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micro monday micro nonfiction short creative nonfiction

On Writing an Obituary While Listening to My Christian Sister and My Jewish Husband Argue about the Speed at Which My Dead Mother Is Being Laid to Rest by Shannon Frost Greenstein

On Writing an Obituary While Listening to My Christian Sister and My Jewish Husband Argue about the Speed at Which My Dead Mother Is Being Laid to Rest  |  Shannon Frost Greenstein

They coded my mother for fifteen minutes while her three children debated the definition of “no extraordinary measures.”

Later that night, I fed her geriatric cat in the bowels of her empty condo and felt the blunt blade of grief take up permanent residence behind my xiphoid process.

Then there were meetings and phone calls and a staggering selection of urns, estate lawyers and death certificates and trips to the airport, a convening of my family tree in my hometown of old, a pilgrimage to the past with no hope of reaching Mecca, because Mecca is just another way to say “mother” and my mother is dead. 

Two days later, my apartment is stuffed to bursting with flowers and nephews and the growing pile of laundry with which I cannot bring myself to grapple; and we are checking action items off a list, like a morbid scavenger hunt to erase a human life one credit card statement at a time.

I am the writer. I am elected to pen the obituary. I am daunted by this existential responsibility.

I try to capture in words the woman who bore me, the woman who both fucked me up and loved me at the very same time; backspacing, cutting and pasting, deleting clauses, typing the same sentence over and over again.

This is all just happening disrespectfully fast, opines my sister, a byproduct of the same Lutheran upbringing that has led me to an atheistic Humanism. Why can’t we take any time to breathe? 

It’s been 48 hours, responds my husband, the former Mrs. Greenstein’s good Jewish boy, sorting through my dead mother’s effects. Why isn’t she buried? Why aren’t we eating yet? 

This is all because of end-of-life expenses, I remind my sister; that’s what you get for marrying a shicksa, I inform my soulmate. 

And as I blunder through a description of my mom’s naval service, her gift for nursing that was really more like a calling, I manage to smile through the tears already soaking my cheeks at the juxtaposition of Judeo and Christian, and the quirky customs we’ve somehow all embraced regarding the best ways to honor our dead.  

But I also really just want my mom back.

About the Author:

Shannon Frost Greenstein (She/They) is the author of “The Wendigo of Wall Street,” a novella forthcoming with Emerge Literary Journal. A former Ph.D. candidate in Continental Philosophy, her work has appeared in McSweeney’s Internet Tendency, Pithead Chapel, Bending Genres, and elsewhere. Follow her at shannonfrostgreenstein.com or on Twitter at @ShannonFrostGre. Insta: @zarathustra_speaks

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micro monday micro nonfiction short creative nonfiction

Healing Tobacco by Amanda Callais

Healing Tobacco  |  Amanda Callais

The swing set shines in the South Louisiana sun. Silver. Blue. Mine. It beckons me out of the air-conditioned house into the backyard’s sticky heat. Hand over small hand, I grip the ladder’s warm rails. Not too loose. Not too tight. Just right. I am almost at the top when I feel the sting.  

Pain sears through my hand. Burning. Throbbing. Swelling. My shrill 5-year-old scream pierces the silent summer day, sending Papaw and Mom running. 

The sweet smell of tobacco that is Papaw fills my nostrils as he lifts me screaming from the ladder, setting me down on the bottom of the slide. He kneels beside me.  Eye-level, he lifts my swelling pink hand in his dark calloused one. 

“Wasps,” he mutters. 

I shrink.

“Tobacco,” he tells Mom. 

Reaching into the front pocket of his blue work shirt, he pulls out a clump of loose leaves usually reserved for his pipe. Hand tucked into my lap, I wail louder, gulping hot air. If it bothers him, he doesn’t let on. He just puts the tobacco in his mouth, wetting it with his spit until the leaves transform into a thick paste he spreads over the sting. Tobacco. Spit. Spread. Repeat, until my hand is a brown lump of spit-soaked tobacco. 

My sobs slow as numbness sets in. Clear-eyed, I stare into his work-hardened face. Small beads of sweat dot his olive brow. A large drop slides down his temple. Thinning black and gray hair curls in front, a perfect Q right at the center. His eyes light up his dark skin. 

I breathe in. 

Though he lives next door, I have known him only from afar. Tall. Strong. Stern. Today, I see him for the first time. Up close. I am no longer scared. I am in awe.

