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micro monday poetry

Cosmos, Carry Us by lord vaughn

cosmos, carry us | lord vaughn

i was a calamity | inside a box | inside the vacuum of
space | where other boxes | gently floated by | opaque
the boxes | did their six walls | hold calamity too |
would their riot be familiar | the yearnings that drone |
the blaring anxieties | us all chambers of noise |
situated within void | if i could bring to bear | that
common din | to fill the space between us | we might
find | some desperate melody | undergirding it all |

i am here
i am here

About the Author:

lord vaughn is a poet from Carson, California, who captures emotion in pigment then paints the sky. Inspired by the lyricism of Kendrick Lamar and Hanif Abdurraqib, his work is rhythmically precise and unflinchingly introspective. His writing has been featured in The West Wind Literary Journal.

Categories
micro fiction micro monday short fiction

Closure by David Obuchowski

Closure  |  David Obuchowski


The envelope was already partially open, the flap peeling up as if maybe you hadn’t licked it enough for it to stick. But after I read your letter, that couldn’t have been the case. You wouldn’t have gone to all that effort and then not have sealed the envelope properly. It must have been the adhesive. Cheap glue. Or old perhaps. It must have given way when it was already in transit. Had you seen that it wasn’t sealed, you would have taped it, ensuring the letter’s safety. So it wasn’t your fault. Not that you’d agree. From what you wrote, you’re all too willing to blame yourself.

Well I saw straight away that it wasn’t addressed to me, that it was for someone who lived five blocks away. A stranger on the same postal route as me. The mailman must have been in a rush. Or he must have been lazy. Or he must have been careless in his sorting. Or maybe that loose corner of the flap had just enough adhesion left in it to stick to a piece of my mail, like the seeds of a weed that cling to your shoelaces and the hem of your trousers. Hitchhikers we called them when we were kids. When you were a kid, you never would have imagined pleading for your own freedom. And yet.

So, for whatever reason, the envelope came to me, a stranger to you—not to him, a stranger to me, and a person who you hoped would become a stranger to you once again.

Had the envelope been sealed, I would have scrawled on it wrong address or misdelivered and placed it back into my mailbox for the error to be corrected. Or perhaps I would have even walked it over to this nearby stranger and slipped into his mail slot, or beneath his door. Maybe I would have even written a note on it. Mailman delivered this to my house by accident. Cheers, a neighbor.

But instead, I could see your neat cursive hand in navy ink. I could make out words. Love and sorry and time and wrong and happy and sorry and sorry and sorry again. Well, I had to read the rest, didn’t I?

Three pages. Six, considering they were double-sided.

You tried to take the blame. You cast yourself as the villain. But that’s not what villains do. He was luckier than he knew. People like him always are. You gave him everything he ever wanted. So why give him one last thing? Why give him your navy ink, your neat cursive hand, your stamp that says forever for a letter that yearns for never again? 

Closure is too precious for the likes of him. Let him wonder instead.

About the Author:
Close-up portrait of a man with gray hair, wearing glasses, and a denim jacket, set against a softly blurred background.

David Obuchowski is a prolific and award-winning writer of fiction as well as longform nonfiction, some of which has been adapted for film and television. His work has appeared in Acturus (Chicago Review of Books), Road & Track, Baltimore Review, Salon, West Trade Review, Fangoria, and others. He co-authored the children’s book, How Birds Sleep (2023, Astra), which collected a number of prestigious honors. www.DavidObuchowski.com

Categories
micro monday poetry

We Were the Kind of Couple by Lucy Adkins

We Were the Kind of Couple  |  Lucy Adkins


We were the kind of couple who
walked down the street, hands
in each others’ back pockets. We
stayed up late and steamed up
car windows. And when our friends
counseled caution, time, a longer
than a three month’s engagement,
we thought they were crazy. We
knew what we knew and felt what
we felt. (Of course we were young.)

When it was time to fight
we fought, and when it was time
to make up, we did. Once in a while
we gave each other the silent treatment –
two cars headed straight for the headlights
of the other. It was always me who
swerved first, and I hated that,
wanting to stand my ground. To win.

In high school Driver’s Ed,
we were to keep a scrapbook of
newspaper clippings – of car crashes
which seemed so prevalent at that time:
cars hurtling off embankments,
colliding with semis, cars crashing
into the tonnage of trains. We were to be
stunned into safety, I suppose, all the young
lives lost. I wanted to live and be
happy, happy, so I swerved.

