distraction. Mr. Sharpeton ran in circles putting Sam to work on the land and Mrs. Sharpeton laughed and watched and called him ‘our favorite donkey’ like they’re some backwater 19th century homestead and not the quiet recluse of wealthy retirees. He knows this family, has been through this exact scenario with them before. It all led, like blood channeled to an open wound, to tonight’s abandonment. There wasn’t anywhere else it could have gone. 

Starting almost a decade ago in his early twenties, David Sharpeton has disappeared five times, cell phone tossed along some interstate, whatever apartment he’s living in ran through for supplies, robbed by its tenant. Sam has found him each time, in New Mexico slouched over a slots game in a casino chair, in an Illinois motel among endless rows of corn, in a West Virginia parking lot between disused smoke stacks, in a New Jersey club under strobing lights, and in a tent by a creek about ten miles from his parents’ North Carolina farm. Alone or surrounded by strangers with leering faces, Sam found David with his own face unrecognizably stretched, his high cheekbones more prominent, his speech pulled into long, dreamy ramblings that seemed to mimic the distances he traveled. “Come home. Your parents think you’re dead,” Sam pleaded, to which David obliged, every time, with a signature smirk under bright eyes searching the horizon and its promises. 

“Okay, buddy. It’s time for my resurrection,” David would say.

Each search started around the Sharpeton dinner table, clues piling up in printed out text messages and scribbled notes of conversations passed over weeks before, Sam at the helm like some degraded captain. Mr. Sharpeton at Sam’s right hand side, Mrs. Sharpeton scurrying about with biscuits and coffee. On the wall, at the dining room’s center, a printed photograph of a sun-flecked cloud bursting through with what Mrs. Sharpeton swears is the image of a pregnant Mother Mary walking the desert. Mr. Sharpeton and Sam would talk through their clues, Sam’s Raleigh Police Department badge, Detective #4679, buried in his luggage upstairs. He came to their table as a friend and a friend only. Mrs. Sharpeton would nod along, her eyes darting from the photograph and back to the table as if trapped sunlight burst from the photo’s surface and guided the three of them from clue to clue. 

And at each investigation’s conclusion, with a decision made on where to begin the search for David, Mr. Sharpeton would unlock the liquor cabinet at their feet, pour three glasses of whiskey, hand them around, and wait for his wife’s closing statement. And Mrs. Sharpeton would commence, draining her glass of whiskey and beginning in a whisper: “Oh Lord, our son is lost in this world. There’s a job to do here, in these hills, and he’s lost in this world.” And her voice would rise: “It is important to be rooted. To find your piece of Earth that grounds your journey to Heaven. We’ve kept him close. We’ve checked on him, helped him with money when he runs out. We’ve turned away people who have come to our door looking for him, these strangers looking to take something from him. These same people he runs off with. Beggars, opportunists who use people because they have nothing of their own to offer. And when you have nothing to offer you have nowhere to be. You’re unrooted because you’re rootless. Wild-eyed people. But Sam, you’re David’s oldest friend, the only one that’s stuck around through it all. You see straight. You’re good police and good people. I know you can bring him home. Show him he’s still worth something in this world.” 

And she would finish, and Sam would drain his glass of whiskey, his head fuzzing with the familiar lick of calm preceding chaos. He would take Mrs. Sharpeton’s hand and imagine David marching along some interstate, maybe blasted drunk, maybe limping from some heroic leap from a moving freight train car, and yet maybe altogether weightless and unburdened. And he would gather the clues compiled around the table into a folder and prepare to head out on the search. 

This time, however, there were no real clues, save for one, hidden in Sam’s briefcase, unnamed and unmentioned. A letter, sent by David right before his latest disappearance, sealed with a wax emblem of a coffin, the envelope scrawled across with the words He not busy being born is busy dying. Sam kept this letter from them. He read it, hid it away, and simply waited for the Sharpeton’s call that David had run off again, which they usually discovered through a landlord asking them where their son was and why he had not paid the month’s rent. Other than that, David had been silent for months.