About the Author:

Amanda Callais is a writer and attorney. When not working, she lives and writes between worlds, navigating a transatlantic relationship with her Spanish partner while writing about it, her Louisiana roots, purple Jeep, and everything in between. Her work has been published in The Sun Magazine, HerStry, and Five Minutes.

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micro monday poetry

Voice Message #205 by Kathryn Reese

Voice Message #205  |  Kathryn Reese

oh my girl—someone is going to love you with your bed hair
and black coffee breath your mismatched pajamas and naked toenails
your late for the bus kiss your text message shopping list
your half-written story the back of a receipt
someone is going to love your late-night insomnia your just-in-case
herbal tea your ginger caramel dark chocolate fudge your fingerprints
all over the fridge door all over the stove all over the dishcloth
someone is going to love your do the dishes later lick the bowl first
love your rainy-day melancholy soundtrack
love when you ask them out for a walk and miss
the track and skirt right round the island the long way
someone is going to love that you see whales or sea lions
or mermaids or a great purple octopus emerging from the waves
someone is going to think you’re a lighthouse
someone is going to want to swim in your shelly cove
someone is going to long to run their fingertips through
your tussock grass graze on your samphire drink
deep from that puddle of rain by your navel oh my
gorgeous island girl
someone is going to love you

About the Author:

Kathryn Reese is a poet living on Peramangk land in Adelaide, South Australia. She works in medical science and enjoys solo road trips, hiking and chasing frogs to record their calls for science. Her poems can be found in Gone Lawn, Engine Idling, Kelp Journal and Australian Poetry Journal.

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micro fiction micro monday short fiction

Roman Holiday by David Sapp

Roman Holiday  |  David Sapp


I dreamed and found you young again somehow transported across the Atlantic, past Gibraltar then Corsica, over the waves of the Mediterranean. I arrived quite dashing in a light linen suit and polished Italian shoes, in a little white sportscar, over ancient brick streets and through Di Chirico piazzas and skewed Zeffirelli perspectives at your flat in Rome set curiously in the forum at the edge of the Palatine Hill. I took you in my arms, circled your waist, and my palm found the small of your back. You twirled for me, flipping the hem of your dress, a black and white print in tiny cubist abstractions. We danced spinning through your bright rooms with the high ceilings like a chiesa expecting Raphael above our heads – an Assumption or an Ascension. You’d arranged vases of flowers, and the tables and chairs were strewn with opened books, chipped china, and the remains of bread and the dregs of wine from the night before. The windows were tall and opened wide, curtains drifting in the breeze, and allowed the shouts and cheers of scruffy boys kicking a soccer ball outside. And there was a jumpy, comedic Italian tune playing from the phonograph – the kind of music that makes you want to whirl around the kitchen with your mother or gambol with your little sister balanced on your shoes. So pretty and poised, you were Audrey Hepburn in Roman Holiday after she got her hair cut short, raced Gregory Peck on a Vespa, and stuck her hand in the Mouth of Truth. Giddy, we laughed and ached and wept, immediately in love again. Your bedroom walls and the quaint watercolors you bought of the Pantheon, Colosseum, Spanish Steps, Trevi Fountain, and that little temple of Portunus near the Tiber – the very ruins around us seemed to laugh too, happy for us. But when I leaned in to kiss you, our lips refused to touch, to meet as willing participants in a prelude to desire. I heard, “Remember, you’re married.” Instantly I returned flying back across the ocean in my little white convertible to that other bliss I’d live after waking. And that was all. That was enough.

About the Author:

David Sapp, writer, artist, and professor, is a Pushcart nominee. His work appears widely in the United States, Canada, and the United Kingdom. His publications include chapbooks “Close to Home” and “Two Buddha,” a novel “Flying Over Erie,” and a book of poems and drawings titled “Drawing Nirvana.”

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micro monday micro nonfiction short creative nonfiction

Murmuration by Lisa Cooper Ellison

Murmuration | Lisa Cooper Ellison

The starlings explode from a nearby tree then dance overhead in a synchronized tangle of chatter and wings. Later that day, I tell my mentor and share a new word: murmuration. It’s his second week of chemo treatment for a second cancer. He’s paying attention to nature and its signs, which makes me pay attention too. We find hope in snapped twigs, grazing deer, and a sunrise refracting off a crystal vase. Past losses have taught us that life is like those birds pirouetting across the sky—art in motion that flies off too soon. 