About the Author:

Lucy Adkins’ poetry has appeared in many journals and anthologies as well as former poet laureate Ted Kooser’s column, American Life in Poetry. Her latest two collections, Two-Toned Dress and A Crazy Little Thing, were winners of Nebraska Book Awards for Poetry in 2021 and 2023. She’s also co-written two books of non-fiction, Writing In Community and The Fire Inside, and has been a writing workshop leader for many years.

Categories
micro monday micro nonfiction short creative nonfiction

Detroit Salt by Linda Drach

Detroit Salt | Linda Drach

When my father says, Dress warm. No tube tops or flip flops, I’m flummoxed. He’s one of the good ones – he mows the lawn and pays for my flute lessons and comes home from work at 4:15 every day – but in our world, the care of daughters is the province of mothers. Even a ride-along to K-mart or Jiffy Lube would be surprising. Could he be taking me ice skating? It’s summer, but the Zambonis run all night, keeping indoor rinks pristine for men’s hockey leagues. 

He doesn’t say a word as we drive past the giant Uniroyal Tire and miles of manufacturing plants wrapped in concertina wire, but we’re listening to WJZZ, and when Artie Shaw comes on, he turns it up and drums the wheel with his fingers. His good mood continues as we join a group of middle-aged men – all of us outfitted in hard hats with headlamps – in a cramped elevator that will take us to our final destination 1,000 feet below the city. On the long descent, our guide explains that the salt mine will be closing permanently, and we are among the lucky few who get to see it. Now, I understand why I am here. My father, proud American son of immigrant parents, will never call me a pet name or ask me what I’m reading, but he’ll help me walk into worlds that are bigger than his, even if he’s not sure what they will look like. 

When we reach the bottom, I think about my mother, vacuuming or flipping through a Better Homes and Gardens, unaware of the vast cavern beneath her feet. The mine is cold and clean, and the salt is older than the dinosaurs, formed when fish were just beginning to grow legs. It’s as if I’ve been invited to tour my father’s inner world. The men ask our guide questions about production quotas and drill rig maintenance, the height of the tunnels and the length of the roads snaking into oblivion. My question is different: how dark does it get? The men agree to show me. 

On the count of three, we snap off our lamps, and for a moment, I’m part of a shared emptiness. I grab my father’s arm, and when the light returns, I keep holding on, and he lets me. Together, we watch conveyer belts carry the ancient ocean to the surface, where it will be crushed and sorted and screened and bagged, and some of it will make its way to our garage next winter, where my father – alone, in the frigid pre-dawn – will toss it on our icy driveway and sidewalks to clear a path for us. To keep us from falling.

About the Author:

Linda Drach is a writer, public health policy manager, and creative writing teacher at The Writers Studio. Her poetry and prose have been published in Bellingham ReviewCALYXCrab Creek ReviewLunch Ticket, Okay Donkey, and elsewhere. Her poetry chapbook, Pop-Up Shrines, was published by Finishing Line Press in 2025. Find her online at lindadrach.com and on Instagram: @inky_lyrics.

Categories
micro monday poetry

Goodnight  by  Lisa López Smith

Goodnight  |  Lisa López Smith


For Padraig O’Tuama

I confess
what I know
of God
is better felt
than spoken:
the sun
going down,
the children
tucked in,
dishes and floors
still unwashed,
our bodies
bathed in heat,
the last call
of the swallows,
dust and quivering
grasses alight
with sunset,
blackbirds
swooping low.

About the Author:

Lisa López Smith is a shepherd, equine therapist, and mother making her home in central Mexico. When not wrangling kids or rescue dogs or goats, you can probably find her working on her latest novel. Recent publications include: Huizache, Live Encounters, and The Normal School, and some of these journals even nominated her work for Best of the Net, Best New Poets, and the Pushcart prize. Her first chapbook was published by Grayson Books in 2021.

Categories
micro monday micro nonfiction short creative nonfiction

i use google more than i care to admit by Jessica Hudson

i use google more than i care to admit | Jessica Hudson

as bluelight stereo / pixelated dictionary / define coruscate / as tree of knowledge / branches laden with every contortion of fruit / i am so curious / unlike my youngest brother / who never read himself into more than basketball &  finances / we don’t talk often / my favorite movies are the ones with women in the title / films split into chapters / i feel the equivalent of marking the fifth box across & yelling bingo / when i can recall the name of that one actor in that one movie / without begging the internet to sherlock it out for me / feels like memory more & more these day is an unlearned skill / yet we pity the elderly for losing theirs / perhaps lost isn’t the right word if what is lost / amazing grace lyrics / can be found by listening to a song / i tell my mother not to call herself old / languid lazy retired yes / word for beauty that doesn’t sound pretty / but not old please not yet / the phrase there’s a spirit in man comes to mind suddenly / some apostle’s quote the teen elders read to me / the last time i walked too slowly past the latter-day saints church / i wonder what words those boys google / how to keep a wife / their faces smooth & soft / not yet whispered or wrinkled or wiry / they look like my brother did in high school / wrists pale, chests narrow  / scriptured breaths hardly filling their pressed shirts / Book of Mormon the musical / two thousand year old words impressed in the same place behind their foreheads that lights up in mine when I recall a poem I memorized in grade school / map of every residence within walking distance / they pressed those words on me when i paused / hesitation mistaken for agreement / the mulberry tree outside our kitchen already in sight / berries dotting the ground like pixels squashed blue / my mother once sang me songs of love & sheep / for now i’ll let that be my definition of heaven / something to look forward to when i can’t / thank google / remember anyone’s name