This time, as Mr. Sharpeton concluded their deliberation in the dim evening light around the dinner table, Sam found it impossible to look into his eyes: “What we know: his car is still here. Okay. My guess, he must have hopped the freight trains to Raleigh and then taken the Amtrak to Baltimore. He’s got some friends up there in Maryland. Yeah, I’ve heard him mention Maryland.” 

There is a finality to Mr. Sharpeton’s words, always tinged with command. Sam was to take the Amtrak from Raleigh to Baltimore and ask around with the workers if they had seen David within the past week and a half. If not, the search was to begin in Baltimore. So, Mrs. Sharpeton kissed both of them goodbye in her nightgown and Sam and Mr. Sharpeton started the drive to Raleigh, about three hours east into the downward Piedmont hills. Sam’s visit lasted exactly a week, too clean and perfect to be an organic period of decision-making. As Mrs. Sharpeton said goodbye in the buzzing darkness of the driveway, she laughed and clutched Sam’s wrist as if to say You know David is just crazy. He’ll be back.

And yet, the show of giving up 130 miles from the Amtrak station and turning around to sit on the porch and sulk? Like it’s smeared into their DNA, this cycle of disappearance and miraculous reappearance? The Sharpetons hadn’t given up on David, they had given in. 

Sam unlatches his briefcase atop the motel desk and checks the contents. Four wool shirts, two pair of slacks, seven pair of underwear (only three beginning to rip), four pair of wool socks (only two beginning to rip), a copy of Marilynne Robinson’s Housekeeping marked in sloppy red ink, a polaroid photograph of David squinting and pointing his tongue out over a bonfire, David’s letter screaming its silent scream. And tucked inside a zipper compartment, Sam’s detective badge and cell phone. His cellphone is awash in missed calls from the precinct and his partner, Detective Sonia Gonzalez. 

He closes his briefcase, returns his motel key, and heads out onto the dark highway. At about three a.m., a young woman picks him up along a soybean farm and takes him the rest of the way to the Raleigh train station. He sleeps intermittently on the drive, dreaming, or just floating in pools of memory, of David and him pitching a tent under a great grey oak tree on the night of their college graduation, huddled together against the screaming wind. In the dream, Sam wakes up in the morning and finds David standing shirtless in the clearing beyond the tent, his back opening in gashes under his shoulder blades. Wings, beautiful blue wings, feathers brushing out along the bottom, in the earliest stages of development, poke out. The light through the spring leaves makes them look spotted. In the car, Sam just sleeps and grumbles with his head leaning against the window. The young woman glances over at him and pulls his jacket to blanket his arms, soft with pity. 

* * *

Raleigh Union Station is all glass brimming in the morning light. Crowds murmur about the landing doors and wait in rows of brown, leather-stitched chairs like schoolchildren. Sam adjusts his wire-rimmed glasses and straightens his jacket’s corduroy collar before the ticket attendant. He flashes his badge.

The attendant is young, college-aged and baggy-eyed, headphones hanging from her shirt collar, but lacks all the pliance of youth.

“What is this?” she asks.

“Raleigh Police Department. I’m conducting an investigation into the whereabouts of a missing person. If you could look up to see if their identification was logged in the system within the past ten days.”

The attendant is calm, smirking and glancing at the waiting bodies in line behind Sam. “You have a warrant?”

“I have reason to believe this person came through Union Station and bought a ticket.” Sam shuffles on his feet. 

“I have reason to believe I can’t help you.”

“Is there a supervisor I can speak to? I -” Sam’s phone rings. Gonzalez is calling. “Oh, for Christ’s sake,” he mutters as he steps out of line with a smile to the attendant. He picks up the call.

“Sam, where the hell are you?” Her words sputter out at once.

“Sonia, I told you, I’m helping a friend.”

“Well, you’re losing one here.”

“It’s only been a week, Sonia.”

“There was a fucking body found in the Neuse River on Thursday, wrists and arms all bruised up. An old man.” Sam can see her feet wedged into the carpet and her right hand hovering above the white cactus she keeps on her desk. The photograph she keeps of her and her ex-husband sweating under the Outer Banks sun is face-down, still not removed. 

