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micro monday micro nonfiction short creative nonfiction

Pet Cemetery by Benjamin Davis

Pet Cemetery | Benjamin Davis

Growing up, we had a lizard, ferret, parrot, rat, six dogs, eleven hamsters, and a holocaust fish who died with such startling frequency, that it was as though we’d bought each without bothering to check the expiration dates. Fish went in the toilet. Our mother dragged us by our names to the bathroom where we’d find her with a little green net in her hand. Inside there was always Rebecca, Ariel, Sarah, Anastasia, or whatever other fish had died. She’d cry, as she did when any pet died, then plop it into the toilet. “Everyone say bye, fishie!” She’d say. We would, and as the toilet gulped them down, she’d hum a little tune that I’m pretty sure was the national anthem. Then the hamsters. “Rodents,” our mother called them. Her only rule was that we could only have one at a time. So I doubt she was thrilled when we bought “Mama” who birth to six wiggly tablets that all would’ve grown to plague our home if Mama hadn’t eaten four of them, choking on the last, leaving us with reproducing siblings and a lesson on how nature surely doesn’t believe in God. Years passed. Hamster after hamster. It wasn’t our fault—not really; heart attacks, tumors, cold snaps, electrocutions, and embolisms. They always died in winter when the ground was too hard to bury them in. So our mother placed them in the four-by-six, three-foot-deep basement freezer in leftover shoeboxes beside the freeze-pops, chicken pot pies, and TV dinners, accumulating over years of forgotten springs. By my teenage years, a full two rows of shoeboxes lined the left-hand side of the freezer. When friends came over we’d go hunting for freeze-pops, and they’d ask, “What’s in the shoeboxes?” I’d say, “Hamsters, mostly.” And they’d laugh. Like it was a joke—which I always thought odd. What did they think, that we froze our shoes? If pressed, I’d open a box to show them a fur-matted, frozen stiff, rodent-popsicle. Hamsters don’t die gracefully. As my friends lost grandparents, I wondered how many hamsters equaled a grandparent. I’d see them grieve and think, well, I was a little sad when Anastasia died, was I ten percent of grandparent-sad? If we had ten hamsters die, would I have grown as much from my grief as they from theirs? Twelve? I made a mental note to count the shoeboxes, but I never did. Years later, I came home to find that my brother’s hamster had died on a beautiful summer day. Our mother reverently carried it outside. Our father dug a hole. My brother wept until all of his tears were used up. Until the hole was filled. Then they turned and went inside as if that were the end of it.

About the Author:

Benjamin Davis has stories and poems in over two dozen literary journals including Booth, Moon City Press, Softblow, and Slippery Elm Press. His poem collection, The King of FU (Nada Blank, 2018), was such a smashing success it shocked the indie press who printed it into an early grave. Visit him at daviscommabenjamin.com

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micro monday micro nonfiction short creative nonfiction

[Redacted] by Joanna Acevedo

[Redacted] | Joanna Acevedo

In the weeks before Michael’s death, I quit smoking. Not because of anything, but just because I can, because these moments of rudeness and grace that we are dealt are sometimes more than we can handle. After he is dead, B— will smoke a cigarette, outside, with my cocaine dealer. They will talk about [redacted]. I worry they will talk about what it is like to fuck me, but the subject never comes up. 

In the cult classic movie, Fight Club (1999), based on the novel by Chuck Palahniuk, a commanding Brad Pitt tells us:“The sixth rule of Fight Club is the fights go on as long as they have to.” The fights, as the movie shows us, are quicksilver speedy—men grapple with each other, arms and legs akimbo, their fingers finding eye sockets and armpits, their toes hugging the polished concrete or hardwood. It’s not often that one thinks about their capacity for violence. 

Fight Club was successful, and continues to be successful, because it shows us what we could be—dual sides of the coin, both the unnamed narrator and the sexy, confident Brad-Pitt-as-Tyler-Durden. We could be reckless, rebellious, if we only stepped out of our comfort zone. All of us, in our ways, have this capability. We’re just not reaching for it. The possibility is there, and this possibility is enough for most people. 

In late March, I offer B— two of my extracted wisdom teeth; a peace offering. Michael has been dead three months. I know what my capability is—I have glanced sideways at the knife block as our voices rise, but I will never act on these urges. I do not know how to handle my grief. I read his obituary again, and it streaks through me like lightning, fresh as paint. 

Fight Club offers us a way out through violence—but it’s a fantasy, and in the movie, unlike the novel, it’s also a love story. Violence will not save us, and neither will love. What will save us is [redacted]. Our only way out is through.

About the Author:

Joanna Acevedo is a writer, editor, and educator from New York City. She is the author of two books and two chapbooks, and her writing has been seen across the web and in print, including in Jelly Bucket, Hobart, The Rumpus, and The Adroit Journal, among others. She received her MFA in Fiction from New York University in 2021 and also holds degrees from Bard College and The New School. Read more about her and her work at https://www.joannaacevedo.net.