About the Author:

Lisa Cooper Ellison is an author, speaker, and trauma-informed writing coach, as well as the host of the Writing Your Resilience podcast. She works and writes at the intersection of storytelling and healing. Her essays and stories have appeared on Risk! and in The New York Times, HuffPost, and Kenyon Review Online, among others. Lisa recently finished her memoir, Please Stage Dive Carefully, How I Survived My Brother’s Suicide and Forgave Myself.

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micro fiction micro monday short fiction

Letdown by Nicole Brogdon

Letdown | Nicole Brogdon

After Dan’s Atlanta conference, Judy upends his blue carry-on, dirty clothes tumbling onto the laundry floor—khakis, twin socks, damp boxers. One gossamer green thong springs up like a grasshopper. Judy sinks onto cold tile, pincer fingers lifting the undies—lace with black spiky straps, Small. She smells them. Judy never wore thongs. Since Baby’s birth, she wore cotton floral briefs, Large.

From the den, Dan hollers, “I’m flying back to Atlanta next weekend. Another meeting.”

Baby howls in the master bedroom.

Judy’s pendulous nursing breasts swell, tender and pained, that let-down. Her whole body, sticky, sad, and letdown.

About the Author:

Nicole Brogdon is an Austin TX trauma therapist interested in strugglers and stories, with fiction in Vestal Review, Cleaver, Flash Frontier, Bending Genres, Bright Flash, SoFloPoJo, Cafe Irreal, 101Words, Centifictionist, etc. Best Microfiction 2024, and Smokelong Microfiction Finalist.
Twitter: NBrogdonWrites.

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micro monday micro nonfiction short creative nonfiction

Dungeons and Dragons is by Ryan Stiehl

Dungeons and Dragons is | Ryan Stiehl

calling an upside-down Sonic cup the demon lord Zuggtmoy.

an act of quiet rebellion in the fantasy section of a North Texas Public Library.

a gateway into pulp fiction and bad acting and not caring about either.

a way to begin writing fiction in earnest in high school.

a way of saying hello.

collectively hallucinating that loose change and checker pieces were goblins and heroes around Eva’s dad’s game table when she used to live there.

not worth my family’s distrust, though they’ve gotten better now.

a sanctuary from the intense Texas summer heat outside.

my first experience using they/them to talk to my friend’s barbarian.

finding out my entire first party was gay and/or trans over the course of three years. Well, everyone but me.

where an evil wizard orchestrates his own demise in Castle Ravenloft.

the subject of fierce debate in the Southern Baptist community even today.

finding a clever answer to the 1,500 pound problem of an oncoming, raging stone giant against all odds.

eating Domino’s pepperoni pizza while Sam rolls damage for sneak attack. Needless to say, I have plenty of time to finish my pizza.

being called “culturally gay” for the first time. I still puzzle over what the hell that even means.

slowly realizing I’m the odd one out in my party.

long nights staring at a blank Google document that’s supposed to be ready for tomorrow night’s session.

making Saturday night a sort of holy day.

wishing I were writing for Dungeons and Dragons while I lose my faith in a First Baptist Church.

commemorating Grant’s fallen paladin with an ever-vigilant constellation.

helping a former friend escape their homophobic parents and helping them hide in Washington.

practice calling my friend of eighteen years Ophelia now.

creating the same stories that I’ll treasure dearly for years to come.

realizing that my friends would rather play Thirsty Sword Lesbians or Monster of the Week now.

a way of knowing the glory days are long past

a way of saying, “I’m still glad to have known you all back then.”

About the Author:

Ryan Stiehl is an aspiring creative writer currently living in North Texas. When he is not playing TTRPGs with friends, spending time with his wife and husky-malamute, or working a “real job,” he is fast asleep and would like to remain so, thank you very much.