“And they’ve got the best investigator in the Carolinas on the case.” 

“You can’t just leave. The lieutenants are all over me about this. The god damn mayor came to my office – my office! – to ask me if you’re emotional, if you’re drinking. Like a fucking toddler. You know what they would do to me if I tried this? ” She pauses for an endless breath. “I am not going to be here to clean this up for you anymore. I am not your mother.”

“Sonia, it’s David again.”

The other end of the line is quiet with a body releasing its anger. 

“Something tells me this time he’s gone for good,” Sam breathes, almost in relief.

“Where are you following him to this time?” 

“I’m heading to Baltimore on the Amtrak.”

“Baltimore? Why not drive?” Sam sees her leaning over her mahogany oak desk, her voice dimming into worry.

“I just spent a week getting nowhere with his parents. His father suggested this.”

“And?”

“And I need to make good on a promise.” Sam looks up from the floor and checks the departure times. 

Sonia laughs and clucks her tongue. Sam can feel the hot breath through the icy glass of the phone. “When will you realize you don’t owe them anymore? Never did.”

Sam is silent, watching the rows of chairs empty.

“You’ll find him, Sam,” Sonia says.

* * *

Sam settles into a window seat and watches oak, pine, and hickory forests blur into a dank stew. The air conditioner drones and the windows spray with rain, refracting the passing forests in centerless dots of green and gray. A house falling in on itself appears to be opening its  eyes to the bleak sky. A couple behind him argues about loyalty, accusing one another of heinous misunderstandings, of watching life fall down around them and doing nothing. There are businessmen in their smart suits, families with small children climbing about the seats, and those as alone as he is, shooting across the Earth’s curved edge into some unknowable oblivion. 

Sam orders a vodka tonic at the bar and shakes as the liquid pours down his throat. He asks every passing train worker about David, showing pictures of him beaming under blue eyes and curly hair pulled back in a headband. The workers shake their heads and say “No, I’m sorry,” but they really mean he passed through going somewhere unreachable. He orders more vodka tonics. One. Three. Five. Six. His brain soaks, his chest opens, and his vision warbles around the edges. He begins asking fellow travelers in the car about David, and then moving about to other cars, searching, searching endlessly for a single set of eyes to glaze him over with recognition. Families huddle about each other and a businessman wearing a straight face warns to leave him alone, throwing his hand up as Sam approaches. 

Sam returns to his seat and slumps into the leather. The rain hits harder against the glass. The train drones along the tracks. Somewhere in central Virginia, it comes to a halt above a river thick with mud. The passengers murmur and the intercom cuts in with a reassuring voice: “We are experiencing some difficulties with the track. Our conductors are working on it now and the journey should resume within the hour. Please remain seated and let our Amtrak staff know if there is anything you need.” 

The windows fill with faces peering around the edge to see the problem, but it remains out of sight. Sam unlatches his briefcase and retrieves David’s letter, smirking at the loose handwriting scrawled across the envelope in frenzied impatience. His breath catches as he opens it:

Sam, my brother,

There is so much to tell you, to ease your worry. But I know you will come looking for me, that my parents will set you on the task. But I want you to remember something. Do you remember? That night on King’s Mountain. We left the saloon, all those people looking to me for the next action, all of our friends. We set out under the moon, just us two, and climbed the hill until we found an empty vacation cabin. It was quiet, there were astrid gardens and spruce trees lining the front of the house, hiding it. But nothing can hide from us. Do you remember? You picked the lock. Don’t pretend you weren’t a willing adventurer that night. It was fall, but inside it was warm, as if the owners had just left that night. We lit the fireplace and huddled around, casting our hopes for the future into the flames. You wanted to be a detective and I couldn’t believe it. My best friend, a cop, like a badge and a gun could cover over what you really are? You said you wanted to help people, to find those who have gone missing. You said the world is full of energy that pulls each of us into our own oblivion, and that if you could just access that energy, anyone can be pulled out, back into the world of daylight again. And I just couldn’t believe it. My best friend, a cop? And you asked me what I wanted to do or be, and I said nothing. I didn’t have an answer and I still don’t.

