On Writing an Obituary While Listening to My Christian Sister and My Jewish Husband Argue about the Speed at Which My Dead Mother Is Being Laid to Rest | Shannon Frost Greenstein
They coded my mother for fifteen minutes while her three children debated the definition of “no extraordinary measures.”
Later that night, I fed her geriatric cat in the bowels of her empty condo and felt the blunt blade of grief take up permanent residence behind my xiphoid process.
Then there were meetings and phone calls and a staggering selection of urns, estate lawyers and death certificates and trips to the airport, a convening of my family tree in my hometown of old, a pilgrimage to the past with no hope of reaching Mecca, because Mecca is just another way to say “mother” and my mother is dead.
Two days later, my apartment is stuffed to bursting with flowers and nephews and the growing pile of laundry with which I cannot bring myself to grapple; and we are checking action items off a list, like a morbid scavenger hunt to erase a human life one credit card statement at a time.
I am the writer. I am elected to pen the obituary. I am daunted by this existential responsibility.
I try to capture in words the woman who bore me, the woman who both fucked me up and loved me at the very same time; backspacing, cutting and pasting, deleting clauses, typing the same sentence over and over again.
This is all just happening disrespectfully fast, opines my sister, a byproduct of the same Lutheran upbringing that has led me to an atheistic Humanism. Why can’t we take any time to breathe?
It’s been 48 hours, responds my husband, the former Mrs. Greenstein’s good Jewish boy, sorting through my dead mother’s effects. Why isn’t she buried? Why aren’t we eating yet?
This is all because of end-of-life expenses, I remind my sister; that’s what you get for marrying a shicksa, I inform my soulmate.
And as I blunder through a description of my mom’s naval service, her gift for nursing that was really more like a calling, I manage to smile through the tears already soaking my cheeks at the juxtaposition of Judeo and Christian, and the quirky customs we’ve somehow all embraced regarding the best ways to honor our dead.
But I also really just want my mom back.
About the Author:
Shannon Frost Greenstein (She/They) is the author of “The Wendigo of Wall Street,” a novella forthcoming with Emerge Literary Journal. A former Ph.D. candidate in Continental Philosophy, her work has appeared in McSweeney’s Internet Tendency, Pithead Chapel, Bending Genres, and elsewhere. Follow her at shannonfrostgreenstein.com or on Twitter at @ShannonFrostGre. Insta: @zarathustra_speaks