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micro fiction micro monday short fiction

Everything Is Here, Everything Is Gone by Cressida Blake Roe

Everything Is Here, Everything Is Gone | Cressida Blake Roe

You become more man the further east you walk. As the coastal fires darken behind you, the state borders lie in ruins of cinderblock and snapping pylons, but you use them to mark your passage out of womanhood: Arizona, you cut your hair with a stranger’s knife and barter it for bread made more of synthetic polymer and wishful thinking than wheat, but you’ve been eating dreams for months, so it only reminds you of home. Arkansas, you bind your breasts with the fabric you had stuffed into your brother’s stolen boots and let your feet go cold. Alabama, you stop sliding your voice up to the anticipated octave, and Georgia—but Georgia is a dead name; you leave her behind altogether.

The stars are still falling when you reach the ocean, and their dying light allows you to read the overhanging billboard. In the old days, neon swirled through a sign declaring The Republic of New-Nueva-新的 York, but you know that the way you learned the mythology of Martin Luther King Jr. in high school. What’s left of it you can see spells “he Re N or.” Ironic. Because it’s neither here nor there, this ruined republic. Like the body you wear. Like the world that’s been ending for so long but won’t ever stop.

You’ve often thought about ending it, yourself, in that old life. So many times, digging your own grave with misplaced words, you were tempted to lie breathing the soil until its toxins sent you to sleep. Her, her, you mouthed into the dirt. Broken vessel, traitor bones. Should have swallowed the water when you fell into Lake Anza when you were thirteen and drowned. It took you nine years, four months, and seventeen days to climb out from the earth you carved up with your own shame and walk away from the girl buried there.

Now, you survey the moving seam where the water meets the land: blurry and unclear, the waves throw up plastic and choked fish and confusion. Nature never divided things plainly. A terminus is an origin point is a balance in the center of the scale. In this moment on the journey of radioactive decomposition, you understand you have only made it halfway to the person you are. Time stretches ahead of you into the dark, so you settle among the ashes of democracy to wait for dawn. It is a beautiful half-life, you think. All around glitter the shards of what you were, what you are, what you might have been; and from here, they look just like diamonds.

About the Author:

Cressida Blake Roe is a biracial writer of speculative and literary fiction, whose work appears or is forthcoming in The Baltimore Review, Chestnut Review, Lightspeed, Tupelo Quarterly, X-R-A-Y, and elsewhere. Recent stories have been nominated for the Best Small Fictions and included in the Wigleaf Top 50 Longlist. See more at www.cblakeroe.wordpress.com.

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micro fiction micro monday short fiction

It Was a Pheromone Party by Val Maloof

It Was a Pheromone Party | Val Maloof

You know, a pheromone party? The kind where strangers all wear shirts to bed for three nights in a row, then put it in a bag, label it with their ID number, and then everyone goes around sniffing each bag like a zombie trying to find its prey? You don’t have those here?

You should start them. They’re fun. Make sure to wear cotton, it’s breathable and your stench will last longer in the fabric. Try not to judge the color or what’s on each shirt, don’t read too much into it, it’s all about the smell. 

I know pheromones don’t have a smell, but it’s also about the smell.

No, you don’t touch the shirts, that would tamper with the purity of the experiment. You just sniff. They line up all the shirts like evidence bags and with gloves on and you open each one and try to find your future partner. At first, you might be really eager – Ok that one didn’t smell too bad. But just wait, they get better. I mean they also get worse of course, like repulsive even, but also better. There’s a smell out there that’s just right for you.

Who started this? A friend of a friend. He said he was looking for someone special. He said the apps were so empty and meaningless. How can you really know someone if you don’t know what it smells like to stand next to them? We all laughed and said that people do meet people through the apps. We said, you’re using your eyes to view their photos and then when you meet them you’re hearing their voice and feeling their hug. All these things matter.

But he said smell was his favorite way to know someone. He said after his wife died a few years ago he would wrap himself in the blanket she watched TV in. Every day, even in the summer he’d wrap her blanket around his neck and shoulders, seeing how many times it could go around his body. It was like she was still here. But after a while, the blanket no longer smelled like her. Time wore it off. And he’s now searching for her scent, sticking his face into each bag, hoping for something close. 

About the Author:

Val Maloof‘s fiction has appeared in The Drum Literary Magazine, 100 Word Story, Jellyfish Review, Chicago Literari, Bartleby Snopes, and The Bookends Review. Val holds a BFA in Writing from Emerson College and is a Chicago-based writer. She is currently working on her first novel.