We drank bottles of wine left in the cabin pantry. It was tart – expensive, I bet. We raved and raved until the black hills around seemed to move about with us. Do you remember? There was so much hope. You were going to graduate and move to Raleigh a man – a man in this world! I clapped for you, carried you about the room on my back until we fell laughing into the floor, where we didn’t wake until a woman with a crooked nose stood over us, pouring wine on our heads. Her husband stood there with a gun, itching to use it. “You’re not leaving unless it’s in a police car,” they told us. You didn’t like that idea. So we ran. We jumped off the back porch and crashed down the mountain through brambles, the early fallen leaves sliding underfoot. You broke an arm, I broke an ankle, and we sat in silence at the base of the mountain throbbing with shock. And do you remember what you said to me, squinting against the morning sun, the hopeful new day? You told me you were done with me. It was time to grow up. What do you want to be, David? You asked me this and I didn’t have an answer. I still don’t. That was ten years ago, now, Sam, and I still don’t have an answer. 

I’ve been working. On a goat farm about an hour from my Mom and Dad’s place. I rise each morning with the milking and talk to the goats like old friends. I rake the land and fix the fence when it needs fixing. The couple that hired me pays fair, and I sleep in a lofted room above their house. But it’s not enough. My parents come to me with news of Jesus. I am the one they can save, their Fall to be redeemed. They don’t understand that being saved is not enough when there is nothing to save. My mother cries when she sees me. She says every time I reappear my eyes are more crooked. That I can’t even see the path to salvation now. You’ve said the same, in your own way.

I’ve seen the news, Sam. You’re a damn hero. My parents have printed out the headlines of the missing children and wandering old folks you’ve found in Raleigh. They pasted them up in the garage, as a reminder that when they leave each day there is always hope of coming home. But my best friend, a cop? You know we don’t like cops, Sam. Their wielding of death as an instrument over the rest of us. Don’t you remember? For every life saved, another destroyed completely. Every time you’ve found me in some musty motel room or rusted out car, just know there were friends there with me who have had everything taken from them. But you’re doing your part, I suppose. I think it’s time I do the same.

There is a nation of wanderers out there, and I intend to join them. I’m leaving today. I know my folks will call you in again, and set you into the game we’ve been playing for years. But I know they’ve let go. It is just a sense of guilt that they are working out. Help them, eat with them, sit with them, work with them. Go wherever my father sends you. But know it’s for them, not for me. Return to them knowing you need to let go, too.

The signature trails off into incomplete letters, slashed across as if in anger.

Sam’s head pulsates at the base of the skull. He grips the seat’s edge to steady himself. He rises from the letter and tears it into pieces that carry away in the stampede of bodies flowing past to the head of the halted train car. He closes his briefcase and joins the crowd, craning over an old woman gasping for a view. “Are those – are those people on the tracks?” she groans. 

Sam peeks over the crowd and sees a small group standing at the tip of the bridge. Rain wearies their faces, their nylon coats catching and folding like limbs. Five people, standing around the conductor in her flat-topped cap, their eyes mad with pleaing. 

Sam breaks through the other passengers, opens the door at the end of the car, and falls into the mud lining the tracks above the river. The wind sings around his ears with angel’s falsettos. The rain washes cold against his scalp. A tent, curled into itself and running with mud, leaking cookware and blankets, flows down the river and catches on a branch leaning into the water. Laying in the mud, Sam watches the tent twitch in the current. Then, he gets up and lopes to the end of the bridge, where he sees bulldozers and shovels picking away at a mudpatch pooled over the railway. “Get back in the train. There’s been a mudslide. Get back in the train!” a uniformed man yells at the stranger in the mist, his voice carried away by the pulsing water below.

Sam walks on, searching the faces before him. “David?” he says. “I’m looking for my friend, David. Have any of you seen him? Have you heard his voice?” The railroad workers look at him with open mouths and still eyes. The bulldozer motors hum along and no one says a word. All there is is silence, merciless silence blanketing the land around, the underpasses and gas stations, the hills and valleys and strip malls, the coasts east and west crashing in as if someday they’ll meet, and it will all be over then. 

