Categories
micro monday poetry

Florida Fairgrounds by Liz Robbins

Florida Fairgrounds | Liz Robbins

I watch the miniature donkeys eat hay.
The air, smelling of warm sugar, laughter,

manure. Edges already being chewed away.
I’ve said yes too often, then no too much.

I’m tired of being good a hundred different
ways. The donkeys fill my heart with light,

something about their eyes, the innocent
blinking. What I’d give to think less. Here

the steel ride is painted blue over rust, its
many arms symbolic of family. If we still

have people to love, does it matter the ones
fled or stolen? Somewhere near the Wheel

of Fortune lies an idea of fairness undone
and what scares us, maybe the thought that

money has bought a person unseen, paid all
night to watch, work the safety controls.

Artistic watercolor illustration of a bee on a black circular background.
About the Author:
A woman with dark hair smiles broadly in front of a blurred background featuring orange hues.

Liz Robbins’ fourth full-length collection, Night Swimming, won the 2023 Cold Mountain Press Annual Book Contest. Her third collection, Freaked, won the Elixir Press Annual Poetry Award; her second collection, Play Button, won the Cider Press Review Book Award. Her poems have appeared in Adroit Journal, Kenyon Review, Missouri Review, Salt Hill, and wildness; she received a Pushcart nomination from Fugue. She works as an editor—and a poetry screener for Ploughshares.

Categories
micro monday micro nonfiction

Murder Most Foul, Murder Most Unsolved by Gregory Ormson

Murder Most Foul, Murder Most Unsolved | Gregory Ormson

It’s desolate land, surrounded by the seven sacred mountains of the Apache, where the large mural of Emily Pike is painted on the town’s water tower. If you listen, you’d swear the wind is murmuring in grief. Listen again.

San Carlos is a two-hour drive east of Phoenix. The freeway overpasses are adorned with desert nature scenes and shapes. It’s out there, where wind-whipped clouds and bright skies hold secrets of crime and punishment, out there beyond purple mountains majesty and places with genteel names like Silly Mountain, and Gold Canyon.

The light-red, copperish desert bakes this hot day, broken and beautiful in a hard cactus kind of way; we sit on hard rocks in commemoration. A chain link fence keeps us back from the water tower. 

Flowers, stuffed toy bears, tobacco pouches, and messages are braided into the fence. Cloth pouches and poems on paper flutter at the false binary of chain links as wind blasts me into discomfort. “Apache Strong,” in large letters accompanies the image of Emily, painted silhouettes of Geronimo and his warriors hover near her.

Two people come by and hang on the fence for a minute. Somehow, on this hard rock, I am ok with just sitting. It reminds me of the day I sat on a hard chair reading Crime and Punishment. Dostoevsky wasn’t Apache, but I can see it, A’tse I Bashanzhe’ except Apache has no word for punishment. Bashanzhe’ means whip or to whip.

There’s still no whipping for this crime, no incarceration either. Wrongs on every side of this manufactured split, a chained fence inside the bigger fence called “The Reservation,” inside a bigger fence called America.

On the ground nearby, broken whiskey bottles and beer cans, dirty testaments to bad history in trade. I’m bothered by the fences, by broken whiskey bottles, by this crime and no whipping for the brutal murder and dismemberment of a 14-year-old. 

Yes, the red wheelbarrow matters, but the water tower and portrait of Emily, surrounded by many red handprints, also matters. So matters another broken and beautiful child of the land.

There is no on-the-fence . . . in this story . . . all I want to do is walk to the tower and place my palms there, right next to the red painted palm prints of all her relations. But the cruel fence sings a stop sign in the wind. 

And the wind in its bashanzhe’ is rattling and comforting: poems fluttering, prayers singing, flags and tobacco prayer bundles doing what they do. Wind whips it all up. 

Tears come from forever and 
take root 
here 
in this grief of nations
carried on the wind and
braided into
chain 
links 
“Justice for Emily.” 

Fourteen-year-old Emily Pike’s dismembered body was found on the San Carlos Apache Reservation on February 14, 2025. As of today, there is no arrest and no punishment.

About the Author:


Gregory Ormson is the author of Yoga Song, Rochak Press. His longform lyric essay, “Midwest Intimations,” won Eastern Iowa Review’s nonfiction contest in 2017 and he won Indiana Review’s 13-word story contest prize in 2015. His writing has garnered honorable mention and finalist positions in contests by: Bellingham Review, The Rigel Nonfiction Writing Contest, The Watson Desert Writing Contest, and New Millenium. His work is published in Cut Bank, Quarterly West, The Portland Review, Seventh Quarry (Wales), and others.