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micro monday poetry

How to Hear God While Making Thanksgiving Dinner by Charlene Pierce

How to Hear God While Making Thanksgiving Dinner | Charlene Pierce

Your granddaughter wants your attention. Your youngest grandson has learned to climb and loves the sound of pans banging against their lid; the other toddler has learned that the power of his scream is stronger than words and decided to never use them. You have the bird in your hands, raw and waiting to be stuffed. You’re covered in salmonella, and who knows what other deadly bacteria you can’t pronounce, you need to wash. The towel is missing. To hear your granddaughter’s soft voice, you must kneel to her, put your ear close to her lips. Your oldest grandsons are running through the house, laughing. They found something to make a sword. You hid the wooden knife, the plastic Ninja Turtle dagger, the pink sparkly baton, the cat toy with a ball hanging from a wand, and still they found something to make a sword. Secretly, you’re proud of their ingenuity, and you want to play, run through the house yelling “en guard,” but your granddaughter wants your attention. You fear they will soon be at the age when Nana isn’t cool, but they have friends who are. The turkey is raw and waiting to be stuffed. The pies are done. The oven isn’t beeping yet, or maybe it is, but you can’t hear it, and you smell the browning crust taking over the pumpkin’s spices. You used to make them by hand, back when you had time or when you thought you had time. Your priorities were different then, and you only had two daughters. Mothers now, sitting ear to ear, talking as sisters do, only to each other. You could call to them, tell them to take the pies from the oven, the cranberries will be simmering over soon, and the turkey is raw and waiting to be stuffed. But you remember how your shoulders relaxed when you went to Grandma’s for Thanksgiving, and someone else was cooking, and someone else was tending to the children, and someone was taking care of you, and you want that for your daughters. You want everything for your daughters, and this you can give them even though the turkey is raw and waiting to be stuffed, and your granddaughter wants your attention. Dry your hands on your pant legs and kneel down to listen. Put your ear near her lips.

About the Author:

Charlene Pierce founded the Nebraska Poetry Society, a non-profit organization, to make poetry accessible to all. It is an essential mission for her as a person with a disability who has overcome poverty. Her poetry and prose have appeared in several literary journals and Nebraska anthologies, including “Misbehaving Nebraskans.” She published “The Poet’s Journal: A Beginner’s Workbook for Writing Poetry.” By day, she is a freelance writer, appearing on websites and blogs across the country, as well as in local magazines.

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micro monday poetry

Beach House by Hannah Miet

Beach House | Hannah Miet

I was new to LA
It was November
and wind-cold
the kind you feel
in your clavicles,
and I’d thrown away or sold
all my winter jackets

I shivered by the ocean
and did hot yoga
and got yeast infections
and wrote a rich kid’s USC essay
for $100 on Upwork

I ate frozen yogurt
twice a day
thinking it probiotic
but the sugar brewed
a storm beneath my skin

In class with Botoxed blondes
or in cafes filled with talkers
I wondered how anyone
got here, stayed here,
paying bills
in a city where a cup of coffee
costs more than minimum wage

I applied online

for a job at a juice bar
and sat in traffic,
thinking existentially
about student debt

Nobody tells you
Los Angeles gets cold
They don’t tell you
the beach can be menacing
in its beauty,

as the sunset reaches
its prime-time crescendo
and everyone smiles
as you walk by,
baby —

alone.

About the Author:

Hannah Miet is an award-winning writer and New Yorker based in Los Angeles. Her poetry, prose, and journalism have appeared in PANK Magazine, The New York Times, Newsweek, The Rumpus, The Naugatuck River Review, Pelican Bomb, The Atlantic, The Two Weeks anthology, and elsewhere. She recently participated in the Kenyon Review’s Summer 2023 Poetry Workshop. Learn more at https://writing.hannahmiet.net/ or follow her on Instagram @hannah_miet.

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micro fiction micro monday short fiction

End Game by Laura Brown

End Game | Laura Brown

We chased them in circles, kicking up clouds of dust – big, cumulus columns of fine red dirt – until, giggling and screaming, we were outside of ourselves, wound up into something like madness, at which point Gran would bang open the screen door and yell at us to cut it out and leave them chickens alone, and when we ignored her, pose the existential question that gradually brought us staggering to a sweaty halt, bent over with hands on our knees, panting and laughing a little more uncertainly, the dust settling, the chickens strutting off, indignant, out of reach, and we would all decide we were tired of the chase and race to another corner of the farm to do something else.

God, the angles of him. Long legs bent at the knees, ninety degrees to the floor; his back an acute line to his thighs when he leans forward, forearms resting on his legs. I am not available for this, but he dissolves me. 