An illustration of a honeybee painted in warm orange and yellow tones against a black circular background.

Bonus audio of Ben reading David’s letter to Sam…

about the author:
A man with dark, wavy hair wearing sunglasses and a green t-shirt poses smiling by a body of water, with trees in the background.

Ben Seabolt is a bookseller and educator raised in North Carolina and now based in Chicago. He received an MA in Literature from North Carolina State University. His creative writing career is just getting started. When Ben is not reading and writing, he can be found playing pick-up basketball as a pass-first point guard.

Categories
short fiction

Layover by Simon Ashton

Layover | Simon Ashton

“‘Scuse me, but are you alright?”

Kirsty felt very fucking far from alright. Between the jet lag and the fluorescent lights, her brain was untethered from time and had given up guessing what hour it was. Her mouth felt and tasted like an airport carpet. She wondered if throwing up would help or just add bile to the list of current indignities. Her best friend was back in London. The boyfriend that she kept forgetting was her ex-boyfriend was God knows where. Her plans were in tatters, her head was throbbing, and to top it all off some bastard in Bangkok International had stolen her laptop.

“Aye, I’m fine,” she said. 

“Choice. I’ll leave you to it.” He turned back to his phone.

He sat across from her in a row of seats divided by metal armrests which, Kirsty could attest, made it impossible to lie down. She felt rough, but he didn’t look much better. There were a couple of businessmen speaking Japanese at the end of his row. Their perfectly tailored suits and excellent posture provided a stark contrast.

He was unshaven in a way that suggested circumstance rather than intention. His T-shirt had seen many better days. Below that, faded cargo shorts, possibly once black, gave way to the dingy cast covering his left leg from foot to thigh. 

Back home she’d have told him she had a boyfriend and cheery-bye. But she didn’t have a boyfriend, and she was as far from home as she’d ever been. She hadn’t spoken to anyone but airport staff in a couple of days. Besides, he wasn’t a threat; with that cast he’d be pretty easy to shove over. 

Kirsty wiped her nose on her sleeve. “Do you have any tissues, by the way?”

He looked up and smiled, “Chur, bro,” and tossed her a small travel pack.

“Cheers. And paracetamol? I’m feeling a bit peely-wally.”

He fished in his bag. “Here you go. Had a big one on the turps, eh?”

“You a Kiwi?”

“Very good.” he smiled. “Most guess Aussie, but you’re right. Dunedin. South Island.”

“Little trick I learned living in London. Aussies don’t care if you think they’re from New Zealand, but Kiwis get pissy if you think they’re from Oz. Same thing with North Americans; guess Canadian and you’ll save yourself a lot of lectures.”

“And you must be Welsh?”

“Get tae fuck! Ah’m fae Scotland!” Kirsty spat back, her accent strengthening with each syllable.

He smiled. “I know. Just my little joke. I’m Matt.”

“Kirsty.”

It was supposed to be her new start, the big trip to Asia. Fiona’s idea. Best way to get over a break-up, she said. 

“It’d be a lot cheaper to just pick up some gadge and have him shag me senseless.”

“Only in the short term,” Fiona countered, “But then you’d be back to scrolling his Insta and crying into your Deliveroo. Look, you’ve got savings, you’re young and unencumbered, this is the way. Trust. Fuck January in this country! This is no place to change your outlook, I mean, seriously?” She gestured to the damp park around them – mud and cold, bare trees and puddles. 

“Whereas, a week’s R and R in Thailand? And Bangkok’s a hub – from there you could pop over to Hong Kong for a bit of shopping therapy, or sushi in Tokyo, elephants in Laos, whatever you fancy. Doesn’t that sound more appealing?”

And, Kirsty had to admit, it did.

This wasn’t the plan, Kirsty thought, as she tossed the pills into her mouth and swallowed them with the last gulp of her water. 

Matt looked at her. “Not being rude, but you look like death warmed up.”

“Jesus, none taken. Naw, I’m fine. Just… yeah. Having a bit of a time of it.”

