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micro fiction micro monday short fiction

Drunk Husband Crashes Yard Sale by Alice Kinerk

Drunk Husband Crashes Yard Sale | Alice Kinerk

You decide to hold a yard sale, because it’s a nice thing to do, a homey, all-American thing to do. Also, you’re broke. You place a classified ad, mark the date, start stickering. 

Night before the sale, Drunk Husband goes out drinking, and by dawn has yet to return. Nothing unusual there, but given his recent promises, it hurts.  It’s for the best, you tell yourself. He’s sleeping it off somewhere. With all the hauling to do that morning, all the folding tables to set up.  Linens, CDs, tapes, pot holders, trivets, posters, books, magazines, clothes, garden tools, shoes, clothes, unused wedding gifts and parental cast-offs, beach stuff, utensils, plant pots. Everything out the door, down the steps, onto the front yard for liquidation purposes. 

It’s for the best. It is. It is. It is.

But then, Drunk Husband is rounding the corner. He’s tipping back a paper bag, stiff-legging it. Trespasser! he bellows at the old lady Q-tip who is your first customer. He’s half a block away, bellowing. 

Then he gets close, hovers over her like an interrogator. The Q-tip drops an eggbeater and beelines it to her Cutlass, drives away.

Another customer appears.  Scene repeats.  

You tell Drunk Husband to go to bed, but he doesn’t hear you. Instead he does a King Kong through your cityscape of folding tables, picking things up and dropping them. 

You cajole. He refuses. Repeat, repeat, repeat.

Until finally, mercifully, he does go. He stumbles inside to use the bathroom, some time passes, and he doesn’t return. Peace falls again upon the yard.

More customers arrive. Sales are made. 

But then, from inside the house, the bedroom window opens.

Trespassers!  

It won’t be the final time he hurts you, nor the worst. But one day, twenty years later, remarried, middle-aged, you will watch the sunset through wildfire smoke, and this is the image which will surface.  Drunk Husband’s face in the window that morning, round and red like the sun is now. Just as angry.  Every bit as impossible to contain.

About the Author:

Alice Kinerk spends her free time attempting to make complicated desserts, most of which are tasty failures, such as the time she tried to make a croquembouche. She’s published dozens of stories. Read more at alicekinerk.com.


Categories
micro monday poetry

Instead of Writing Poetry, I Doom-Scroll Instagram by Gray Davidson Carroll

Instead of Writing Poetry, I Doom-Scroll Instagram | Gray Davidson Carroll

I watch a protest video. I read the comments. It was so incredible. I’m so happy I was able to go. There are so many ads these days. The civilian death toll is mounting. I read an inspirational quote. React with fire emojis when I see a friend has been published in a journal I’ve been rejected from five times. I’ve written better, I think, and this is not the point. I like the new article by Them. Someone is pregnant, someone is engaged. What’s happening to Kate? It’s the anniversary of her dad’s death. Someone wants a daddy. Trump is in the news again. Someone famous died but it wasn’t him. There is a new miracle drug that will solve all your weight loss problems. Here, try the new protein powder, 10% off.

About the Author:

Gray Davidson Carroll is the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in The Common, Sage Publications, Frontiers in Medicine and elsewhere. When not reading or writing, you can typically find them drinking copious amounts of coffee at all hours of the day, or otherwise pedaling a bicycle down forgotten backroads and singing at the top of their lungs.

Categories
micro fiction micro monday short fiction

Not Until Fish Fall From the Sky by Kale Choo Hanson

Not Until Fish Fall From the Sky | Kale Choo Hanson

Nina, I won’t let you marry him until fish fall from the sky, my father says as we sit on the back deck, him on a lounge chair smoking a cigar, and Ian and I standing on the threshold of the sliding glass door. Ian shifts beside me, his ears growing pink. Let’s just go, he whispers. But I’m not ready to leave. I had known my father would say this exact thing. He said it at my cousin’s birthday party when asked to try out the bouncy house, then again at the church auction when offered a cocktail with fruit in it, and then again when my sister Ella had saved up her waitressing money to buy a used Volkswagen Bug. I won’t let you drive that thing until fish fall from the sky. 

Ian is a good guy. He has a job as an accountant, keeps the philodendron in our kitchen alive, and listens to my stories like he’ll be quizzed later. It would all be fine if my father hadn’t caught him in the basement last month, polishing his piccolo. No man plays the piccolo and is proud of it, my father says to me later after a dinner of stony glares and silences. He was in marching band, he’s a great musician, I say. My father shakes his head and points at the sky. Fish, Nina. Fish. 