Categories
micro fiction micro monday short fiction

Drawing from Life by Miles Parnegg

Drawing from Life | Miles Parnegg

Between poses, we eat Oreos and ginger snaps while the animators smoke on the patio. I keep pulling off your hood to run a palm over your buzzed scalp, frosted with bleach. You dip your head as though taking a sacrament. By now, we know the models, not personally or by name, but by their jawlines and hip creases. The drawing saddles are uneven wood, and sandbags still line the studio’s back wall from February’s flood. Paint pigment circles the drain in the bathroom sink, lit by the waving flames of votive candles. The soundtrack is spa-like and ambient, heavy on flute. Spooky, you lean over and jot on my sketchbook. 

You went to art school, offer tips, gentle corrections. I want to learn this without learning, through blind seeing: no books or lessons, no regimentation—but I want your strokes on my page, the impressions of your fingertips and knuckles. You draw only in color, I only charcoal: a difference emblematic of something I can’t quite nail. You shy away from eyes and nose, preferring instead the suggesting shade of a high cheekbone, lifted by a thumb wetted on your tongue. Because you’re late, or you prefer the angle, you’re often on the floor in front of me, away from me. I smear charcoal across disproportionate masses while you hold a fistful of pastels and sit on the floor, cross-legged in your black boots. The bell rings to switch poses, and the model reaches for a stool, and I remind myself she’s the reason we’re here, that it’s foolish to think I can keep drawing you.

A watercolor illustration of a bee on a black circular background.
About the Author:

Miles Parnegg holds an MFA from the University of California, Irvine. He lives in Los Angeles.


Categories
micro fiction micro monday short fiction

Once I Lived in Heaven by Mea Cohen

Once I Lived in Heaven | Mea Cohen

Remember when we were clumsy and gloomless? New lovers undressing in front of each other for the first time. I want to keep this story there. In the curls of your chest hair, in the uncrossing of my arms from my bare breasts. In the stroke of laughter from your lips as my fingers ran their way across your manhood. Oh, I said, surprised at my own bravery. Oh, I said, when you bravely found your way inside me. I want to keep the story there, in the sunlight that fell across your sweat-dappled forehead in the aftermath of our love. In the damp white sheet we turned into a tent and swore we’d never leave. 

Regarding loss, I’m afraid to bring it into the story, worried what I might bring back to life. Like my marble belly so swollen with time and excellent time. And how I woke one night to find my innards scattered around my knees. They say that blood from the belly tastes sweeter than blood from anywhere else. How we held each other differently that night, how we wept tears we’d never weep again. Christening tears for what wasn’t born right. Can tears christen what wasn’t born right? 

I kept dreaming I was a creature pulling out my wings to sell in a market stall, next to stacks of pomegranates and shovels. Once I lived in heaven with you, because I wanted to. 

We didn’t ask for God that night. Or any night thereafter.

A watercolor illustration of a bee on a black circular background.
About the Author:
A close-up portrait of a woman with long hair, wearing a dark scarf and a black coat, set against a forest background during autumn, with fallen leaves on the ground.

Born and raised in Palisades, NY, Mea Cohen is a writer now based in Manhattan’s Lower East Side. Her work has appeared in West Trade Review, OKAY Donkey, Big Whoopie Deal, Barely South Review, and more. She was nominated for best micro-fiction in 2024 and 2026. She earned her MFA in creative writing and literature from Stony Brook University, where she was a Contributing Editor for The Southampton Review. She is the Founder and Editor in Chief for The Palisades Review.

Categories
micro fiction micro monday short fiction

A Haunted House at the End of the World by Autumn Bettinger

A Haunted House at the End of the World | Autumn Bettinger

Is this the end of the world?

“It may be, old girl. Are you ready?”

Marigold slid a wrinkled hand up the faded post of her house. The ghosts were heavy with the coming storm—anxiety manifesting in creaky floorboards and swinging tapestries. Marigold leaned over the porch railing as the first plump drops of the apocalypse battered her front garden. The other seaside towns along the bluffs began to wink out, obscured by the storm that ingested the world with a swirling, single-minded intensity. 

The satellite images had been all over the media before the internet went dark—a storm cell so large it covered half the planet. Earth’s own great red spot, only the color of bruised and necrotic skin: mottled purple veined with oily black. Sickly. Contagious.

KA-CHUNK. The backup generator kicked in. 

Marigold closed her eyes as the storm consumed, bloating on snapped branches and tsunami waves.

I will protect you.

“No need.” 

The house shuddered. Marigold was nudged back inside by rolling porch boards that nipped along her fuzzy slippers. The door snapped shut behind her, and the locks chunked home. 

“I’m happy to be here with you, at the end,” Marigold said as she shuffled towards the kitchen. The wind exploded. Rain drowned gutters and sloshed beneath the foundation. 

Is it, though? The end?

“I don’t think we’re getting out of this one.”