“If you fancy talking, I’ve got a couple of hours then you’ll never see me again. The priest in the confessional.” He saw her smile drop. “Oh shit. You’re not religious? I didn’t mean…”

“Naw, it’s just…priests. When I was wee…a priest… Haha! Your face! I’m just fucking with you. C’mon, grab your crutches. I’ll let you buy me a drink, Father. Hair of the dog.”

There was an American-themed sports bar a short distance down the concourse. They ordered a couple of Thai beers and grabbed a booth, Matt hoiking his injured leg onto the laminated plastic bench.

“What happened there then?” she nodded at the cast.

“I’ve been telling people it was rugby – gotta act the part – but as we’re mates now, I should be honest.” He adopted an accent that would have made Steve Irwin blush, “Fair dinkum, I was attacked by a ‘roo.”

“That’s Australia, mate.”

He laughed. “Busted. Nah, there’s no great story. I walked into traffic in Manila. Told my friends to continue the trip without me, while I spent yonks alone in the hospital. But it’s all good now. Flew from there to here this morning, fly out at six.”

“Where you headed?”

“Meeting the lads in Berlin next. You?”

Kirsty sighed. Where was she headed?

Usually, she kept her calendar sectioned off into blocks of colour, like an overly-stressed Mondrian. She liked to know where she was and where she was going next: gym, coffee with Fiona, all staff meeting, birthday drinks with Denise. She blocked off time for sex with Sean as ‘movie night’, or ‘lunch date’ if he was lucky. All of it written down, right at her fingertips.
If she looked at it now, it would tell her she was en route to Koh Phangan. And she would yell, “Do I fucking look like I’m en route to Koh Phangan?!” 

There’d been a Tube strike in London so getting to Heathrow had been a nightmare. The plane to Zurich was late due to icy fog. Then her connecting flight to Bangkok was further delayed while the luggage handlers loaded the backlog. By the time she arrived in Thailand and made it through immigration, 23 hours after leaving her house, she had missed the domestic flight. 

“So, I bought some whisky in the Duty Free, found an empty corner to sit in, and had myself a wee pity party. At some point I fell asleep, and when I woke up my laptop was gone. Which was bad enough, but the fuckers finished the last of my whisky too. Although it’s possible that was me. Anyway, you know what us Scots say about the best laid plans of mice and men.”

“They ‘gang aft agley’,” Matt continued the poem.

“Fuck off!” Kirsty laughed, “You know Robert Burns?”

“Know him? We have a statue of him in Dunedin.”

Kirsty raised an eyebrow

“Seriously. He has his back to the church and he’s facing a pub.”

“Aye, that’s him. Well, he wasn’t wrong. My plans have gone the fuck agley. I was just considering whether to jump on the next flight home when you stuck your nose in.”

“I’m glad I did. Let’s have another, then I’ve got something I need to show you.”

“Cool. But I’m telling you now, if it’s your dick I’ll break your other leg.”

Matt laughed. “No, it’s even better. Swear.”

One more became two, which became three, with some food. They talked families, schools, films, music. Drinking, smoking, and other drugs. They covered travel, where they’d been, who they liked to meet abroad (the Irish, in small doses; Malaysians), who they didn’t (the English, obviously; Americans, even more so), where they wanted to visit.

“After Berlin, I’d like to see the other capitals: London, Dublin, Edinburgh. Paris, obviously”

“You know, I’ve never been to Paris? I think that was part of why we broke up, Sean and me.”

“He dumped you because you’ve never been to Paris?!”

Kirsty laughed.

“First off, he didn’t dump me, it was mutual. And no, I meant because he’s a snob. We never went to Spain, we went to ‘Catalonia’, or even better the ‘Basque Country’. He said he wouldn’t be caught dead in Paris. Too touristy’.”

“But it’s one of the world’s great cities; everyone loves Paris! Picasso. Hemmingway…”

“Daft Punk. Charlie Parker.”

“Oscar Wilde. Jim Morrison.”

“Hitler?” Kirsty offered.

Matt snorted. “Exactly!”