About the Author:

Jessica Hudson (she/her) received her MFA in Creative Writing from Northern Michigan University. Her work has been published in DIAGRAM, New Delta Review, Quarterly West, and elsewhere. She lives in Albuquerque.

Categories
micro monday micro nonfiction short creative nonfiction

On Writing an Obituary While Listening to My Christian Sister and My Jewish Husband Argue about the Speed at Which My Dead Mother Is Being Laid to Rest by Shannon Frost Greenstein

On Writing an Obituary While Listening to My Christian Sister and My Jewish Husband Argue about the Speed at Which My Dead Mother Is Being Laid to Rest  |  Shannon Frost Greenstein

They coded my mother for fifteen minutes while her three children debated the definition of “no extraordinary measures.”

Later that night, I fed her geriatric cat in the bowels of her empty condo and felt the blunt blade of grief take up permanent residence behind my xiphoid process.

Then there were meetings and phone calls and a staggering selection of urns, estate lawyers and death certificates and trips to the airport, a convening of my family tree in my hometown of old, a pilgrimage to the past with no hope of reaching Mecca, because Mecca is just another way to say “mother” and my mother is dead. 

Two days later, my apartment is stuffed to bursting with flowers and nephews and the growing pile of laundry with which I cannot bring myself to grapple; and we are checking action items off a list, like a morbid scavenger hunt to erase a human life one credit card statement at a time.

I am the writer. I am elected to pen the obituary. I am daunted by this existential responsibility.

I try to capture in words the woman who bore me, the woman who both fucked me up and loved me at the very same time; backspacing, cutting and pasting, deleting clauses, typing the same sentence over and over again.

This is all just happening disrespectfully fast, opines my sister, a byproduct of the same Lutheran upbringing that has led me to an atheistic Humanism. Why can’t we take any time to breathe? 

It’s been 48 hours, responds my husband, the former Mrs. Greenstein’s good Jewish boy, sorting through my dead mother’s effects. Why isn’t she buried? Why aren’t we eating yet? 

This is all because of end-of-life expenses, I remind my sister; that’s what you get for marrying a shicksa, I inform my soulmate. 

And as I blunder through a description of my mom’s naval service, her gift for nursing that was really more like a calling, I manage to smile through the tears already soaking my cheeks at the juxtaposition of Judeo and Christian, and the quirky customs we’ve somehow all embraced regarding the best ways to honor our dead.  

But I also really just want my mom back.

About the Author:

Shannon Frost Greenstein (She/They) is the author of “The Wendigo of Wall Street,” a novella forthcoming with Emerge Literary Journal. A former Ph.D. candidate in Continental Philosophy, her work has appeared in McSweeney’s Internet Tendency, Pithead Chapel, Bending Genres, and elsewhere. Follow her at shannonfrostgreenstein.com or on Twitter at @ShannonFrostGre. Insta: @zarathustra_speaks

Categories
micro monday micro nonfiction short creative nonfiction

Healing Tobacco by Amanda Callais

Healing Tobacco  |  Amanda Callais

The swing set shines in the South Louisiana sun. Silver. Blue. Mine. It beckons me out of the air-conditioned house into the backyard’s sticky heat. Hand over small hand, I grip the ladder’s warm rails. Not too loose. Not too tight. Just right. I am almost at the top when I feel the sting.  

Pain sears through my hand. Burning. Throbbing. Swelling. My shrill 5-year-old scream pierces the silent summer day, sending Papaw and Mom running. 

The sweet smell of tobacco that is Papaw fills my nostrils as he lifts me screaming from the ladder, setting me down on the bottom of the slide. He kneels beside me.  Eye-level, he lifts my swelling pink hand in his dark calloused one. 

“Wasps,” he mutters. 

I shrink.

“Tobacco,” he tells Mom. 