But today, as I stand on the back deck, clutching Ian’s nimble, piccolo-trained hand in mine, watching my father puff cigar smoke from a smirk, I am ready. Well, we are ready. I snatch my phone from my pocket and send my sister a text. I hear a grunt from the other side of the house, the front driveway perhaps. I brace myself for impact. 

The salmon, silvery and dead-eyed, lands on the side table beside my father. His beer, a gold cigar clipper, and ashes from a tray are launched into the air. His cigar flies from his hand as he jumps to his feet. The fish is much bigger than I had expected and I am impressed that Ella had cleared the whole house and almost landed it in his lap. What the hell? My father says as he stares down at the fish, his eyebrows narrowed and his smirk replaced with a gaping O. He doesn’t lift his gaze until we smell smoke.

We discover later that the cigar had rolled underneath the deck and into a pile of dead leaves. We get a lecture from a soot-covered firefighter. But before the red engines arrive— as we wait in the front yard watching the house erupt into flame, Ella, Ian and I with our chins tilted up in disbelief— my father is behind us, facing away from the house, feet bare at the end of the driveway, holding a 6-pound salmon in his fist, opening his mouth to say something and then closing it when nothing comes out.

About the Author:

Kale Choo Hanson is a writer and editor. Her work has appeared or is forthcoming in Peatsmoke Journal, Grande Dame Literary, Glassworks and Thirteen Bridges Review. She holds an MFA from Temple University and currently resides in Philadelphia.

Categories
micro monday poetry

Aftermath by Jill Michelle

Aftermath | Jill Michelle

           after Charles Jensen

In February 2007, after the water broke and I lost a son at 21 weeks, my father took me to brunch. Sitting across the Perkins booth, he reached for my tissue-free hand as I cried over a plate of chocolate chip pancakes instead of eating them. In February of 2008, after a second baby died the same way, I took Dad to lunch, sat across the TooJay’s table—view of Health Central, where I’d lost a daughter yesterday, where I’d lose him in 2012, over his left shoulder. We held hands next to his uneaten Reuben as he sobbed, caught in the 40-year-old memory of arriving at his first Navy ship only to be flown home at the news of his mother’s death.

Quiz on this section:

  1. Pinpoint the day between February 11th, 2007 and February 22nd, 2008 when the Alzheimer’s plaques overran the narrator’s dad’s brain.
  2. How did the narrator feel handing her babies back over to nurses?
  3. How did the narrator feel handing her dad over to the nursing home?
  4. Draw a diagram of your heart. Color in its shadows. Label them with the middle names of your dead.

About the Author:

Jill Michelle is the author of Underwater (Riot in Your Throat, 2025) and Shuffle Play (Bottlecap, 2024) and winner of the 2023 NORward Prize for Poetry. Her newest work is forthcoming in The Florida Review, Free State Review, The Indianapolis Review, MQR: Mixtape and Pangyrus Lit Mag. She teaches at Valencia College in Orlando, Florida. Find more at byjillmichelle.com.

Categories
micro monday micro nonfiction short creative nonfiction

Inland Ocean by Heidi Bell

Inland Ocean | Heidi Bell

Our parents park the ancient pop-up camper in the sandy driveway. We kids and our friends sleep out here in the summer sometimes, at the bottom of what used to be an inland ocean. We fall asleep to the suck and billow of the heavy canvas sides, as though we’re on a sailing ship or inside the body of the breathing night, the belly of the whale.

I wake to my father’s shadowed face, his incandescent eyes. He and my mother are shaking us all awake. His hands gather me up. “It’s going to rain. Let’s go in.”

Instead, he holds me in his arms in the yard under the boiling purple sky as wind turns the oak leaves inside-out and bends the young poplars almost to the ground.

Nights when my father doesn’t come home, I imagine his permanent disappearance—car-crashed, drowned. He makes promises he doesn’t keep. He makes our mother cry.

“Look,” he says now.

A slender starfish stretches its legs across the sky, and its voice is everywhere, thunder woven through the air. It reaches across the humped backs of the bluffs, and an electric charge rises up from the ground to meet it, up through my father’s body and through mine, and we laugh with delight.

There will be years of strife between us before I accept what he is—elemental, a creature of instinct and chaos—before I understand how I am like him. How none of us asked for this. We all just ended up here somehow, together. Unjustified.

About the Author:

Heidi Bell’s fiction collection Signs of the Imminent Apocalypse and Other Stories was released by Cornerstone Press in October 2024. She works as a writer and editor of books and educational products. 