Marigold settled herself in the breakfast nook. A cup of tea waited on the table. It smelled of garden lavender and lemon balm. The house must have hidden a bundle of those dried herbs from last harvest. Marigold’s favorite tea. The bond she shared with the house lay sticky with memories and murmured adorations. She mourned its destruction much more than the passing of her own unremarkable life.

  We got out of that thing with Ron.

“Murdering my asshole husband was decidedly less complicated than surviving an extinction event.”

But you are resourceful and clever. You fed me so many. 

“Killing men is easy. I’m just sorry you had to keep their weak souls inside you.” 

Once they were a part of me, they loved you, like I do.

Hail whipped through shingles, softball-sized chunks of ice splintering rafters and shattering siding. Marigold sipped her tea as the house crowded around her with every last ounce of structural support. It coddled Marigold, collapsing into just one, tight room. It crumpled offices and bathrooms, slapped hallways against kitchen walls to reinforce this last bastion of safety. The storm sucked up the windows as the exterior shredded.

The kitchen walls were so close, bent so deeply that Marigold could brush the wallpaper with her pale fingers. She smiled, love radiating between them as the roof buckled and plaster rained down, splashing into her tea and dusting Marigold like sugar. The room disintegrated. 

“Buying a haunted house was the best thing I ever did,” Marigold whispered as the wind ripped them away.

A watercolor illustration of a bee on a black circular background.
About the Author:
A woman with long brown hair sitting by a window, wearing a pink lace top and a black tulle skirt, gazing thoughtfully outside.

Autumn Bettinger is a short-form fiction writer and full-time mother of two living in Portland, Oregon. She was the 2024 Fishtrap fellow, has won the Tadpole Press 100-Word Writing Contest, The Not Quite Write Flash Fiction Prize and the Silver Scribes Prize. All of Autumn’s published works can be found at autumnbettinger.com

Categories
micro fiction micro monday short fiction

Discovery of Newborn Girl on the Greenway, Newham, London by Leah Mullen

Discovery of Newborn Girl on the Greenway, Newham, London | Leah Mullen

Discovery by a dog walker at 9.13 pm on Thursday, 18 January
junction of Greenway and High Street South in East Ham
child was taken to hospital, without any injuries
police are appealing 
to find the baby’s mother.

The baby could’ve been laboured out of a Dickens novel, born as she was and left like an unexploded bomb on the pathside.  The caul fell foul of the 10p plastic bag charge.  She mewled against it, spiking her newborn panic in the stubby grass. The mother was gone.

The mother was trafficked in an anonymous hospital ward.  The mother was fearing for her life, handcuffed in a cell, in a basement, in a cubicle on a boat.  The mother was sent overseas for daring to come overseas. The mother was anonymously dead or drunk and loving it.

Wise Men?  Too late in the season.  Too far north for storks.  Fortunately for this scrap of prey, too built-up for hawks to be buzzing the wasted verges. In the spring, hollers of sparrows murmured up from the long weeds there, surprising out of poppies and thistle along paths thick with joggers and crabapples. But January sprung almost sudden in the city with its grey promises: a season of steel wool, eczema, grass just stripes of prickle.

But the baby, for now just a collection of kicks in striped plastic, just a collection of scents, of blood, of milk, of meat to a wet and searching lurcher nose in the stubby grass, just a collection of slightly less grey promises: the baby

was found.

A watercolor illustration of a bee on a black circular background.
About the Author:
A smiling woman with shoulder-length brown hair and a black sweater, sitting indoors in front of a dark cabinet.

Leah Mullen is a New Jersey native who’s been living in the UK since 2003. She is a secondary school English teacher and advocate for the arts and humanities subjects. You can find her work in Five on the Fifth, Molotov Cocktail, Impspired, Literally Stories, and Mosspuppy . She has been shortlisted for several flash fiction awards, including the Bridport Prize.

Categories
micro fiction micro monday short fiction

The Cashier by Trish Cantillon

The Cashier | Trish Cantillon

I pulled the wrinkled dollar bill from the front pocket of my too-tight shorts and laid it next to the bag of M&Ms. The Cashier looked at me, then at the candy.  I knew I wasn’t supposed to eat candy because of my diet, but he didn’t.  Or at least I assumed he didn’t.  

I lied when I told my mom I was going to hit tennis balls against the backstop near the courts in the apartment complex we lived in.  My real destination was The Grog Shop, the convenience/liquor store in the lobby of our building.  

He lingered too long with my dollar in his hand, “You don’t need these,” he said, “They’re really bad for you.”  It was as if time stopped.  I was frozen, unsure what to do, but certain I didn’t want to put the candy back.  My humiliation gave birth to another lie, “They’re not for me, they’re for my brother,” I answered and made sure to put my racket on the counter so he could see I was an athlete, not an overweight twelve-year-old girl desperate for the M&M’s she would eat in secret.