Reaching into the front pocket of his blue work shirt, he pulls out a clump of loose leaves usually reserved for his pipe. Hand tucked into my lap, I wail louder, gulping hot air. If it bothers him, he doesn’t let on. He just puts the tobacco in his mouth, wetting it with his spit until the leaves transform into a thick paste he spreads over the sting. Tobacco. Spit. Spread. Repeat, until my hand is a brown lump of spit-soaked tobacco. 

My sobs slow as numbness sets in. Clear-eyed, I stare into his work-hardened face. Small beads of sweat dot his olive brow. A large drop slides down his temple. Thinning black and gray hair curls in front, a perfect Q right at the center. His eyes light up his dark skin. 

I breathe in. 

Though he lives next door, I have known him only from afar. Tall. Strong. Stern. Today, I see him for the first time. Up close. I am no longer scared. I am in awe.

About the Author:

Amanda Callais is a writer and attorney. When not working, she lives and writes between worlds, navigating a transatlantic relationship with her Spanish partner while writing about it, her Louisiana roots, purple Jeep, and everything in between. Her work has been published in The Sun Magazine, HerStry, and Five Minutes.

Categories
micro monday poetry

Voice Message #205 by Kathryn Reese

Voice Message #205  |  Kathryn Reese

oh my girl—someone is going to love you with your bed hair
and black coffee breath your mismatched pajamas and naked toenails
your late for the bus kiss your text message shopping list
your half-written story the back of a receipt
someone is going to love your late-night insomnia your just-in-case
herbal tea your ginger caramel dark chocolate fudge your fingerprints
all over the fridge door all over the stove all over the dishcloth
someone is going to love your do the dishes later lick the bowl first
love your rainy-day melancholy soundtrack
love when you ask them out for a walk and miss
the track and skirt right round the island the long way
someone is going to love that you see whales or sea lions
or mermaids or a great purple octopus emerging from the waves
someone is going to think you’re a lighthouse
someone is going to want to swim in your shelly cove
someone is going to long to run their fingertips through
your tussock grass graze on your samphire drink
deep from that puddle of rain by your navel oh my
gorgeous island girl
someone is going to love you

About the Author:

Kathryn Reese is a poet living on Peramangk land in Adelaide, South Australia. She works in medical science and enjoys solo road trips, hiking and chasing frogs to record their calls for science. Her poems can be found in Gone Lawn, Engine Idling, Kelp Journal and Australian Poetry Journal.

Categories
micro fiction micro monday short fiction

Roman Holiday by David Sapp

Roman Holiday  |  David Sapp


I dreamed and found you young again somehow transported across the Atlantic, past Gibraltar then Corsica, over the waves of the Mediterranean. I arrived quite dashing in a light linen suit and polished Italian shoes, in a little white sportscar, over ancient brick streets and through Di Chirico piazzas and skewed Zeffirelli perspectives at your flat in Rome set curiously in the forum at the edge of the Palatine Hill. I took you in my arms, circled your waist, and my palm found the small of your back. You twirled for me, flipping the hem of your dress, a black and white print in tiny cubist abstractions. We danced spinning through your bright rooms with the high ceilings like a chiesa expecting Raphael above our heads – an Assumption or an Ascension. You’d arranged vases of flowers, and the tables and chairs were strewn with opened books, chipped china, and the remains of bread and the dregs of wine from the night before. The windows were tall and opened wide, curtains drifting in the breeze, and allowed the shouts and cheers of scruffy boys kicking a soccer ball outside. And there was a jumpy, comedic Italian tune playing from the phonograph – the kind of music that makes you want to whirl around the kitchen with your mother or gambol with your little sister balanced on your shoes. So pretty and poised, you were Audrey Hepburn in Roman Holiday after she got her hair cut short, raced Gregory Peck on a Vespa, and stuck her hand in the Mouth of Truth. Giddy, we laughed and ached and wept, immediately in love again. Your bedroom walls and the quaint watercolors you bought of the Pantheon, Colosseum, Spanish Steps, Trevi Fountain, and that little temple of Portunus near the Tiber – the very ruins around us seemed to laugh too, happy for us. But when I leaned in to kiss you, our lips refused to touch, to meet as willing participants in a prelude to desire. I heard, “Remember, you’re married.” Instantly I returned flying back across the ocean in my little white convertible to that other bliss I’d live after waking. And that was all. That was enough.

About the Author:

David Sapp, writer, artist, and professor, is a Pushcart nominee. His work appears widely in the United States, Canada, and the United Kingdom. His publications include chapbooks “Close to Home” and “Two Buddha,” a novel “Flying Over Erie,” and a book of poems and drawings titled “Drawing Nirvana.”