Categories
micro monday poetry

What I’ve Tried to Ignore by Jamie L. Smith

What I’ve Tried to Ignore | Jamie L. Smith

That our bodies are cities on the verge
of riot, that the blackout eclipsing

our overburdened power grid
approaches with each hum and click

we utter. Under the ash gray and black
lily tattoo, a constellation of red

beauty marks like taillights punctuates
my left side. I’ve tried to forget

that coffee grounds are placed
on hospital radiators

to mask the scent of bowl movement.
To forget that it doesn’t always

work. That I hid in the bathroom
until the nurses had changed

my father. As a child in Miami,
he was taught to hide

beneath his desk with a textbook
covering his head. His mother

fled Europe as the reich advanced.
Towards the end

my father’s tongue remembered
its German. Unsere Körper

revoltieren. Where is there to hide
when we can’t escape?

About the Author:

Jamie L. Smith

Jamie L. Smith is the author of “The Flightless Years”, forthcoming from Finishing Line Press (November 2024). Her chapbook “Mythology Lessons” was winner of Tusculum Review’s 2020 Nonfiction Prize and is listed as notable in Best American Essays 2021. Her poetry, nonfiction, and hybrid works appear in publications including Southern Humanities Review, Bellevue Literary Review, Red Noise Collective, and anthologies by Indi(e) Blue, Allegory Ridge, and Beyond Queer Words. Please visit jlsmithwriter.com for more information.

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micro monday micro nonfiction short creative nonfiction

Alary Things by Hilary Fair

Alary Things | Hilary Fair

Millie fills her chair. Fills the room with her voice. Arms crossed over plump chest over pink robe, she asks if I want to see something amazing.  

I do not.  

I want to continue staring into my iPhone at a cheeky-bottomed swimsuit I will not buy because I cannot afford it and because my ass is soft and pocky from sitting through too many COVID-years inside. 

It is Monday and my mood is drab as the gray-beige paint in here, the misting rain outside. I’m immune to the peppy, highlighter-pink of my gown. Unmoved by the stickers stuck to the mirrors promising: You are beautiful.  

Millie leans in anyway, holding out her own iPhone. Despite myself, I look. On it, a picture her daughter took of a lone cirrus cloud, its wispy, fleeting body immortalized against a blue Kitsilano sky. 

Here in Ontario, spring has been endlessly damp after the darkest winter recorded in seventy-three years. Here in this mammography lab, Millie and I sit in our robes, waiting for techs with gentle hands to lift and tuck and squeeze and photograph our tissues. 

“An angel wing,” I say, lingering on the image.  

Millie sits back, satisfied. 

An older woman once taught me to look for hearts. I find them easily now—in tree burls and beach stones and, once, a clump of cat litter.  

A tech appears, beckoning to me, and I leave Millie behind. She’s still in her chair, still has arms crossed over plump chest over pink robe.  

Neither of us knows, yet, what our scans will reveal. Or that the sun will peek through today. Or that in the coming weeks I will think of Millie when I notice the alary quality of other things: the arc of a rain-soaked cedar frond pasted to a shingled roof; the curve of a dried milkweed pod backlit by sun and lake and sky; a photograph from an animal sanctuary, showing a cluster of kittens, their tiny bodies feathering out from a shared food bowl, creating a patchy-but-perfect wing.

About the Author:


Hilary
 lives near the shores of Lake Huron (in Canada) with a high-energy husband and a high-energy dog who prevent bouts of quiet, writerly isolation from lasting too long. When she can focus, her essays sometimes win or get short-listed for awards and published in some of her favorite places—The New Quarterly, Event, and Prairie Fire, among them. 

Categories
micro monday poetry

Star*Flower by Murryn Payne

Star*Flower | Murryn Payne

Each spring they burst forth
    a supernova of pollen and perfume

The white dogwoods are starlight
    hydrangeas prickle in the twilight sky
changing color based on iron and copper in the ground

The pillars of creation are rhododendron
    Crepe myrtle waves like faint comet tails
Heavenly bodies here on earth

Black holes absorbing everything around them
    Galactic soil to compress,
and start anew.

Perhaps the BIG BANG was just the seed
    erupting forth, after all,
we are still covered in dirt and water

If I am a flower, let me be the moonflower
    out at night and soft,
    the morning glory half life,
bioluminescent in the water like seaweed

glow for the stars already in the soil I walk on
    And bloom for those to see

About the Author:

Murryn Payne

Murryn Payne is an amateur artist, enthusiastic thespian and part time scarecrow. Her work has previously been featured with Button Poetry’s Short Form contest, Headwaters, and 300 Days of Sun. She once heard the phrase ‘the work you do when you procrastinate is the work you should do for the rest of your life’ and has been writing ever since.