Categories
micro monday micro nonfiction short creative nonfiction

Boyfriend Jeans by Heidi Bell

Boyfriend Jeans | Heidi Bell

Rose Marie’s younger son chauffeurs her to the cookout; she is too weak now to drive. She comes across the yard, her sagging cheeks bright with blusher, drooping lips painted pink. She is wearing faded straight-legged jeans and a shirt unbuttoned at the bottom and tied up under her bust, revealing several inches of midriff scarred from surgery. She sits down across from me at the peeling picnic table, and, behind her, the sun comes—a girl stepping down the sky—to dip her toes in the shimmering river that flows by at the edge of the lush midsummer yard. Rose’s auburn wig begins to glow.

Rose and I have forged a connection through the years over various mental health crises and then female cancers—like a Ping-Pong game. But we won’t see each other again. What is there to say? I win.

The grilled meat like river sand, ashes in my mouth.

Later, my sister, Rose’s daughter-in-law, says in a bewildered voice, “I don’t know why she was wearing that outfit.”

There are clothes that live at the margin of my closet—sleeveless blouses and miniskirts and fitted T-shirts and turtlenecks that I long, against all reason, to wear again someday. The flowered fabric and cashmere seemed to have slipped through my fingers before I had a chance to appreciate how they felt against my skin, how it felt to be who I was then.

Maybe Rose, ravaged by uterine cancer, has finally reached her target weight. Which of us women past a certain age wouldn’t be tempted to accept that mean little gift—the sharp edges of hip bones, the shadows between the ribs.

About the Author:

Heidi Bell’s short story collection Signs of the Imminent Apocalypse (Cornerstone Press, 2024) was named a 2025 Book of the Year by the Chicago Writers Association. She is at work on a novel and a collection of micro memoirs.

Categories
micro monday poetry

Cosmos, Carry Us by lord vaughn

cosmos, carry us | lord vaughn

i was a calamity | inside a box | inside the vacuum of
space | where other boxes | gently floated by | opaque
the boxes | did their six walls | hold calamity too |
would their riot be familiar | the yearnings that drone |
the blaring anxieties | us all chambers of noise |
situated within void | if i could bring to bear | that
common din | to fill the space between us | we might
find | some desperate melody | undergirding it all |

i am here
i am here

About the Author:

lord vaughn is a poet from Carson, California, who captures emotion in pigment then paints the sky. Inspired by the lyricism of Kendrick Lamar and Hanif Abdurraqib, his work is rhythmically precise and unflinchingly introspective. His writing has been featured in The West Wind Literary Journal.

Categories
micro fiction micro monday short fiction

Closure by David Obuchowski

Closure  |  David Obuchowski


The envelope was already partially open, the flap peeling up as if maybe you hadn’t licked it enough for it to stick. But after I read your letter, that couldn’t have been the case. You wouldn’t have gone to all that effort and then not have sealed the envelope properly. It must have been the adhesive. Cheap glue. Or old perhaps. It must have given way when it was already in transit. Had you seen that it wasn’t sealed, you would have taped it, ensuring the letter’s safety. So it wasn’t your fault. Not that you’d agree. From what you wrote, you’re all too willing to blame yourself.

Well I saw straight away that it wasn’t addressed to me, that it was for someone who lived five blocks away. A stranger on the same postal route as me. The mailman must have been in a rush. Or he must have been lazy. Or he must have been careless in his sorting. Or maybe that loose corner of the flap had just enough adhesion left in it to stick to a piece of my mail, like the seeds of a weed that cling to your shoelaces and the hem of your trousers. Hitchhikers we called them when we were kids. When you were a kid, you never would have imagined pleading for your own freedom. And yet.

So, for whatever reason, the envelope came to me, a stranger to you—not to him, a stranger to me, and a person who you hoped would become a stranger to you once again.

Had the envelope been sealed, I would have scrawled on it wrong address or misdelivered and placed it back into my mailbox for the error to be corrected. Or perhaps I would have even walked it over to this nearby stranger and slipped into his mail slot, or beneath his door. Maybe I would have even written a note on it. Mailman delivered this to my house by accident. Cheers, a neighbor.

But instead, I could see your neat cursive hand in navy ink. I could make out words. Love and sorry and time and wrong and happy and sorry and sorry and sorry again. Well, I had to read the rest, didn’t I?

Three pages. Six, considering they were double-sided.

You tried to take the blame. You cast yourself as the villain. But that’s not what villains do. He was luckier than he knew. People like him always are. You gave him everything he ever wanted. So why give him one last thing? Why give him your navy ink, your neat cursive hand, your stamp that says forever for a letter that yearns for never again? 