A watercolor illustration of a bee on a black circular background.
About the Author:
Close-up black and white portrait of a woman with long wavy hair, smiling softly at the camera.

Trish Cantillon is a native Angeleno, and lover of California. She’s published personal essays on BrevityHippocampus (one of top 10 most read essays in 2023)The Fix, Refinery 29’s “Take Back the Beach,” The Manifest Station and Ravishly, among others.  .

Categories
micro monday poetry

what to make of autism by Tim Raymond

what to make of autism | Tim Raymond

well, it’s a motherfucker
the other day it walked down to the ocean
to greet the whales
to tell them facts about themselves
that sperm whales are the largest of the toothed mammals
that their record depth is more than two hours
that of all the mammals’ skulls
theirs is the most asymmetrical
because autism loves what’s asymmetrical
in a society of symmetrical
it did not apologize or falter or weep from shame
it stammered some but did not stop
and while walking home paused
to make sure the dog on the street
and person on the street
had enough for the evening
it greeted the stars
and noticed the contributions of bugs
it used its voice and stims
to soften the air
and affirm life’s music
it made the world better

About the Author:

Tim Raymond’s work has appeared in Chicago Quarterly Review, Conjunctions, and Witness, among other publications, and his first novel, Flee, is forthcoming from Button Poetry. He is the comic artist for ONLY POEMS and shares stories about autism and gender on Instagram at @iamsitting.

Categories
micro fiction micro monday short fiction

Drunk Husband Crashes Yard Sale by Alice Kinerk

Drunk Husband Crashes Yard Sale | Alice Kinerk

You decide to hold a yard sale, because it’s a nice thing to do, a homey, all-American thing to do. Also, you’re broke. You place a classified ad, mark the date, start stickering. 

Night before the sale, Drunk Husband goes out drinking, and by dawn has yet to return. Nothing unusual there, but given his recent promises, it hurts.  It’s for the best, you tell yourself. He’s sleeping it off somewhere. With all the hauling to do that morning, all the folding tables to set up.  Linens, CDs, tapes, pot holders, trivets, posters, books, magazines, clothes, garden tools, shoes, clothes, unused wedding gifts and parental cast-offs, beach stuff, utensils, plant pots. Everything out the door, down the steps, onto the front yard for liquidation purposes. 

It’s for the best. It is. It is. It is.

But then, Drunk Husband is rounding the corner. He’s tipping back a paper bag, stiff-legging it. Trespasser! he bellows at the old lady Q-tip who is your first customer. He’s half a block away, bellowing. 

Then he gets close, hovers over her like an interrogator. The Q-tip drops an eggbeater and beelines it to her Cutlass, drives away.

Another customer appears.  Scene repeats.  

You tell Drunk Husband to go to bed, but he doesn’t hear you. Instead he does a King Kong through your cityscape of folding tables, picking things up and dropping them. 

You cajole. He refuses. Repeat, repeat, repeat.

Until finally, mercifully, he does go. He stumbles inside to use the bathroom, some time passes, and he doesn’t return. Peace falls again upon the yard.

More customers arrive. Sales are made. 

But then, from inside the house, the bedroom window opens.

Trespassers!  

It won’t be the final time he hurts you, nor the worst. But one day, twenty years later, remarried, middle-aged, you will watch the sunset through wildfire smoke, and this is the image which will surface.  Drunk Husband’s face in the window that morning, round and red like the sun is now. Just as angry.  Every bit as impossible to contain.

About the Author:

Alice Kinerk spends her free time attempting to make complicated desserts, most of which are tasty failures, such as the time she tried to make a croquembouche. She’s published dozens of stories. Read more at alicekinerk.com.


Categories
micro monday poetry

Instead of Writing Poetry, I Doom-Scroll Instagram by Gray Davidson Carroll

Instead of Writing Poetry, I Doom-Scroll Instagram | Gray Davidson Carroll

I watch a protest video. I read the comments. It was so incredible. I’m so happy I was able to go. There are so many ads these days. The civilian death toll is mounting. I read an inspirational quote. React with fire emojis when I see a friend has been published in a journal I’ve been rejected from five times. I’ve written better, I think, and this is not the point. I like the new article by Them. Someone is pregnant, someone is engaged. What’s happening to Kate? It’s the anniversary of her dad’s death. Someone wants a daddy. Trump is in the news again. Someone famous died but it wasn’t him. There is a new miracle drug that will solve all your weight loss problems. Here, try the new protein powder, 10% off.

About the Author:

Gray Davidson Carroll is the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in The Common, Sage Publications, Frontiers in Medicine and elsewhere. When not reading or writing, you can typically find them drinking copious amounts of coffee at all hours of the day, or otherwise pedaling a bicycle down forgotten backroads and singing at the top of their lungs.