And what do y’all plan to do when you catch one? Gran would yell from the doorway, fists on her hips, and that was the question that eventually stopped us, because the chase was exhilarating, but it had to end one way or another – either we stop, or we succeed – and never having succeeded, I didn’t know what would happen; I didn’t know what I planned to do; sometimes I had a vision of talons and beaks turning on me, tearing at my flesh, rivulets of bright blood dripping down my arms; other times, I had a vision of grabbing its body and finding that it was warmer and softer and more yielding than I ever dreamed, that I couldn’t stop myself from squeezing it hard and harder, crushing it to my chest, possessing it at last, until it goes limp in my arms, and when I let it go, it falls to the earth with a thud. 

God, everything about him. The intensity of his eyes, the stillness of his body except for the energy in his hands, rotating the base of his glass like a pitcher on the mound fingering a ball, studying the strike zone, watching, waiting.  

Maybe what I wanted was to be fast enough to catch the chicken, hands on either side of the wings, ready to clasp, and to freeze that moment in time; then the bird turns and cocks its head to the side to fix its liquid black eye on me, pausing, standing still as I brush the tips of my fingers against its feathers, grazing it just enough to feel the staccato pulse of its heart beating more than five times a second; then I draw back, right myself, and walk away, the bird looking after me, following me for a few steps, perhaps. 

But this is not the kind of thing that happens.  

About the Author:

Laura writes long and short fiction in New Orleans, Louisiana, with no particular qualifications besides a life-long love of stories and storytelling. Her work can be found in Barely South Review, Hemingway Shorts, Welter, and elsewhere. She’s working on her first novel, if you know anyone.

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micro monday micro nonfiction short creative nonfiction

My Life as a Frog by Tina Kimbrell

My Life as a Frog | Tina Kimbrell

I spent my days in a pond with the frogs. I stood with the tiniest tadpoles and the tadpoles caught in the in-between, their little legs sprouting from their bulbous teardrop bodies. My body loomed among them—a foreign pulse. I stepped around the edges, watched the grown bodies dart away in waves and bellyflop back into the water. I sat alone in the tall grass nearby, legs chigger-bitten and scabbed, and watched the cattails wag with the weight of red-winged blackbirds. Their nests were buried somewhere deep in the weeds. They would leave and return again and again.

At night, my mother worked at a factory, deboning whole chicken after whole chicken with her gloved hands. My father drank beer after beer after selling couch after couch all day. At 11:00 each night he left to pick up my mother from the factory parking lot. I was in bed but not asleep, sprawled on top of humid sheets. When I saw the headlights glide away and across my bedroom walls, I walked out onto the back deck in the dark and listened to the constant chirp of tree frogs, the low trill of bullfrogs. My eyes adjusted just enough to see the outlines of trees among the glowing confetti of lightning bugs, the yo-yo bounce of bats overhead. But the frogs remained invisible and loud. Their throats throbbed a woven chorus, blanketing the night with me inside it.

I would sit and wait. I would cling to the wood and watch for the familiar headlights turning back again onto the gravel.

About the Author:

Tina Kimbrell is from rural Missouri and now lives in eastern Iowa where she works from home in the educational technology industry. She received an MFA from the University of Washington. In her free time she enjoys learning how to play roller derby, visiting roadside attractions, and hanging out with her dog.

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micro monday poetry

The Cicadas of September by Matt Mason

The Cicadas of September | Matt Mason

The song of summer is cicada drone,
buzz and flow in surround sound stereo
where every tree you walk past
adds notes to the whole grand chorus.
You only see them at the end
of their measures,
when you open your front door
and see one there on your porch
in a body that crunches
if you dare to touch it—
though its wings look soft, still, virtuoso
in meditation before their obbligato,
as if ready to snap and decide
between finale and flight.

About the Author:

Matt Mason has run poetry workshops in Botswana, Romania, Nepal, and Belarus for the U.S. State Department and his poetry has appeared in The New York Times. Matt is the Nebraska State Poet and has received a Pushcart Prize as well as fellowships from the Academy of American Poets and the Nebraska Arts Council. His work can be found on NPR’s Morning Edition, in American Life in Poetry, and in several hundred other publications. Mason’s 5th book, Rock Stars, was released by Button Poetry, September, 2023. His website is: https://midverse.com/

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micro monday poetry

the come back by Simone Flynn

the come back | Simone Flynn

there’s a moment when you fall
into the long way home
and you are driving by yourself 
your windows are down
your child’s takeout 
saag paneer and naan 
in the back seat 
and you go the long way home
down southeast street 
and then just one street more
farther than you need to 
to stay in this place 
where you are your own home 
where there is no difference 
between you and this summer evening
and it is so beautiful 
everything you ever gave away
come back to you in fireflies 
and roadside tiger lilies

 

About the Author:

Simone Flynn is a poet living in Massachusetts. She has published creative work in Anthropology and Humanism and academic work in PlosOne. Her poems engage often domestic situations, relationships and objects to understand self and others — to offer catharsis and comfort. “You write the poetry of life” is one of the best compliments Simone ever received about her poetry.