Of course, that wasn’t the reason for the break-up. She knew that. It was one of a hundred reasons. Yet she had still been crushed. She was doing it all as she was supposed to: school, uni, work, boyfriend. Check, check, check, check. She assumed life would continue in the same vein: fiancé, wedding, house, babies. 

Sean had his own plans though. Ones that might’ve included her – but not mortgages, definitely not babies.

Instead he moved out. 

Now here she was, semi-drunk with a stranger in an airport that wasn’t even meant to be a stop.

 “Shit! Look at the time,” Matt said. “We’ve got to get a wriggle on. Reckon we could cadge a wheelchair around here?”

With a lot of miming and broken English, a staff member wheeled one over, laughing as he did so. Matt directed her. Down this hallway. Turn here. Elevator. Roof level. More hallways.

“You do this a lot?” Kirsty wheezed. “Pick up wee lassies in airports and have them roll you around?”

“You’re my first. You’re killing it though, a natural.” He motioned to a door that looked exactly like every other door. “Here we go.”

It opened to a small glass-covered rooftop courtyard, maybe twenty meters by ten. There were four stone benches dotted around a miniature pond, amid ceramic pots of ficus and ferns. The sunlight slanted through the glass, leaves casting sharp little shadows across the pebbled floor. There was a scent of cut wood and mint.

Kirsty’s exhausted, confused brain seemed to stutter for a moment, her jaw dropping open in wonder.

“Isn’t this unreal?” Although there was nobody around, Matt was whispering. “It’s for the airport staff to come and pray or whatever.”

They were quiet for a minute. 

“You know,” Matt said, his voice still low, “I didn’t tell you the whole story about this.” He gestured to his cast. 

“I’d made a big show of not being bothered, insisting my friends carry on and I’d see them in Europe. But the hospital was a fucking nightmare. The food was half-deadly. I couldn’t walk, barely slept, and the bedpan,” He shuddered. “I got depressed. I was lonely and mad at the universe. I was supposed to be diving with whale sharks or whatever. Living. But there I was, lying on this bloody cot, listening to some bloke snore so loud it was like he was taking the piss.”

He paused. Looked up at Kirsty.

“But mostly I was scared. Proper scared. Like, what if this was it? What if my big, brilliant adventure just… stopped? I’d made all these plans, y’know? Places I was supposed to go. Things I was supposed to do. None of them involved carking it in a Filipino hospital where nobody knew my name.”

Kirsty swallowed, choking back the recognition she felt.

“But then,” he said, a smile returning to the corners of his mouth, “I remembered this place. 

“I was on a layover a couple of years back, heading to Mum’s for Christmas and got talking to this guy from Nepal who worked in one of the shops here. He had nothing, really. Sent every penny home to his family. But he’d come here at the end of every shift and just…chill for a bit. Said it quieted his mind, made him thankful. It’s so peaceful, y’know? Listen.”

Kirsty listened.

It was incredible. In the middle of one of the busiest airports in the world, it was practically silent. She felt the weightlessness of a kid shrugging off a school bag.

“I thought about it every day when I was in the hospital. I don’t know why this place. I’ve seen nicer gardens. Maybe it’s magic – or my subconscious was imagining it was. Maybe it was just the quiet. Doesn’t matter. Whatever it was, I’d try to picture what it would be like to be here. Like, if I could just survive the hospital, I’d come back and sit here for a while. Just be.” 

He looked up at Kirsty, giving her space to mock. She said nothing, just looked at him, the sunlight catching in her lashes.

“I know, it sounds so New Age wanky, it’s a bloody airport garden. But it kept me going. I realized sometimes plans just change. Why fight it? Maybe it’s okay to just be where you are for a bit.”

The words hung between them, as weighty as the stone bench and as light as the sun all at once.

Back downstairs, Kirsty continued to push the wheelchair until they arrived at his gate. Six hours earlier she hadn’t set eyes on him. Now she had to say goodbye? What the fuck?

“So,” Kirsty said.

“So,” Matt replied.

“Really, thank you for showing me your magic airport garden. I needed this.”