Closure is too precious for the likes of him. Let him wonder instead.

About the Author:
Close-up portrait of a man with gray hair, wearing glasses, and a denim jacket, set against a softly blurred background.

David Obuchowski is a prolific and award-winning writer of fiction as well as longform nonfiction, some of which has been adapted for film and television. His work has appeared in Acturus (Chicago Review of Books), Road & Track, Baltimore Review, Salon, West Trade Review, Fangoria, and others. He co-authored the children’s book, How Birds Sleep (2023, Astra), which collected a number of prestigious honors. www.DavidObuchowski.com

Categories
micro monday poetry

We Were the Kind of Couple by Lucy Adkins

We Were the Kind of Couple  |  Lucy Adkins


We were the kind of couple who
walked down the street, hands
in each others’ back pockets. We
stayed up late and steamed up
car windows. And when our friends
counseled caution, time, a longer
than a three month’s engagement,
we thought they were crazy. We
knew what we knew and felt what
we felt. (Of course we were young.)

When it was time to fight
we fought, and when it was time
to make up, we did. Once in a while
we gave each other the silent treatment –
two cars headed straight for the headlights
of the other. It was always me who
swerved first, and I hated that,
wanting to stand my ground. To win.

In high school Driver’s Ed,
we were to keep a scrapbook of
newspaper clippings – of car crashes
which seemed so prevalent at that time:
cars hurtling off embankments,
colliding with semis, cars crashing
into the tonnage of trains. We were to be
stunned into safety, I suppose, all the young
lives lost. I wanted to live and be
happy, happy, so I swerved.

About the Author:

Lucy Adkins’ poetry has appeared in many journals and anthologies as well as former poet laureate Ted Kooser’s column, American Life in Poetry. Her latest two collections, Two-Toned Dress and A Crazy Little Thing, were winners of Nebraska Book Awards for Poetry in 2021 and 2023. She’s also co-written two books of non-fiction, Writing In Community and The Fire Inside, and has been a writing workshop leader for many years.

Categories
micro monday micro nonfiction short creative nonfiction

Detroit Salt by Linda Drach

Detroit Salt | Linda Drach

When my father says, Dress warm. No tube tops or flip flops, I’m flummoxed. He’s one of the good ones – he mows the lawn and pays for my flute lessons and comes home from work at 4:15 every day – but in our world, the care of daughters is the province of mothers. Even a ride-along to K-mart or Jiffy Lube would be surprising. Could he be taking me ice skating? It’s summer, but the Zambonis run all night, keeping indoor rinks pristine for men’s hockey leagues. 

He doesn’t say a word as we drive past the giant Uniroyal Tire and miles of manufacturing plants wrapped in concertina wire, but we’re listening to WJZZ, and when Artie Shaw comes on, he turns it up and drums the wheel with his fingers. His good mood continues as we join a group of middle-aged men – all of us outfitted in hard hats with headlamps – in a cramped elevator that will take us to our final destination 1,000 feet below the city. On the long descent, our guide explains that the salt mine will be closing permanently, and we are among the lucky few who get to see it. Now, I understand why I am here. My father, proud American son of immigrant parents, will never call me a pet name or ask me what I’m reading, but he’ll help me walk into worlds that are bigger than his, even if he’s not sure what they will look like. 

When we reach the bottom, I think about my mother, vacuuming or flipping through a Better Homes and Gardens, unaware of the vast cavern beneath her feet. The mine is cold and clean, and the salt is older than the dinosaurs, formed when fish were just beginning to grow legs. It’s as if I’ve been invited to tour my father’s inner world. The men ask our guide questions about production quotas and drill rig maintenance, the height of the tunnels and the length of the roads snaking into oblivion. My question is different: how dark does it get? The men agree to show me. 

On the count of three, we snap off our lamps, and for a moment, I’m part of a shared emptiness. I grab my father’s arm, and when the light returns, I keep holding on, and he lets me. Together, we watch conveyer belts carry the ancient ocean to the surface, where it will be crushed and sorted and screened and bagged, and some of it will make its way to our garage next winter, where my father – alone, in the frigid pre-dawn – will toss it on our icy driveway and sidewalks to clear a path for us. To keep us from falling.

About the Author:

Linda Drach is a writer, public health policy manager, and creative writing teacher at The Writers Studio. Her poetry and prose have been published in Bellingham Review, CALYX, Crab Creek Review, Lunch Ticket, Okay Donkey, and elsewhere. Her poetry chapbook, Pop-Up Shrines, was published by Finishing Line Press in 2025. Find her online at lindadrach.com and on Instagram: @inky_lyrics.