“And I’m glad I crashed your pity party. It’s not every day I get to meet a girl who can swear like a sailor and recite poetry.”
“Too fucking right. I’m one of a kind.”

Matt stood to hug her as Kirsty reached out to shake his hand. For the first time that day, things felt awkward. Forced.

“Well, enjoy Europe.”
“Enjoy Asia. You’re sticking around, I hope?”

“Might as well. I’ve no other plans. Find a hut on the beach. Just… be.” Kirsty winked, but she wasn’t ridiculing. She meant it.

They swapped WhatsApps and wished each other well. Goodbyes were so cringe. 

Matt wheeled himself away.

****

A few days later a newly suntanned Kirsty picked up her phone. She considered it for a moment before returning it to the shelf by her bed. Instead, she turned and walked toward the ocean. 

The sand’s warmth felt therapeutic on her feet. The waves, so gentle they were barely waves at all, kissed the edge of the beach. She walked in, beyond waist height, then submerged.

Kirsty lay on her back, letting the salty ocean take her weight, and watched the white clouds moving so slowly overhead. The scent of pine trees mixed with her coconut sunscreen. She stayed like that for an age, just floating, before returning to her beach hut. 

She wrapped herself in a towel, then finally, for the first time in days, opened her phone to the calendar. There was a lot of white. She blocked off three days, two weeks from now, and composed a text.

-Kia ora, mate! Turns out I’m going to Paris in a couple of weeks. Coincidentally, right around the time you’ll be there. There’s a wee garden near Notre Dame that sounds right up your street. I don’t suppose you’d like to Just Be there with me for a while?

Kirsty stared at the screen. Her thumb hovered. Maybe it was stupid. Maybe it didn’t matter. She smiled to herself. Maybe it didn’t have to. She pressed send.

There was barely a delay before her phone pinged in response.

An illustration of a honeybee painted in warm orange and yellow tones against a black circular background.
about the author:

One of the worst/best things about getting older is realising how many trite cliches hold true. I’ve floated in the warmth of the South China Sea, walked a frozen lake in Wisconsin, and had a thousand more wonderful experiences I never would have dreamed, but the good life is getting to share those joyful times with people you love.

Simon Ashton is a former teacher and emerging writer, who was born in Scotland, grew up in England and has lived in various spots around the world from Turkey to Taiwan. Currently stuck in South Carolina, Simon is married with somewhere between 2 – 4 kids, and the best dog in the world.

Read more about Simon in our interview with him on The Buzz.

Categories
micro fiction micro monday short fiction

Drawing from Life by Miles Parnegg

Drawing from Life | Miles Parnegg

Between poses, we eat Oreos and ginger snaps while the animators smoke on the patio. I keep pulling off your hood to run a palm over your buzzed scalp, frosted with bleach. You dip your head as though taking a sacrament. By now, we know the models, not personally or by name, but by their jawlines and hip creases. The drawing saddles are uneven wood, and sandbags still line the studio’s back wall from February’s flood. Paint pigment circles the drain in the bathroom sink, lit by the waving flames of votive candles. The soundtrack is spa-like and ambient, heavy on flute. Spooky, you lean over and jot on my sketchbook. 

You went to art school, offer tips, gentle corrections. I want to learn this without learning, through blind seeing: no books or lessons, no regimentation—but I want your strokes on my page, the impressions of your fingertips and knuckles. You draw only in color, I only charcoal: a difference emblematic of something I can’t quite nail. You shy away from eyes and nose, preferring instead the suggesting shade of a high cheekbone, lifted by a thumb wetted on your tongue. Because you’re late, or you prefer the angle, you’re often on the floor in front of me, away from me. I smear charcoal across disproportionate masses while you hold a fistful of pastels and sit on the floor, cross-legged in your black boots. The bell rings to switch poses, and the model reaches for a stool, and I remind myself she’s the reason we’re here, that it’s foolish to think I can keep drawing you.

A watercolor illustration of a bee on a black circular background.
About the Author:

Miles Parnegg holds an MFA from the University of California, Irvine. He lives in Los Angeles.